Events

Poem: The most beautiful thing, for Earth Day

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Monday is Earth Day, when many of us especially remember the gifts of the Earth, its fragility, and our responsibilities towards it. Today (Saturday) in my town we’re having a bit of a celebration down by our river, focusing on good local food and organisations which are seeking to care for our patch of Earth. There’s music and friendship and crafts and storytelling, and local businesses who are doing things differently – beautiful local bread and saffron and wild venison and plants and flour ground by our tide-mill among other things. It’s a good way to mark the occasion.

This spring, I’ve been enjoying Simon Armitage’s beautifully illustrated new collection, Blossomise, in collaboration with the National Trust. I highly recommend it. It’s a celebration of the blossom season, transient and determined, which for us starts in February with this lovely cherry plum, or mirabelle, and is carrying on from one tree to another in our growing collection of fruit trees. We have one apple who is always alarmingly late, but the buds are beginning to swell. Maybe by mid May, if its mild, it may offer the season’s swansong. I also highly recommend the beautiful Orchard by Benedict McDonald and Nicolas Gates – I sent a copy to my MP as a gift when she was Secretary of State for the Environment.

I have been thinking of the Japanese love of blossom, and how it’s fleeting ephemeral nature makes it so precious to them, and to the rest of us. In some ways, it’s a modest theme for such an expansive day – when we consider the whole of this green Earth, but I kept being drawn back to it, so here we go. I think what draws me to it is twofold: there’s something about the dazzling beauty of blossom which is so transient, so easily lost which reminds me of the beauty of all the trees, and oceans, and rivers, the great all of the good Earth which we love and are harming and are called to tend and care for. And secondly, there is the draw of the particular. When I look at the big picture, I am often overwhelmed and frequently despairing, and so I choose to focus on the small, the local, the actions I can take for the trees in my area, the bats who will soon be flying over my garden, the sorry state of my – of our – local river. So this poem I’m sharing with you for this day is, like blossom, small and light.

The most beautiful thing

Outside, the blossom is in full glory now,
white star-flowers, delicate as tissue,
on black, angled branches –
like a print by Hiroshige.

I gathered a blown branch
from the ground, and brought it
in to shimmer on my mantelpiece
in a tall green bottle.
It is the loveliest thing in the room,
the loveliest thing I might call mine –
mine, perhaps, not as possession,
but in relation – as in sister
of mine, the dancing blossom tree.

For dance she does as the
cold wind blows,
gusting and wild,
in a snowstorm of petals
that dress the air about her.

And sister she is too, although
the resemblance is slight.
We share kinship in
chilly breezes and soft rain,
nourished alike by this deep
dark soil, and made of it,
depending on the same
gifts of Earth for our
brief time of flourishing.
This felt kinship, truly the
most beautiful thing,

As like her, I dance in the
gusting wind, and like her,
I look for tomorrow
and the promise of sun,
and birdsong,
and I too hope for
the gentle buzz of bees
and the fruit that is to come.

Hiroshige blossom

If you are looking for readings for Earth Day, you might find something on this blog to suit. Please feel free to use my work, saying where you found it.

Here are a few suggestions, but if you search by Nature, Creation, Green, there will be many others

Gaia at Ely Cathedral
Enough
What might it mean, to live well on a dying earth
Rooted
I hear the song of the earth
A parable
The grace of seeds

I thought I might mention here a few podcasts I like to listen to – I’ll just name them as there are so many different podcast providers. A thing I am noticing amongst those who are working with the land and especially the rewilders is the most deep sense of joy, purpose and accomplishment. There is a rising change in our relation to the rest of the natural world, and perhaps a thing we can all do is cultivate a love and practical care of our place, and find others to work with. So, here are some listening suggestions….

The Jane Goodall Hopecast
The Knepp Wildlands Podcast
Rewilding the World with Ben Goldsmith
The Rewild Podcast with James Shooter
Learning How to See with Brian McLaren – latest season is Seeing Nature
Wild Podcast by Grange Project
How to Save a Planet (for a more North American emphasis)

A little tree rehoming scheme……Some of the saplings dug up from my garden and very kindly donated by others. I’ve passed on about 270 now to local people who are planting woods, orchards and hedgerows. Strangely, it seems to be a notion that has found its moment!

Happy Earth Day.
May the place where you live flourish. May the places your food grows be bountiful. May your air and water be clean and life-giving.

