I’m sharing another poem from my collection-in-preparation with you, as promised. I started gathering and writing poems last March, and so this Easter poem – and the one to follow – were amongst the first new ones I wrote. So, quite simply, here it is….
Mary Magdalene at the Sepulchre by Harold Copping
Mary in the garden
It was in the garden that Mary stood weeping. First light, first flush of green spreading over the warming stones. A quiet place, now.
Alone, shocked, bewildered, she did not see the flowers opening at her feet, or hear the song of the turtledoves.
For she is one who stands by a tomb lost, deserted, heavy-burdened with grief – the weight of a million tears – as if this grief might carry the pain of us all.
And seeing you, she did not see, thought you were like a second Adam, tending the garden in this strange new dawn.
Then, you spoke out a name – her own name. Mary. She knew you then. What must have risen up in that broken heart, touched as she was by your tenderness. Yet as your eyes met, her hand stopped in the warming air between you, singing with birdsong, shining with light.
John 20:11-18, 1 Corinthians 15:21-22
If you would like to read the story, you can find more in the link below….
Here is another poem of resurrection – this one exploring the deep, unwitnessed moment of awakening. I’m intrigued by the stirring of seeds, the quiet power of life returning in Spring, and the imagery of spring filled my mind as I thought about Easter resurrection. My forthcoming book – The Year’s Circle, publisher Wild Goose – weaves together poems from the church seasons and the Earth’s seasons. In this piece, I hope, the presence of spring hums through.
I love the way Eastern Orthodox icons celebrate resurrection not as an event involving one alone, but as something including all those needing to be set free…. and gives us an insight into the pattern of life out of death, hope out of despair, new out of old.
Before first light
Out of the earth, the grave, the tomb, the darkness, life steps out into a shining spring dawn.
Out of the seed, the grain, the stone, the pip, life uncurls in a shimmer of new green.
We do not see the moment of breaking, of rising, it is hidden in the dark womb of the Earth.
But perhaps the ground shakes, a tremor in the deep, as the stone rolls away and death’s imperial seal is broken.
Then, out of a cave humming with clear morning light – no need of grave clothes, no need of husk and shell and stone and seal,
No need of the linen napkin for it is finished, and folded –
Out of the earth who tends her dead, there is a great greening, an awakening, a rising up. Life, and life, and life is stronger even than the grave, and love is stronger than death.
And look, and see, all things are being made new. Now, and now, and now.
Matthew 27:65-7, Mark 16:1-7, Luke 24:1-11, John 20:1-10
If you would like to use this poem, please do so, giving my name and this blog as reference.
I’m sharing another poem from my collection-in-preparation with you, as promised. I started gathering and writing poems last March, and so this Easter poem – and the one to follow – were amongst the first new ones I wrote. So, quite simply, here it is….
Mary Magdalene at the Sepulchre by Harold Copping
Mary in the garden
It was in the garden that Mary stood weeping. First light, first flush of green spreading over the warming stones. A quiet place, now.
Alone, shocked, bewildered, she did not see the flowers opening at her feet, or hear the song of the turtledoves.
For she is one who stands by a tomb lost, deserted, heavy-burdened with grief – the weight of a million tears – as if this grief might carry the pain of us all.
And seeing you, she did not see, thought you were like a second Adam, tending the garden in this strange new dawn.
Then, you spoke out a name – her own name. Mary. She knew you then. What must have risen up in that broken heart, touched as she was by your tenderness. Yet as your eyes met, her hand stopped in the warming air between you, singing with birdsong, shining with light.
John 20:11-18, 1 Corinthians 15:21-22
If you would like to read the story, you can find more in the link below….
The Proclamation of the Virgin Mary by Harald Slott-Moller
Hello blog readers! It’s been a while since posted. I’ve been working on my collection of Poetry for Wild Goose, Iona Publishing, and have now submitted it. It’s been a huge project, taking me just under a year, and I’ve loved immersing myself in weaving together a pattern of words and images. I’ll let you know when I have news of a publication date, but I know it’ll be a little while before they get to it. As a quick reminder, it’s called The Year’s Circle, and it follows the seasons of the year – celebrating the unfolding natural world and the seasons some churches follow in their prayers and readings.
