Poem: Sheringham Park Pigeons

 

 

 

WP_20180508_10_33_20_Pro - Copy.jpg

The Norfolk coast is such a beautiful and fragile place.  We walked there again,  close to cliffs that seemed to be sheering away into heaps of sand.  I tried to keep the recommended five meters from the edge.  I am not afraid of heights, but I was afraid of these cliffs.

Living in East Anglia we are very aware how precarious we are, with the power of the North Sea beside us, with the ground under our feet seeming sandy, and uncertain.  I feel the threat of that sea driven by north winds, rising as the ice melts.  These places, and the creatures that live there, like the sand martins, like us, are in uncertain times.  And although it may be tempting to despair of what is happening to our world, what our systems of greed have done and are doing to the world, I feel our sense of beauty and fragility offers us a note of hope, too.  The sorrow for what we have lost, and what we are losing – all those precious creatures, plants, places – can bring us to our senses, can help us wake up, and treasure what is close, what greets us every day with a soft, green welcome.

Sheringham Park is full of bright colour in spring – first the azaleas, then the rhododendrons.  There is a tower you can climb to look over the tops of these extraordinary banks of pink, and purple, and red.

What caught me, though, what filled me with wonder, what made me feel a part of this place, was a beech tree, and some pigeons.  The startle as they all flew away made me feel that moment, and that place – a sense of awe, of connection, of being one with a place.
It seems such a small thing in the face of potential global catastrophe – to love a place, to be awed by such ordinary things as a beech tree in new leaf, as a crowd of pigeons.  I wonder if it is such a small thing, though.  I wonder if that sense of love and connection can open us to another way of being in the Earth – humbled by its hospitality, aware we have gifts to offer in return, walking softly.

IMG_0887

 

Sheringham Park Pigeons

 At the top of the ridge –
from here the land slopes to the sea –
from the top of the tallest beech tree
singing with new green,
shining with life,
the pigeons fly
away in clattering waves,
circle after circle of them.

My steps disturbed them,
although my shoes are soft.
How could there be so many,
crashing through the blue air
in tens, in hundreds it seems,
in circles that grow wider and wider
their flights the spokes of a wheel.
And here, this smooth old grey trunk
its very centre.
Where I stand,
the very centre.

Lent: Jesus said I Am….. Week 6, The Way, Truth, and Life

WP_20180507_20_33_10_Pro

WP_20180507_12_31_38_Pro

The photos in this post were taken last year, as the very short spring warmed up suddenly into summer.  We were walking the Norfolk Coast Path, which was my first long distance path – flat, and easy to navigate with the sea on one side.  It took us through many lovely, varied landscapes and small settlements.

WP_20180507_11_17_46_Pro

It helps to have an image in your mind when thinking about the Way, as we are this week.

As we enter the traditional season of Passiontide, drawing closer to the Cross, we enter too, in our reading, an intense dialogue between Jesus and his friends, in which Jesus seeks to explain the terrible thing that is going to happen.  To prepare them, and to show them the necessity for it.

We will touch on the themes of Way, Truth and Life here, and seek to work them into our days.
We are continuing this Lent series drawing on my book, Jesus said, I am – finding life in the everyday.

John 13- 14

WP_20180504_13_18_15_Pro

Jesus knows that the time when he will be abandoned and betrayed by his friends, and then crucified, is getting close now.  Knowing this, despite this, he loves them to the end.  Knowing that the Father had put all things into his hands, he strips and kneels and washes their feet.  He gives them bread.  In doing so and by what he says, he tries to prepare his friends for what will come – must come.  He does so with sadness and compassion.  These are dark and difficult words.  But, there is more.  There is also a vision of love, service and life itself – the way of the Spirit, the Comforter. It offers them a way they can live when Jesus is no longer with them  They do not want to see ahead to such a time.  This next ‘I am’ saying is part of all this preparation – showing them a way forward – a way that will endure.  Jesus is that way.  He will remain that way, even after.

We are not there yet, though.  We need to stand back a little and see more clearly.