Poem: Gaia at Ely Cathedral

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I’m sharing this post again, September 2023, as part of the Season of Creation some Christian traditions are marking at this time. So many of us have experienced extreme weather conditions this summer. I write in exceptional September heat, surrounded by welcome green from earlier rain.

I hope you find this post a helpful starting point for contemplation.

Additional note, 24th September. I am delighted that this post has appeared at The Cottage, Diana Butler Bass’ rich and thought-provoking Substack, this morning. I’ve admired her work for many years, and it’s such an honour, and very exciting for me, to find myself in her company today, under Inspiration. It’s a profound exploration of envy and gratitude, and a reflection on the deep drivers of our climate and ecological crisis. It’s well worth reading and allowing it to do its inner work on us. You can do so here.

Original post, published 12th July 2021, emerging from lockdowns:

As we are beginning to venture out a little more, we thought we would pay a visit to Ely, and the vast indoor space of its ancient cathedral. They often have contemporary art there, which helps the old stones continue to sing, giving a new perspective on ancient truths. We knew that Gaia, an installation by Luke Jerram, was going to be there in July, and so we went and saw this beautiful, astonishing sight. The comparative emptiness of the cathedral space made it all the more powerful as it floated above us.

And as the space is vast, and it takes time to walk up to, around and beyond the piece, you do have time and space in which to allow the work to speak to you, to stir up responses, and to pray. I am sure that one of the intentions is to give us all an opportunity to experience something like “earthrise”, when the astronauts first saw the whole of the Earth from space, and how that shifted their perspective, and began to change the way all of us are able to see our home. The staggering, indescribable beauty of the whole called out my sense of awe, which sat uncomfortably alongside my awareness of the damage we are doing to our precious, unique home.

In the setting of the cathedral, as Gaia hangs in the nave under the painted ceiling which tells the long stretch of the Bible’s story, I found the language of repentance surprisingly, and helpfully, came to mind. Repentance both in our more familiar understanding of sorrow for wrongdoing, and desire to amend, and in the possibly more ancient meanings carried in the old texts, of returning home, and of undergoing a profound change of mind – a paradigm shift in the way you see.

Much of my writing celebrates the beauty of the natural world, how lovely, precious, and vulnerable it is. But sometimes, that love spills over into grief. So the old stones, and the old story, seemed illuminated by our current crisis, and, in turn, those ancient words seemed to express something necessary, and powerful, and, in the end, with the potential for hope.

You can listen to the poem here.

Gaia at Ely Cathedral

She seems to float, lit up with her own light,
slowly turning, blue and blooming with clouds
as we walk up, look up, small before her.

While above our steps,
the familiar painted roof
rolls on, telling its painted story,
from the tree, and the garden,
on towards this

fathomless shining beauty,
the ‘all’ that was so very good
in that beginning.
Now as she turns
we see how she hangs
below the story’s last scenes –
the gift of a beloved child
held on his mother’s lap,
held forward towards us,
loved and given and giving,
and the wounded golden king,
who gives still.

And below, below hangs the whole shining Earth,
dazzling, vast with sea,
turning and flowering with clouds
from the southern ice-shine,
melting although we do not see her weep,

And the land, those small green swathes
and swags, are dressed in white too,
a veil of vapour,
while the deserts spread brown
and red above our eyes.

The lands are small, countries
seem tales we tell.
What is certain is this one great
flow – ocean and ice and cloud –
and the unseen winds that bear them
through our blue, breathing air.

And the people stand beneath her,
lit by ice, and hold up their hands
as if to carry her, or hold her,
or save her from falling.

How beautiful it is.
How strange and wondrous
that we should be creatures
who live within so much living perfection.

And as she turns slowly
under the child and the king,
I wonder, what do those
familiar words mean now,
‘the sins of the world’,
as the stain of our reckless harm
seeps through the blue and green,
through all this living glory,

And is there any hope in our
waking up to beauty with grief
and loss, even as dust and ashes
float across the sky,
across us all, late as we are
in our repenting?


And is there hope,
hope that we might be granted
this grace – time
for amendment of life,
to tend the garden
with its leaves and fruit,
shining and greening,
to take part in the work
of loving and healing,
of restoration,
of making all things new.