As many celebrate the Annunciation on 25th March, I thought I’d share with you the poem I’ve written for the new book. A meditation on the angel’s visit to Mary. In the book, I’ve placed it in Advent, at the time when we often celebrate Mary. It certainly suits spring too, with the stirrings of new life we see all around. I hope it also reminds us that new beginnings are often hidden, small, and in unexpected places. It reminds us to look beyond the surface of Empire and power, and see what is happening elsewhere. Those things may be more important than we think.
Anunciation
I see her standing at the doorway of her home as the earth quickens at her feet, awakening.
A sudden shaft of light falls on her and she raises her face to feel it warm on her winter skin
For one joins her there, on the threshold, with great wings folded. An indication, if one were needed, that he comes from another place, is made of other matter.
And so this strange meeting begins at the threshold of Earth and Spirit, Word and Flesh, Eternity and youth. The shining one greets her with a song of God’s favour, of one-to-be-born of her – as she draws back a breath into her accustomed room, afraid,
Tests the future with a question. For this high favour will take her down a dark path, and a dangerous one, with sanction and scorn and incomprehension – her own too.
Yet, even so, she takes that tentative step forward, towards the light, gives her Yes to all this, to being a God-bearer, carrying the Anointed One in the closed blood-dark room of her womb.
And so begins this strange folding of the infinite, the Alpha and Omega, into a single cell within a slight girl, the most vulnerable of forms, this Mary, full of grace. What strange and troubling gifts are these to stir the brightening air.
Luke 1: 26-38
The Annunciation by Domenico Veneziano – Fitzwilliam Museum collection
Many paintings of this scene are strong on architecture. Artists, like Domenico Veneziano, were experimenting with their newly developed techniques of managing perspective. This one has a tiny pinprick in the centre, the vanishing point on which all lines converge. They ususally place Mary inside, or in some kind of indeterminate space like this one – a sheltered, nearly outdoor space. As I was meditating on the passage, I was struck by the image of thresholds, of liminal space, tentative and uncertain but open to possibility. In these early paintings, you often find the angel and Mary facing each other, like this, across the space, and then your eye is drawn to another line directly from the viewer to the background of the image. A window with a glimpse of a view, a door – in this case the door is closed. The closed door is a symbol of virginity, but here, I can’t help thinking of another collection of symbols – the closed off way back to the Garden of Eden, a way out of the confines of law and punishment, a door out into the freedom of a rich and green landscape. This line, front to back, out of the picture, forms a cross with the direction of gaze between the two figures, and that intrigues me. It does seem like an invitation to walk that path out towards the spring, towards new and abundant life.
I notice that many of you good readers are looking at my blog for poems on the themes of Holy Week, so here is a link that will help. I have a couple of new pieces for Easter Sunday, I’ll try to get those up here in the next week. Please do feel free to use my work, crediting me and this blog. It’s so good to know my work is being read in different parts of the world. Thank you for your support.
I’m sharing this post again, September 2025 as part of the Season of Creation some Christian traditions are marking at this time. Meanwhile, I’m continuing to work on a collection of poems for Wild Goose, The Year’s Circle – and this poem is part of that work. I’ll be sharing more on that as we go along.
I hope you find this post a helpful starting point for contemplation.
Additional note, 24th September2023. I am delighted that this post has appeared at The Cottage, Diana Butler Bass’ rich and thought-provoking Substack, this morning. I’ve admired her work for many years, and it’s such an honour, and very exciting for me, to find myself in her company today, under Inspiration. It’s a profound exploration of envy and gratitude, and a reflection on the deep drivers of our climate and ecological crisis. It’s well worth reading and allowing it to do its inner work on us. You can do so here.
Original post, published 12th July 2021, emerging from lockdowns:
As we are beginning to venture out a little more, we thought we would pay a visit to Ely, and the vast indoor space of its ancient cathedral. They often have contemporary art there, which helps the old stones continue to sing, giving a new perspective on ancient truths. We knew that Gaia, an installation by Luke Jerram, was going to be there in July, and so we went and saw this beautiful, astonishing sight. The comparative emptiness of the cathedral space made it all the more powerful as it floated above us.
And as the space is vast, and it takes time to walk up to, around and beyond the piece, you do have time and space in which to allow the work to speak to you, to stir up responses, and to pray. I am sure that one of the intentions is to give us all an opportunity to experience something like “earthrise”, when the astronauts first saw the whole of the Earth from space, and how that shifted their perspective, and began to change the way all of us are able to see our home. The staggering, indescribable beauty of the whole called out my sense of awe, which sat uncomfortably alongside my awareness of the damage we are doing to our precious, unique home.