Jesus Washing Feet 11

Jesus Washing the Feet of his Disciples, 1898 (oil and grisaille on paper) by Edelfelt, Albert Gustaf Aristides (1854-1905)

© Nationalmuseum, Stockholm, Sweden
Finnish, out of copyright

The towel

Jesus gets up from the table, strips off his outer clothes, wraps a towel around his waist and kneels to wash his friends’ feet.  This is part of the way ahead – the way of love and service.  It is an instruction for how they are to live when he is gone.  They are to imitate this act – and a concrete task can help us through a difficult time.  It is hard for them to receive it.  This kneeling and washing, acting like a humble servant, is part of the self-emptying way that Jesus is following, a small foreshadowing of the self- emptying of the cross.  The way of love and life passes through the darkness of death.

………

Glory

No wonder it was hard to grasp.  This is what glory looks like: tying a towel around your waist, a friend leaving to betray you with the taste of bread still in his mouth, being lifted up on a cross.

What might it mean for us, to know there is glory even here?

This encounter between Jesus and Judas – as he washed his feet, as he shared bread with him – has given me much to think about.  I wrote about it here.

However much they did not understand, his friends did seem to grasp that he was going to leave them.  That this leaving would be for them – that it would bring them the greatest good  – was beyond them.  The loss of Jesus could not be but terrible in their eyes.

And so, he tries to frame it for them.

Something profoundly essential is happening – terrible as it is – that will ultimately work for the good.

This is the only way.

A spacious home

Jesus gives them a picture of what the good will be – a picture of the host going on ahead to prepare rooms, or dwelling places. This is why he must leave, to unlock the door, to get things ready, to open and air the rooms.  It is a large and spacious illustration, one that would conjure up Middle-Eastern principles of hospitality and welcome…..

There is an expansion in these pictures, and a deep sense that Jesus will go to considerable pains, even to the loss of his life, to bring home the sheep, to make a place in the Father’s house.  Images of hospitality abound in the other three gospels, for the kingdom – images of banquets and wedding feasts and wide tables. Here, we find these: a large and hospitable house, a generous sheepfold.

It is entirely understandable that Thomas replies, “We don’t know where you are going, so how can we know the way?”  Now is the ‘I am’ moment: “I am the way, the truth, and the life”.  Can we think of a person as a destination? For that is what we are invited to do. ….

As we seek to walk along the way of love and service, we walk along with Jesus.  We remember that the earliest name given to Jesus’ people was not Christians, but followers of the Way.  We walk with Jesus, and with each other, on this path.  That is the way.

It is Jesus who is Way, Truth and Life all. That begins to shift us to a different way of understanding what these things might be.

The reality behind it all, the reality we can trust, is love.  That is why Jesus goes on ahead through what we cannot, and then comes back for us again.

The way of love is not soft, comfortable or secure.  It will take Jesus to hell and back.  It will take him to the very worst that can be done to a human being. This is the way that humanity will see God’s outstretched arms, and be liberated to enter abundant, overflowing life.  Jesus is making the way.

Way, truth and life are here.

“In him was life, and the life was the light of all people.” John 1:14

Reflection and response

John often has parallels, patterns in his Gospel.  You might like to think about Mary kneeling to anoint Jesus’ feet (see last week’s post) and Jesus kneeling before the disciples.  You can use the pictures in each post to imagine what it would have been like to be there. You might like to think about what they have in common.

jesus-washing-his-disciples-feet1

Further Study

Exodus 12:1-28
Consider more deeply these themes of the Passover: slavery and servanthood; a meal overshadowed by death and departing. Do these help your reading of the last supper?

I am struck by the fact that the Passover celebrates liberation from slavery, and this newly formed Passover – the Last Supper – includes a command to imitate the actions of a slave – washing feet – in free loving generosity.
How do you respond?

Creative Response

Foot washing
You will need: water, washable pens, paper, kitchen paper.

Imagine Jesus kneeling before you to wash your feet.  Imagine you are there, in that upper room. What do you feel at first? What do you feel at the end? You might like to paint your response.

You could use washable pens on your hands, remembering things that do not fit with the command to love.  Then dip your hands in water and watch them become clean.

Thank Jesus for his loving sacrifice and his example.  Thank him for the gift of forgiveness.

Remember a time when someone offered you love, and practical service. What was that like? Remember a time when you did the same for someone else.

Think of what it means to be a leader like this.  Where do you have opportunities to lay aside status and simply serve?