Looking at Gaia from behind the communion table brought to mind the words of repentance from that service, and I was aware of my sense of what “the sins of the world” might mean was creaking open a little wider.

Poem: Matisse Cut-Outs, and a nod to David Hockney

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Matisse, The Parakeet and the Mermaid, 1952

I shared a poem with you last week – What the space holds. Writing that poem reminded me of the extraordinary Matisse cut-outs, imagining the negative spaces left when his scissors had finished thier task. I realised that I’d never shared with you a poem I wrote about those works…..

Tate Modern in London had a very beautiful exhibition some years ago, in 2014, of these late and astonishing cut-outs. I was deeply moved by what we saw and experienced. You can still buy the catalogue from The Tate – and other places too – if you’re interested. As ever, as a book that accompanies a major exhibition, it is a revealing and insightful exploration of the work.

A thing that struck me was the contrast between the photos of the frail but engrossed artist, towards the end of his life, and the vibrant, joyful celebration of life itself that the cut-outs embodied. The vitatlity of the art he created sang from the walls. Finding it hard to make art in the ways he had before, he developed this extraordinary technique to transform his relatively confined spaces into a paradise of form and colour.

I felt the deep wisdom of this response, this openness to beauty, to nature, to life as a whole. It seemed to offer a brightness that could illuminate our days.

Henri Matisse working on paper cut out. Undated photo. Getty images

Matisse Cut-Outs

The rooms are thick and warm
with people looking, in reverence.
There is a hush
as we move like pilgrims
through doorways
and spaces full of quiet light.

There are photographs of you, in bed,
or tucked in a chair, old and crumpled.
Yet, in your outstretched hand is that
long stick, tipped with charcoal,
drawing, drawing,
or a curling pile of paper at your feet,
unravelling from those black scissors.

When the outside became unreachable
you turned your rooms into a garden,
with swallows dancing on the walls,
and fig leaves, and pomegranates,
mermaids and stars.
You are covering your walls with
bright cut-outs that sway in the warm breeze,
lavender and myrtle, while you breathe deep. 

This is what you did
while pain nagged close,
while death grew closer.
You made the beauty
you could make.
You made joy visible.
You did not stop –
in the shadow of
so much destruction,
so much war-grief –
you kept the charcoal
and the scissors moving,
an Eden at your ending.

I thought again about this exhibition a few weeks ago when I went to the Lighroom at King’s Cross with my daughter to see David Hockney’s Bigger and Closer (not smaller and further away). I loved the way the projections immersed you in the work, especially the Spring pieces he’s been developing using an i-Pad. You felt the power and beauty of the trees bursing into life, the brightness of the green, the froth of the cow-parsley. I bought a book as a souvenir, Spring Cannot be Cancelled, which I’m currently reading. It’s particularly good at capturing the mood of lockdown in his Normandy studio, and the intensity of the observations of the arrival of spring that time of isolation and deep uncertainty generated.

I was wondering whether to couple these two art events together, I do hope Hockney has many more prolific years ahead to enrich us all. I do not mean to suggest that he is an artist at the end of his life. But it seems to me there is something in common between these two artists in the intensity, freedom and joy of their later work. There is a real clear-sightedness and poignancy in the appreciation of beauty, and an urgency too. There is a deep embodied wisdom and wonder which pours through to the viewer.

It reminds me of Mary Oliver’s “instructions for living a life”:

“Pay attention. Be astonished. Tell about it.”

Poem: Unknown. June twilight 10 o’clock

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A starry wood – photographer unknown.

Welcome back to the blog! Thank you for joining me here in the garden again.

One of the great joys of summer evenings is going outside to look at what’s happening in the warm, long twilights. In particular, I love to look for bats as they tumble and swoop over the long grass, and above the shrubs. Last year, we had a bat recorder in the garden, part of Transition Woodbridge’s wildlife corridors project. It’s fascinating to find out what treasures we have, and to work together to try and encourage more. There was an evening event with feedback, and you can find out a bit more about it here, following the links. I was sad to have missed it, as we were away. But I know there are bats here.