In the setting of the cathedral, as Gaia hangs in the nave under the painted ceiling which tells the long stretch of the Bible’s story, I found the language of repentance surprisingly, and helpfully, came to mind. Repentance both in our more familiar understanding of sorrow for wrongdoing, and desire to amend, and in the possibly more ancient meanings carried in the old texts, of returning home, and of undergoing a profound change of mind – a paradigm shift in the way you see.
Much of my writing celebrates the beauty of the natural world, how lovely, precious, and vulnerable it is. But sometimes, that love spills over into grief. So the old stones, and the old story, seemed illuminated by our current crisis, and, in turn, those ancient words seemed to express something necessary, and powerful, and, in the end, with the potential for hope.
You can listen to the poem here.
Gaia at Ely Cathedral
She seems to float, lit up with her own light, slowly turning, blue and blooming with clouds as we walk up, look up, small before her.
While above our steps, the familiar painted roof rolls on, telling its painted story, from the tree, and the garden, on towards this
fathomless shining beauty, the ‘all’ that was so very good in that beginning. Now as she turns we see how she hangs below the story’s last scenes – the gift of a beloved child held on his mother’s lap, held forward towards us, loved and given and giving, and the wounded golden king, who gives still.
And below, below hangs the whole shining Earth, dazzling, vast with sea, turning and flowering with clouds from the southern ice-shine, melting although we do not see her weep,
And the land, those small green swathes and swags, are dressed in white too, a veil of vapour, while the deserts spread brown and red above our eyes.
The lands are small, countries seem tales we tell. What is certain is this one great flow – ocean and ice and cloud – and the unseen winds that bear them through our blue, breathing air.
And the people stand beneath her, lit by ice, and hold up their hands as if to carry her, or hold her, or save her from falling.
How beautiful it is. How strange and wondrous that we should be creatures who live within so much living perfection.
And as she turns slowly under the child and the king, I wonder, what do those familiar words mean now, ‘the sins of the world’, as the stain of our reckless harm seeps through the blue and green, through all this living glory,
And is there any hope in our waking up to beauty with grief and loss, even as dust and ashes float across the sky, across us all, late as we are in our repenting?
And is there hope, hope that we might be granted this grace – time for amendment of life, to tend the garden with its leaves and fruit, shining and greening, to take part in the work of loving and healing, of restoration, of making all things new.
Looking at Gaia from behind the communion table brought to mind the words of repentance from that service, and I was aware of my sense of what “the sins of the world” might mean was creaking open a little wider.
I’m working away at my collection of poems, The Year’s Circle, weaving together the seasons of the year and the seasons of the readings many churches follow. And we’re coming up to the story we call the Transfiguration – when three of his friends see Jesus in an otherworldly, shining – vision? or what was it? – with Moses and Elijah from the Hebrew Scriptures. It’s a pivot point in the gospel accounts, important and central, and also strange.
Some have interpreted this event as a revelation of Jesus’ true identity, and perhaps a foreshadowing of the resurrection appearances, and perhaps a glimpse of the Universal Christ – a theme explored by Richard Rohr in his book of that name.
As usual, there is no explanation, no interpretation in the gospel accounts. And there’s something about the event which encouraged me to explore the way it asks questions of us – what we think is really real, and really lasting. How we see – do we see glory? Do we see cloud? Those explorations reminded me of the medieval work, The Cloud of Unknowing, and how beneficial it is to be open and patient with things that are beyond our understanding. It feels like a story to sit with in contemplation, expanding our way of seeing, inviting us into a deeper and truer experience.
Earl Mott’s painting of the Transfiguration
When I was reading Luke’s account I was struck, as I often am, by his ordering of the events. There seems to be a theme emerging, with questions of who Jesus was, and also, what greatness might mean. And so I wrote a short series picking up those themes and exploring them. There are other events woven through that are not covered by the following sequence of poems – the Feeding of the Five Thousand, for instance – which is developing a sequence all of its own.
If you are looking for something to use in your devotions or public worship for the Feast of the Transfiguration (on 6th August), the parts stand alone, and can be used singly. But I was intrigued by the flow of ideas and wanted some space to ponder them on the page. I began with Herod, troubled and awkward in his guilt, and moved through the stories to the little child, standing in the midst of them.