 

Life and Service

Love
In every situation today, take this as your starting point: how can I best love and serve this person, these people?

My Father’s House
Think about times you have received hospitality, and given it.  What stays in your mind?
Can you expand your current practices of hospitality – even a small step?

 

Pilgrimage

You may wish to go on a journey with a spiritual purpose and particular destination in mind.  You could travel far or go on a walking tour of local places of worship and ancient holy sites. You could use maps and photos to imagine yourself on such a journey if mobility is an issue.  You can go with friends, or alone.

WP_20180503_15_07_04_Pro

 

In the current state of our news and social media, I think this one is particularly relevant.  I would add to it now, as we are all empowered to generate our own content, and to share stories….. what are we spreading?  Is it true, loving, kind? Does it promote understanding or division?

Truth

Be on the lookout this week for where and how you learn about the world.  Look at your news sources.  Consider how you listen to more personal news from friends and colleagues.  Whom do you trust and believe? If you do not already do so, consider fact-checking, and reading and viewing things from perspectives that differ from your own.  What do you find out?

Be particularly alert to this question: does this presentation of the facts encourage love and peace between people, or fear, hatred and hostility?
Does it help or hinder me in loving God and loving others?

 

Thank you for reading.

Please feel free to share any of the material you find helpful, saying where it is from.

If you’d like a copy of the book, you can ask your local bookshop, or order online.

Here are a few suggestions:

The publishers, BRF

Amazon

img_20181130_114736372319885.jpg

 

Poem – Throwing sticks for the Black Dog

Today is the day some call Blue Monday – the most depressing day of the year.
Here in Suffolk, though, we have had some sunshine, and the frost has sparkled, so it’s less gloomy here – at least meteorologically – than it has been for weeks.

I thought I’d share this poem with you.  Churchill called his depression his Black Dog, and it seems a good name for it.  I have tried to express the care and nurture we wish we could give ourselves, and those we walk with, when we notice the Black Dog is beginning to sniff around.  Those gentle nudges towards the things that used to bring life and joy, in the hope that they will again. I hope that has quite a different feel to injunctions to pull up your socks, or whatever.  It’s more a hope of holding on to the capacity to notice what does you good, and to keep on doing that, even when you don’t feel the good being done.

I hope it is a simple and gentle hand to hold.

The Blurt Foundation offers compassionate support resources online, as do many other organisations.

wp_20170114_10_57_06_pro

Throwing Sticks for the Black Dog

When I’m walking, I pick up sticks,
they feel rough and dry in my hand.
I have been collecting them for a while,
just in case.

And that black dog, well, can you see him?
Is he walking with us –
sloping through the undergrowth?
Or there, breathing at our heels?

I will throw some sticks.
Maybe he will turn playful,
maybe he’ll run after them
and not come back.  Maybe.
Maybe he’ll leave us alone for a while.
I can try.
Here are a few I have gathered:

Beauty, any sort of beauty
that takes you unawares
so the mind halts in its circling tracks.
Green beauty of growing things,
beauty that comes from the human
heart and mind –
words that build castles in the air.
Look, there they are!

Light, and the patterns it makes
through these leaves,
and darkness, when it is soft,
when, awake at night,
sitting by an open window,
I hear the owl – can you hear it?

Movement and prayer, together,
if movement and prayer remain possible.
Good food, that grows in the earth,
its colours and smells as I chop, chop.
Friendship, and kindness –
either given, received, or witnessed.
Love.
The memory of good things past,
the faintest trace of hope for
good things to come.
For good things may come.

And so, I carry this armful of sticks,
ready to throw – ready to give away –
like this,
and this,
and this.

 

img_0682

img_0773

Here is a link to my poem Sorrows

Poem – Crows

A few weeks ago we were away, staying near Hebden Bridge in West Yorkshire.  I loved the deep steep valleys full of trees, with farmland and moorland above. I also loved the way we were close to towns, and railways, and the busy life of people. We were near Haworth, Bronte country, and staying at Hardcastle Crags, which some of you may know from the Sylvia Plath poem.  I hadn’t realised quite how close we were to the places where Ted Hughes grew up and lived, and was so excited to come across the occasional little plaque in the landscape referring to this poem, or that. My backpack carried collections of poems, and notebooks, as well as chocolate and water.