The garden at night is a very different place from in the day, quite mysterious. I’ve been thinking about the many creatures who come to or live in the garden who I don’t know and can’t name. I’m learning all the time, but the more you find out, the more you realise how much you don’t know. I’m learning too not to mind the mystery, to find out what I can but to just enjoy the beauty and variety of creatures we get to see, and hear. To notice the detail and the behaviour of creatures that may in time help me to find out what they are, but now the noticing is enough, and a real source of delight. We know the muntjak and the fox, and a hedgehog from time to time, are there at night, we hear an owl and know there are mice, and probably voles, but the unknown creatures bring something special to the experience of being in the garden too, Not rushing to id everything, but instead being open to observe with awe, is something I’m coming to love. You don’t need to know what things are called to appreciate them. You can also do your own naming!

So this theme, of unknown and unnamed things, begins to unfold in this poem. I think there might be a few more pieces exploring this way of seeing too.

I don’t have the tech for night-time photography, so the words will have to do.

Unknown
June twilight 10 o’clock

We went outside to look for bats,
up against the navy and turquoise sky,
up among the slick sycamore leaves,
up above the long grass where
pale moths flutter.

We waited in the thickening dark,
quieting, and then saw a black shape
twisting and swooping amongst
the other night-flyers –
a heavy beetle lumbering,
ghost-moths, silver gnats.

In the day, all can seem
sweetness and light. The smell
of roses and lilies hanging in the soft air.
Our own familiar world, we can think.

But now, darkness reaches
closer than our
outstretched fingertips.
The bat flies overhead,
joined by another,
and another,
and we hear sounds too
down in the long grass
down in the deep cover of
the borders.
A rustling and a moving
that grows louder as the
space is transfigured
by darkness, strange
creatures blooming in the
imagination, unknown
and unnamed.

As looking up again, I see
the gathering stars
sometimes obscured by
stretched and fluttering wings.
There is so much unknown
to me, so many names
have never been on my lips.
The quietness of unknowing
is upon me, even as

I seek to learn. And
I find I am discovering, mainly,
what it is to live in wonder,
to walk slowly, and in awe.

Poem: The Wash, high tide, knots rising

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RSPB Snettisham

Last month we took a few days to visit Norfolk, staying by the Wash. UK viewers of Winter Watch and others may have seen some awe-inspiring film of one of the UK’s greatest wildlife events – sometimes called the Snettisham Spectacular. Maybe you’ve been lucky enough to see it for yourself. We decided we’d go and try and catch this sight, when a very high tide drives the birds off the mix of saltmarsh and water, into the air in huge flocks, and down into lagoons cared for by the RSPB. Their website (linked above) will help you get a taste of what its like, as well as some information about when these high tides happen.

Of course, there are never any guarantees with nature, but we got up very early and went to Snettisham in the dark, on a cold February morning, full of anticipation. I’d decided on flasks of coffee – which turned out to be an excellent idea! It was the most moving experience, deeply awe-inspiring, to see a landscape so full of life, and the wildness behaving freely as it should. I am sure that there have been times when there were more birds, and more wild, here, but it was nonetheless a glimpse of a more beautiful world, the world closer to how it should and can be.

You may also be aware that this precious landscape is vulnerable, and a new development could have a huge impact. If you want to find out more about that, you could begin here.

I wanted to try and capture the beauty of what we saw, and also the depth of experience that aroused in us and the others perhaps who were gathered there, and so this poem recounts the journey through the dark, and into the dawn-light of this beautiful sight.

C and A Wild Images Knots

High tide, the Wash, knots rising.

Out in the Wash-marsh,
the dark-before-dawn,
we walked
uncertainly, deeper in,
listening warily for water
sounds, mud sounds,
as we heard, out on our right,
the loudness of bird and tide.
Restless, growing, imminent.

The path seemed so long
in the dark, unknowing and
unseeing as we were.
On and on until at last we came out of
hedge-shadows and reed rustles,
out on the open bank of shingle,
with a chill wind blowing,
with the dark softening into the grey of
mist and ice-fret, as out of the
greyness emerged
a gathering crowd, moving, looking,
watching that density of black birds
emerging too, out there on the
mudbanks and sandbanks,
crowding as the water was rising,
All prickling with anticipation,
all readying for flight.

Through a lens you could see the
black backs of oystercatchers,
tens of thousands, all facing one way,
bright beaks aligned like many compasses.

And further out, paler knots,
rippling over the shrinking land,
their voices sounding together
as water lapped and lapped ever deeper,
full of fish washed in on this rapid tide,
followed by the hungry seals,
heads up, and hunting.