So, here it is….. four poems following a trail.
Who? Luke 9, Matthew 16-18
I Herod
Herod found you a question he did not know how to answer. Perplexed, he heard whispers that you were John back from the dead, a ghost to stalk his conscience, shock his dreams, or the great Elijah, or another prophet.
He sought you out, he tried to see you. Perhaps to ask you who you were. What might have been, what could have been, if he had met you then?
II Peter’s confession
You asked those who knew you best, Who do they say I am? and Who do you say I am?
To the first, they gave the answers that blew in the air like smoke, whispers that swirled dark around Herod’s palace, and through courts and crowds. John the Baptist, back from the dead. Elijah. One of the prophets.
And to the second – a moment’s pause, an intake of breath, a strangeness rising – to be asked to name, to more than name, one they knew daily, and loved, and still, barely understood. How to give answer to such a question?
But Peter did. The vast words formed in his mouth. He called you Messiah, the Christ, the anointed one.
How good it is to be seen, to be known, to be understood. How warmed you were by those words. Enough to give him a new name – Rock – and a new identity – foundation stone. For all his impulsiveness, changeability, you knew him as deeper, and truer.
And yet a sadness enters here. The anointed one does not walk in greatness. The road you will take is hard and stony. A way of weeping. And a warning enters too – those who consider themselves God’s guardians will subject you to death, yet death will not hold you.
Such words cannot be borne. Such an upending, a contradiction, such pain. They fall to the earth like so many hard-shelled seeds, trodden into the dirt and snatched up by dark, shining beaks.
Sometimes our seeing falls away and we catch a glimpse of deeper truth. We say we see the light
Away from everyday thinking, on the mountain, in prayer, weighted with sleep. Perhaps we see a beloved face lucent in sudden light.
But here, on this mountaintop, three friends lifted up their eyes and saw – what shall we say? to whom shall we compare him?
Shining like the sun, as white as light, as bright as lightning – the one they walked with, ate with, laughed with.
Was it like the lifting of a veil, or perhaps a dragonfly splitting his dark skin to emerge a jewel? Was it a peering through the door of heaven, or coming to see the glory of things here, and now? I do not know. I do know it feels a moment of endless truth.
And in that moment, Jesus, Elijah and Moses do not speak of the glory that blazes around them, they talk of the pain that is to come – as ones who can understand. I hope there was some comfort in it.
Something like comfort too in the sightless seeing cloud, shekinah, that reveals how we do not and cannot see – God is beyond us
And yet is with us, as close as mist filling our lungs, beading on our skin, as close as one we love.
And then they hear that true voice speaking tenderly, calling him beloved, and saying to listen, to listen to their dazzling friend.
Words they will carry in their hearts, words which in turn will carry them on that long wide-eyed walk down the mountain, and through all that is to come.
As above, also reference to Isaiah 40
IIII Greatness
It is not what we think. Greatness is not the pomp, the power, the show, the mountaintop.
It is the welcoming of a little child. It is the being like a little child. In doing so, we draw closer to the one who calls Jesus beloved, the Son I love.
Greatness, a costume cloak of purple and foil. Let it slip from your shoulders. Let it fall.
As ever, I’m sharing with you work in progress. There may be some tweeks and amendments before things land in the book – Wild Goose, Iona Publishing, next year. Also, as ever, please feel free to use any of my material that helps, referencing this blog as your source. I love to hear about where my poems fly to, and where they land.
Here is a link to some more I’ve written on the Transfiguration. It includes extracts from my retelling, and some thoughts on how we might come to see more truly. I hope you find it nourishing.
I’m continuing to share with you some poems I’m working on for a new book, The Year’s Circle, which will be out next year – with Wild Goose of Iona Publishing. You can read more about that here.
As I’m settling into the work, I’m finding it so rewarding. I love looking for threads and connections between things, and so I’m weaving together poems which follow the pattern of the church year and poems drawn from nature. I’ve always found the natural world rich with image and meaning, and that is particularly true of the wild beauty of late spring.
This poem has been a bit of a knotty one to unravel, but now I think it’s settled and working. I’m giving it to you a little early, in case anyone is looking for a poem for Ascension (this year, Thursday 29th May) . At the beginning of the book of Acts we find this account of Jesus being taken up, and I have been wondering about what it might mean for us.