WP_20181009_13_10_05_Pro

WP_20181011_14_23_57_Pro.jpg

 

So, I’ve been reading them both lately – Plath and Hughes – as well as beginning to turn some of our walks into poems of my own.  It’s taking a while, but reading Ted Hughes has reawakened my curiosity about the crows who visit our garden.  I remember doing an English project at school on Crow, and have come back to look at that collection again, in all its darkness.

What I noticed about the crows that I have come to know a little, here, is their sociability, their memory, their communication despite the apparent sameness of their cries.  They seem intelligent and sociable creatures, and I have written a couple of poems from here, in my garden.  It helps to pull things together – lived experience, and the inspiration of others – and to add a small voice to the other voices that sing songs in our landscapes.

I have also loved the wonderful exhibition at The Sainsbury Centre, UEA, of Elizabeth Frink’s work.  I have been so looking forward to that ever since I heard it was coming, as I have felt drawn to her sculptures for quite a few years, and wanted to see more.  The birds particularly struck me.

 

elizabeth frinkcrow.jpg

Crows

Now it is winter, the crows have come back
with the north wind, with the darkness.
They land softly, and in number,
at their old roosting place –
what remains the great beech
just there, ahead of us.

And then they rise again, suddenly.
They land and rise and caw,
and land, and rise, and caw.
The branches shake their dry leaves.
Can the birds tell the tree is dead,
not sleeping?
They do not settle,
whatever they know.

They crisscross the sky in dark lines
above me in the garden.
They land first here, then there.
They try the blackthorn,
and the sycamore.
They drench the holm oak
with their dark wings,
and strip it of acorns.
Their sharp black beaks and
shark black claws work and work.

All the time their cawing calls,
they seek a new place,
they keep tied to each other
with these black lines,
with these cries,
as they fly restlessly
to and fro,
to and fro.

 

IMG_0853

IMG_0851

 

 

 

I have  recently, and unusually for me, done a day’s workshop in lino cut printing at The lettering arts trust.  It was such an inspiring environment, surrounded by such excellent work.  I reminded myself to be inspired, not daunted! We had a very talented tutor, Louise Tiplady, who shared very generously of her time and talents.

I wanted to experiment with trying something at home.  It’s really satisfying to gouge away at the lino, letting shapes emerge.  The top of these two is the lino itself, and you can see how I’ve printed sometimes in red, sometimes in blue, taking out more as I felt I needed to.  I don’t have proper inks yet – I was using old ink stamps – and that might account for the blurry, grainy texture.  It’s something I’d like to keep trying, seeing if I can capture some ideas visually, as well as in words.

 

Dorset Poems – Autumn lambs at Upcot farm

WP_20171016_16_17_54_Pro.jpg

WP_20171016_16_18_46_Pro.jpg

It’s a long time since I shared a Dorset poem with you – it was last October when we went there, and there is still much in my notebook to turn back to.  They fill up with words, these books, like ore, which can be taken up to the light, and sifted, and cast into something to keep, to help another day.  They fill up with things you rediscover, and see afresh.

If you would like to go back to a few other pieces from that time, you can do so here:

Dorset Poems – Scrumping in a Hurricane

and

Dorset Poems – St Gabriel’s Chapel, 1
So, while I am preparing and mullling over some more recent work to share with you – and I will do so – I thought I’d bring you this.  While we’ve been out and about walking this autumn, I remembered hearing these lambs last year, after a day of many miles and many hills, and wondering if I was imagining things.  The wind was whipping about very strangely, and I was in need of tea and cake. Rounding the corner and coming across this farm, it felt like a strange, sheltered place where, rather than things falling into decline, and ending, and growing darker, we were looped back to spring, and hope, and the almost reckless persistence and optimism of life and new beginnings.

It’s very gloomy here today in the UK.  It has grown suddenly cold.  The clocks have gone back, and it’s dark early.  I felt I needed this today, to remind me of the strange tenacity of hope.

Autumn lambs at Upcot Farm

A high thin bleating carries
on the wind
as we draw close to the farm.
It sounds like lambs, I say
It’s October, you reply,
yes, but even so,
even so…..

Twins, newborn, their chords still visible,
blue, elastic bands around each tail,
short, white wool,
ears like pink shells
full of light
with the sun behind.
Soft, new, wide-eyed,
wide-mouthed.