The bird noise grows, and the waders
begin their great lift,
A few at first, tip toed,
up and down like dancers
performing the perfect jete. Then,
as waves pour over their islands
and there is no room for all these birds,

They lift and stay lifted, from the edges,
like a great cloth, swirling now
above fast running water
rilled with small waves.

And then the oystercatchers
begin to pour like dark smoke,
like sentient smoke, as one,
all to the right, pour down
into the lagoons behind us.

While the knots, catching
the rising light, rise too,
turning pale now, loud with cries
and loud too with wings,
like a great crowd running joyously,
like a shining cloud swirling in the wind
but with mind, with being, with will,
a great pale creature rustling
and winding through the air over us,
close and low, and then down
in a whispering snake’s head behind.

And again, and again, rise up more
swirls of birds, faster and wider by
the tens of thousands, of wings
all together, birds turning together,
a miracle of unity,

As wings beat like hurried feet
as more people rush to look up,
and the waves take more and more
ground from under us all.

And I cannot tell you
what joy, what exultation –
And I write from longing to tell
you what joy, what exultation,
we humans, standing, feel
in this wide and wild abundance,
this wild and wide abandon.
This deep unity, this wide-wild-eyed
seeing into the communion of things.

As a sudden sound is added even to
all this loud crescendo,
like thunder, like jets,

The rise and beating of great wings –
pink footed geese
beyond number, beyond measure,

filling the sky with clouds of
moving birds, spinning fast now into
great skeins that wind over the deep
distance, loud and louder
bright on the dawn,

Bright with the wonder of wings lifting,
Bright in this new, steady,
giddying light.
A light that washes through us all
A light that holds us all
As dawn breaks us wide open.

If you search online, you’ll find some films of the birds, like this one.

I hope this gives you a glimpse of how beautiful a sight it was, and how transformative.

Yesterday evening I had the great privilege of reading this poem to open a series of talks organised by the Woodbridge Climate Action Centre. Local friends, tickets are free, and are going fast. The series is called Regenerating Living Landscapes, Working with Nature.

It is possible that a recording of last night’s event may become available. If it does, I’ll make sure there’s a link to it here.

19th May Note:
As you can see from the list above, tonight is the last talk in the series. Once again I’m delighted to have been asked to read something, and the poem I’m going to read is A Good Place, which is also on this blog. As usual, click through to read it.

River Poem: Homecoming

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The River Deben at dusk.

The river is quieter in the summer – at least, it’s quieter for birds. It is busy with us humans loving and enjoying sailing and swimming and rowing and all the other things which bring us onto and into the river. There’s been much going on too about protecting the river, and I was part of an event a little while ago where we celebrated and spoke up for our river, which is the lifeblood of the town and its people, as well as all the other communities of creatures within and around it. You can read a little more about all this here if you would wish.

Photo by Lorraine Ruth Leach, Save the Deben

But, this is a poem about those birds, mainly the waders, who are far away to the north all summer. It’s so good when begin to return, as they do now and all through the shortening days. The lowlands of the east are a haven for so many migrating birds, and many are working to protect and enhance the wild places that shelter them. Just this week, the Suffolk Wildlife Trust have announced very exciting plans for rewilding part of the Deben’s watershed – Martlesham Wilds. You can read about that here.

Over the long and beautiful days of summer, I miss the winter birds – the godwits and the lapwings and the curlews and the redshanks, and so many others. I feel so honoured to live in a place blessed by their presence, by their return year after year. It’s so precious, and precarious. So here is a poem that rose up as I leaned on the flood defences, and watched the sky and the mud, and greeted the homecoming birds.

Homecoming

Oh, the waders are returning –
swooping now over the water,
their wings and tails flashed
with white against the slow dark
shimmer of river and mud.

How good to see them again,
to hear them again,
their plaintive calls
rising like long echoes of
winter, of the far north
where they have been
all summer long.

The godwits have their heads
down now, probing river-mud
for worms – again and again,
hungry, windblown,
wings aching with effort
of flight across open,
chilling seas, exhausted
and home at last, jabbing and
jabbing with their strong beaks
for worms that have been
quiet all summer, deep down,
low with heat and drought.

How I have missed them,
with their cries and angled flight,
and as the days darken,
it feels now as it does
when old friends return,
and we share a table together,
feasting and talking long
into the gathering night,
together, and content.