I thought first of what it must have been like for his friends, a kind of second losing. They are still caught up in their concerns – they are still thinking of a kingdom with power and borders. And every day, now, we are seeing the pain of kingdoms and borders, the terrible suffering of the people of Gaza and the long history of cause and effect that leads to children, the frail, the displaced and the wounded – starving. It’s shocking and distressing. I find those images fill my inner vision as I read the words of the disciples. And I notice that their nationalistic hopes do not align with the task set them by Jesus.
I have wondered about the complete change in perspective that Jesus seeks to share. I think it might help us, and give us a way of seeing that opens us up to a better way.
He is not speaking of kingdoms with borders. He is sending them out – over borders, without consideration of the divisions between peoples we might make – to the whole earth. A shift in thinking, a higher, more inclusive view. So, in this poem, I try to explore that shift. The poem has two strands. The experience of Jesus’ friends as he slips away from them, and this wider way of seeing he invites them to share.
Hidden/All things – Ascension
Perhaps it had seemed a partial parting, a gradual letting go.
In life, they had lived with him, travelled dusty roads, slept under stars, ate bread and shared a cup.
Then, after that dark Friday, that bright Sunday, there came these strange, sudden meetings, brief comings and goings, words they found hard to understand – such puzzling reassurance.
And still they ate together, and he spoke of another presence who would come to them, be with them. And despite their questions of nations and times, his was always a wider vision.
Always wider and other Out to the old enemy and the ends of the earth Everywhere and everyone
And then at last they came to this last parting, and he was taken up in rolling clouds and hidden from their sight, a long perspective they could not yet share
that saw the whole blue green turning Earth and all things – things in heaven and things on earth – holding together reconciled all very good and all beloved. Above all, beloved.
Acts1:1-11 Colossians 1:15-20
This image is of Gaia by Luke Jerram, when it was at Ely Cathedral. As I’m playing with the arrangement of poems in The Year’s Circle, I’ve placed my poem inspired by this artwork in a group that follows this one on the Ascension – a group that begins to explore our perception of the Earth as an interconnected whole. You can read the Gaia poem here.
And, in the spirit of the original Sunday Retold, here are some passages which might be of interest.
‘The disciples never knew when Jesus would appear among them – but appear he did, telling them more about the kingdom of God, and kindling hope in their hearts. “Wait in Jerusalem and you will receive God’s gift. You remember how John baptized with water? In a few days, you will be baptized with the Holy Spirit of God.” Another time they asked him, “Lord, will Israel be a great kingdom again now?” “That’s not for you to know. The Holy Spirit will come and fill you with power, and then you will tell everyone what you have seen and heard. Start in Jerusalem, and Judea, but then go out beyond Israel to Samaria, and even further – to the whole earth!” Then Jesus was lifted up, above and beyond the earth, and a cloud hid him…….’
Ascension Day ‘Christ has no body now on earth but yours, no hands but yours, no feet but yours…. Yours are the feet with which is to go about doing good, and yours are the hands with which he is to bless us now.’ St Teresa of Avila
I’m so delighted to be able to share with you that I’ve just popped a contract in the post for my first published collection of poetry. Some of you will know the publisher, Wild Goose of Iona, and they’ve been so kind and efficient in coming to an agreement about what we’d like to do together. It should be out next year.
We plan to call it The Year’s Circle, and I intend it as a collection to accompany you through the year. It will weave together poems drawn from Bible stories marking the seasons, such as upcoming Easter, with poems drawn from nature – so the two main strands of work you will find on this blog. I hope it will be good for your own reading and also sharing together with others in groups, churches and festivals. I know many of you already use the poems you find here in those ways.
The Celtic tradition has an idea of God’s two books – the Bible and Creation – and I’m intrigued by that idea and am looking forward to exploring what it might mean.
The collection will include some of the poems you’ll find here as well as new work. I intend to share progress with you as I go along – giving you tasters of the new poems, as well as some insight into the process.
I want to thank you all for being here, for your support and encouragement. It’s played a huge part in making this new venture possible, and I really look forward to including you in the process.
I’m blown away by this opportunity, it’s so good, and I’m really looking forward to getting going with drawing together something beautiful and nourishing in these difficult times. I really hope it helps.
I’ve noticed a few of you good readers have been searching out this post, so here it is again, for Advent Sunday 2024.
As the days have grown darker, and colder, I’ve been thinking about Advent, and hope. Traditionally, Hope is the theme of the first Sunday of the season, the first Sunday of the Church year too. Autumn seems to have been long, and restorative, and I’m not quite ready for winter. But here we are, nonetheless. And winter has its consolations.
I think there is wisdom in the old practices of having Advent as a time of quiet, reflective, waiting – a little like Lent before Easter. It’s so at odds with the flashing lights and loud shops and busyness, that understanding, but we can perhaps catch moments where those wintering practices are possible, and might help us….. pools of quiet light where we can breathe and think.
I’m also intrigued by the more medieval practice of putting yourself in the place of the people of Israel as they waited, not quite knowing what they were waiting for. Of not naming Jesus and Christmas, but instead allowing what we long for to be recognised and owned and prayed and worked for. In our context we join so many people throughout history who have felt the future to be shifting and uncertain, and who have longed for a kinder, gentler and more beautiful world. Taking some time to know and feel what we lack, what kind of world and lives we desire, might help us too face a troubling future with some courage and determination.
So Hope is a good place to begin.
Ah, hope. I’ve been turning over in my mind what it means to nurture hope in a world which seems increasingly unstable in climate and economics and culture. I’ve settled, for now, on making a distiction between hope and optimism. So, for me, I’m thinking of optimism as an opinion that things will work out. Something tied to outcomes. I see hope as a stance, an attitude of the heart and spirit, that it’s always worth looking for what brings life, for what is good. It does not require us to be naive about the dangers and difficulties around and within us. We are called to be as wise as serpents, and as gentle as doves – Matthew’s gospel.
Nonetheless, it’s worth working as if the world-as-it-could/should-be is here, emerging amongst us, small as the signs and growth may be. Not a glib avoidance strategy that it’s all fine, really, it’s all going to be fine…. but as a deliberate and courageous stance, holding on to a vision of how things could be. With the cost of living crisis bringing fear and hardship, and with the climate noticiably more unstable, we need courageous hope that’s prepared to work to refashion things around us in defiance of what we see. There is real power in such acts.
The picture of the bulbs and the bookmark at the top of this post relates to an action I took with some friends in our local high street to coincide with last year’s COP. We handed out bulbs and bookmarks, and encouraged people to think about ways they could plant hope. You can read more about that here.
As Advent begins, we re-read the words of the prophets together. They often spoke into desperate, unpromising circumstances with a mixture of a vision to hold in our hearts, and actions for our hands to do. Those actions can be prophetic themselves, speaking out and making plain God’s dream for the world – a beautiful, hopeful vision strong enough to withstand hard times – brave enough to choose to be born to a poor family, who sheltered in a stable, and had to run from a murderous tyrant. This is how hope was offered to the world, in the infant Jesus.
During this Advent series, I’ll share with you some extracts from my books. Here’s something from The Bible Retold , as the retelling of the Hebrew scriptures comes to an end, and we look forward..
As the walls were rebuild, so were the people. For God was building them into a new kind of kingdom. Isaiah the prophet wrote: “This is how to truly serve me: unbind people who are trapped by injustice, and lift up those who are ground down. Share your food with the hungry, and clothe the cold – that is how to live in the light!”
The people listened to his words of bright hope. “There is much darkness in the world, but your light is coming! All nations will be drawn to you, and they, too, will shine!” ….
“A child is born to us, a son is given. Authority will rest on his shoulders, and his names will be Wonderful Counsellor, Mighty God, Everlasting Father, Prince of Peace. His kingdom, his peace, will roll across the lands, and he will reign on the throne of David for ever.”
We give thanks for the work that is being done right now, in our communities, to clothe, and feed, and seek justice. May we have the courageous vision to join with that work of light.
The days are dark, Dear God, give us your true light.
The days are dark, Dear God, give us your true life.
The days are dark. Dear God, give us your true love.
From Prayers and Verses
The Advent Candle Ring is from the good people at The Chapel in the Fields It gives me great pleasure to know that the oak at the base was once a lectern, and the lighter wood on top a dining table. The words written around it are from the ancient chants, the “O” Antiphons. These chants came into being when people did not call for Jesus to come at Christmas, but instead used names from the Prophets – like Emmanuel, God with us – to name their hopes. The first few centuries of the Christian Era saw these great prayers, the “O” Antiphons, sung during Advent, calling on Christ to come now, and to come again. You can listen to the old chant, and read Malcolm Guite’s sonnet, and much more, here.