Sunday Musings – by Diana Butler Bass – The Cottage

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https://dianabutlerbass.substack.com/p/sunday-musings-e24

I’m so delighted to have one of my poems included in the wonderful Diana Butler Bass’ blog. I love her work and am currently feeling quite excited! It’s almost like I’m participating in the Wild Goose Festival from my rather hot garden.

Here’s a link to the whole poem – the first of a series.

The ‘Mary, at your feet’ poems – One

I was thinking of the small, wind-carried seeds that now fill the meadow patch of our lawn, and how we never know where our words will blow to, how they will land, or what future flowers they may bear.

Edit: 19th July.
I’ve just listened to Diana Butler Bass’ sermon on All the Marys. Wow. It’s extraordinary. Some astonishing new scholarship and some powerful rethinking of the Mary and Martha texts. I’ll do some pondering, and find out more, but here it is. If you have access to Substack, listen and be astonished.
What if this is a valid interpretation?

https://dianabutlerbass.substack.com/p/all-the-marys?utm_source=podcast-email&utm_medium=email#details


Peter the Rock, Mary the Tower.

https://dianabutlerbass.substack.com/p/all-the-marys?utm_source=podcast-email&utm_medium=email#details

Poem: River Haiku – April 2022, Updated to include Save the Deben event.

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Our beautiful river, the Deben in Suffolk, is in trouble. Testing of the water has revealed that untreated sewage is being dumped. The estuary is a Site of Special Scientific Interest, rich in wildlife, and yet still this is happening. The river is the economic lifeblood of the community, with sailors and walkers, canoeists and birdwatchers all making a vital contribution to the towns and villages by its banks. Wild swimming has also become increasingly popular since the pandemic. We solved these problems long ago – having dirty, unhealthy rivers – and yet, here we are. Economics seems to be a good servant of humanity, and an exceptionally bad master. That can change. The water company – here as elsewhere – can be held to account. Reform of practice is more than possible.
You can read more about the situation and our local response here.

There was a rally and march on Saturday 23rd April, the National Day of Action for Water Quality.

You can see a report on Channel 4 News here.

I was very sorry not to be able to go, stuck in the garden with covid – although I couldn’t have a nicer spot to be stuck in. Counsillor Caroline Page (Lib Dems) asked if I felt up to writing a haiku that she could share on my behalf. I’m delighted to be asked and have had a go through the brain fog.

A poet herself, she read it out at the beginning of the rally.

Photo by Charmian Berry

It then joined the march…

Photo by Ruth Leach
Photo by Ruth Leach

You can see more pictures, and video clips, on twitter here

I’m very proud to be part of this fantastic community, who love their place, and seek to protect it.

Photo by Ruth Leach

River Haiku – April 2022

The river breathes life
for fish, otter, bird and us:
Now death flows, we speak.

It’s such a wondrous river. Let’s treasure our places, and care for them.

Updated 24th April 2022 to include coverage of the Day of Action.

Woodbridge Climate Action Event

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I was so delighted to be asked to be involved in this local event. Our town council has a thoughtful and dedicated Climate Emergency Committee, who invited a range of speakers and exhibitors who could talk about what they are doing, and what we could do, to work more harmoniously with nature to tackle the double and linked emergencies of biodiversity loss and climate change.

If you’ve been reading this blog, you may recall that last autumn I gathered a community poem, November Leaves, and read it out at a council meeting. You can find out more about that here and here. It was following on from reading that poem at a council meeting that I was invited to begin each of the two days with a poem. As I looked through the programme, and wondered what to share, I was struck by the breadth and depth of the experience covered by the speakers.

I’d just like to briefly share with you the poems I read.

Waldringfield Saltmarshes – Seal

This thin strip of solid ground
turns away from the shore,
snaking through saltmash –
sea lavender, sea purslane,
samphire glowing
in the fading light,
the saltsmell of algae –
until we are far from
ploughed earth,
far out on this wide,
flat, dizzying
land-water-scape.

Pools of infinite grey mud,
the hiss of water receding,
we walk just as the tide
turns to ebb,
this winding path our
thin line of safety,
draped with a strand-
crust of drying weed,
studded with hundreds
of tiny white crab-shells,
oysters, mussels.
How fragile I feel myself
to be.  How quick to be lost.

After many turns further,
and further out,
we come to the place
the path stops.
On the other bank,
we can see the woods
where great white egrets nest.
At my feet, the red of a
spent cartridge hurts
my eyes
as I hear oystercatchers,
and sweet skylarks,
and water,
and wind scuffing the water.

There, at the end,
the limit of where we could go,
we saw, in the water,
the seal –
a low flat head,
intelligent eyes,
sleek and fat,
as grey and rounded
as the mudbanks –
swimming.
We crouched, concealing
our profiles from the
luminous sky,
we held our breath,
and watched its dive,
and breath, dive,
and breath.

And as it swam upstream,
we turned to go back,
retracing our steps exactly,
watching its joy,
its contentment,
as we grew closer to solid
ground, the smell of ripe
barley after rain,
and mallows,
and sweet chamomile
carried on the breeze,
welcoming us.

But the taste of the saltmash
sustained us,
sustains us,
the peace of the seal
stayed with us,
stays with us.
And the cry of the curlew
remains.


 
 

One hundred and ten years

Despite this cold
there is a shimmer
of life in the air above
the beds, where bluebells
begin their opening.

Tiny flies, and larger,
and bees, and the
occasional, beautiful,
butterfly – look, just there.

I watch them in awe,
all these tiny specks of life.
Each small thing part of
The garden’s constant dance,
each being knowing
their own irreplaceable steps.

I wonder what it was like,
over a hundred years ago now,
before the house was built,
when all this was orchard.
Did butterflies rise in dense
bright clouds as you walked
through the long grass?
Could you lie down softly
and hear the loud hum of bees
in the speckled blossom above?

Perhaps, like
Tom’s Midnight Garden,
that rich place is still here,
in the shadows.
And perhaps, I hope,
it is becoming
less ghostly, more embodied,
more visible, humming
in this shimmer of life in the air.
Growing stronger
after so many years,
as if seen with eyes
as clear and sure
as a dreaming child’s.

As the emphasis of the weekend was on action, and in particular localism, I came away feeling greatly encouraged to keep doing the apparently small things I am doing. To shop locally and seasonally, to allow the garden to grow with the aim of increasing its abundance of life, to buy less and what I buy to be as thoughtful as I can, to connect to others who are seeking to support nature and create networks where life can flourish.

The news about the climate emergency is pretty dire, but I’m trying to look at what I can do, and what we can do, and seeking to add my voice to those who are calling for change.

November Leaves Community Poem – Update!

/ andreaskevington / Leave a comment

Last time, I shared a wonderful piece of work with you. It emerged from the people of our town during the Global Day of Action for the Environment, at the mid-point of COP 26 earlier this month.

You may remember that we invited people to write down their hopes and fears for the environment on cardboard leaves, which we tied to a tree in the main shopping street, The Thoroughfare. I then wove those words together into a poem. You can read it, and more about it, here.

Now, the finished poem is itself tied to the tree where it began. It felt like a homecoming, tying the people’s words to the tree.

The leaves themselves seemed to precious to discard, carrying as they did such heartfelt words. St Mary’s Church in the town is taking care of them. They are hanging up near the back, as part of their display on caring for the world. It’s full of helpful, thoughtful suggestions and reflections.

There are some extra leaves so you can add your own contribution to the tree, too, as well as encouragement to “Go one step Greener”. The church is open for prayer and contemplation between 10 and 4 Monday to Saturday, unless there is a special event. Local people, it’s well worth a visit.

St Mary’s Church Woodbridge. You can see the poem on the noticeboard, and the leaves on the tree in the background.

I’ve sent a copy to our MP, Dr Therese Coffey, too.
Edit note 13th December: I’ve received a letter from Dr Coffey, with thanks for the poem and some information on what the government has done and hopes to do for the environment.

Last night, I was able to share the poem with the Town Council – reading it out and giving a physical copy. It seemed a very good, hopeful way for the meeting to start. They listened attentively and appreciatively, and responded with applause and real enthusiasm. So, if you were one of the local people who contributed their hopes and fears to the poem, do know that our local representatives have heard you, and will keep a record of your words in their minutes too.

It was so good to be able to do that. Our council are doing a great deal to take care of the beautiful place where we live, and are keen to do more. It’s good to be able to give voice to the hopes and dreams of people in the town, to share them in places where they will be heard, and will, in turn, do their work in other minds and hearts.

Each small thing matters. You never know what will grow from even these leaves.