This coming week, let’s hold on to hope, look for signs of the life of God breaking through, and see where we can be part of that move towards a more beautiful, loving, hopeful world.
From the top photo…..
I made my bookmark with a stamp by the lovely Noolibird.
The open doorway of St Peter-on-the-Wall (founded about 660 AD). The wall in question is Roman. The chapel was built using some of the old stone from that wall. Bradwell, Essex.
I took a look at the set readings for this coming Sunday (17th November), and they are difficult and unsettling. Something about the Gospel reading caught my attention, and I thought I’d follow where that led.
Mark 13:1-8
And as he came out of the temple, one of his disciples said to him, “Look, Teacher, what wonderful stones and what wonderful buildings!” 2 And Jesus said to him, “Do you see these great buildings? There will not be left here one stone upon another that will not be thrown down.”
3 And as he sat on the Mount of Olives opposite the temple, Peter and James and John and Andrew asked him privately, 4 “Tell us, when will these things be, and what will be the sign when all these things are about to be accomplished?” 5 And Jesus began to say to them, “See that no one leads you astray. 6 Many will come in my name, saying, ‘I am he!’ and they will lead many astray. 7 And when you hear of wars and rumours of wars, do not be alarmed. This must take place, but the end is not yet. 8 For nation will rise against nation, and kingdom against kingdom. There will be earthquakes in various places; there will be famines. These are but the beginning of the birth pains.
Once again in our world, we see wars, we see power misused, we see the places where we might put our hope and trust are frail. Just this week, the Church of England has been forced to reckon with terrible abuse that has taken place, and the failure of those in authority to protect the young. And COP 29 has opened with the absence of many leaders, and the presence of corruption – although I have been encouraged to see Kier Starmer taking a lead. Much that has seemed firm has been crumbling, and at the same time, forces which seem to be serving themselves seem very powerful, immovable. It’s a hard place to be for many, and we may need to give time to our fear and grief. We may need to find others with whom to walk through these hard places.
And so, turning to this reading, I see we are invited into something like a practice of deep realism, and a long view. We remember that for Mark’s early readers and listeners, this passage would call to mind the terror and trauma of the destruction of the Temple in AD 70 after a relentless seige by the Romans. The Roman historian Josephus records that 1.1 million people died during that time. It’s hard to imagine the suffering and shock of such loss. It must indeed have felt the end of the world. It was the end of the world for many. Even in the midst of such terror and shock, these words may have offered something to hold on to. Maybe there is some wisdom here about how to live through difficult times, when all seems destroyed, or we fear all may be destroyed. Such wisdom is arrived at through pain and loss, it is not intended as some kind of spiritual bypassing, that eveything is going to be fine. Everything is not fine. That much is clear.
So this poem, written in response to Jesus’ words, is an experiment in that long view. I hope that, if it lands with you at the right moment, it might resonate with you.
Stones
These beautiful stones This beautiful Temple all that wealth and power all Herod’s might and posturing
Always, always can and will be thrown down.
And always, always, it is not the end of all things although it is the end. For time still stretches out among ruins lost to twilight, and dust settles, or blows on the grey wind.
Strength seems invincible. Stones seem solid, immovable. The might and ritual of a temple have such sure foundations in the mind.
And yet time, wind, whispers, armies, the running of water, the roots of trees can and will undo them all.
So do not be cowed by these great walls, for they will fall, nor by their falling
For fall they must, and the world will turn and turn again, and what was an ending may come to seem the blowing of dry leaves in autumn, an absence – it may even, dare we hope, begin to be birth-pangs, after all.
Gaia at Ely Cathedral. You can find more about that – including a poem – here.
You might enjoy this gentle conversation(Nomad Podcast) with the the musician Jon Bilbrough, known as Wilderthorn. Towards the end is some music recorded in the chapel pictured at the head of this post, St Peter-on-the-wall.
I’m turning back to that chapel in my mind – imagining how the stones from the old Roman wall, probably a fort, were reused in the building of this – itself ancient – place of peace and prayer.
New things can and do emerge, in time. That is something we can gather around, and work for.
From Prayers and Verses These are prayers in response to the stories of Exile we find in the Hebrew Scriptures, and I know that experience will resonate with many today. I hope this helps.
Andrea Skevington 