And another mother,
and lamb
and another
and a hen with a
cluster about her
cheeping like spring,
as the gale gusts
and blows sharp leaves
in our faces.

Here, amid the berries
and apples
and bright golden leaves
there is still the sound
of life, there is still
unexpectedly,
wonderfully,
the bleating of new lambs.

WP_20171016_16_17_36_Pro.jpg

WP_20171016_16_03_37_Pro

All photos by my husband, Peter.  With thanks.

 

 

W

Walking after Edward Fitzgerald.

So, we’ve been been on our feet quite a lot as part of my husband’s walking project.  We thought we would stay local last weekend, and as we’d been talking about the poet Edward Fitzgerald recently, we thought we’d explore some of the places where he lived and worked and saw his friends.  My husband has just finished reading a book he gave me some time ago, The Artist’s daughter written by the late Sally Kibble.

s-l1600

It’s a lovely book, a fictionalised memoir of Ellen Churchyard, daughter of Thomas.  It shows the group of friends, The Woodbridge Wits, who took great pleasure in, and inspiration from, each other’s company and cast of mind.  EFG was part of this group. There are accounts of their meals and walks and conversations.  The book is full of the lovely soft pictures of Churchyard, and some of these were of locations that you can still trace, and recognise, today.  Personally, I would have liked a bit more of the poetry of EFG and Bernard Barton, but I’m trying to fill those gaps with my own reading.

churchyard view of the river deben.jpg

View of the River Deben, Thomas Churchyard.  Painted near the railway bridge – you can see the steam train bending away towards the station.

We  planned a walk which was just shy of ten miles in the end, quite ambitious for me, but it took in many of the places where EFG lived in and around Woodbridge, Suffolk.  The first place on the itinerary is also, probably, my favourite.

The Quaker poet Bernard Barton’s tiny crooked cottage was the place where they often met – these Woodbridge Wits – to eat cheese on toast.  For that was all they could cook over the fire, the only means of cooking.  It seems to have been one of their favourite places, too.  Bernard and his daughter Lucy were clearly good company and warm hearted hosts.  Their simplicity and equality of life appealed to EFG.   The artist and lawyer Thomas Churchyard lived up the road, and it’s lovely to think of them together, talking in the firelight with the smell of toasted cheese.  These two poets were also friends with other writers – Tennyson, Charles Lamb, Robert Southey and Anne Knight among them.   I am trying to track down some more of Barton’s poems, and you do occasionally find his lyrics in an old hymn book, such as these, which seems apporpriate for a walk.

Despite Edward Fitzgerald’s privileged background – his family lived nearby in Boulge Hall – he preferred simpler settings. He had rooms above a shop on the Market Hill, and you can see a stone plaque marking the spot – very like the one on his rooms in King’s Parade, Cambridge – just up the hill from Barton’s cottage, and even nearer the Bull Inn where Tennyson stayed when visiting him. From here, after buying eccles cakes from The Cake Shop to sustain us, we meandered around past other places where he had associations, on the way to Boulge Hall, with the church next to it.

Boulge Church, the main focus of our walk, has been snagging at my mind.  It is where he is buried.  I had been before, on another walk, with a friend, but my husband had not.
I remembered it was hard to find, that there was no lane to it, and that the paths did not seem to follow the OS map – not even when we used the one on the phone rather than our battered paper one that was giving way on the creases.  And so it proved to be this time.  We saw one sign from the road – at the site of the lodge cottage where EFG had lived in preference to the Hall – which said “No access to church” but there was no sign telling us which way to go.  After much meandering,  a walk along what looked like a long-gone drive between trees, and a short dash along the private-no-right-of-way lane, we found the church.

Perhaps it had been the private church of the estate at some point,  it didn’t feel like a public space.  But it was open, and clearly used, with hymn books and information and welcome. The congregation must be adventurous, and dedicated. There were instructions as to how to turn on the lights – it was an old church with small windows,very dark despite the sunshine. So we turned the lights on, and sat and rested in the peace.  Sitting there, I saw in a side chapel some plaques up with the Fitzgerald name on them, but they were not for Edward.  There wasn’t any of his poetry about.  I was wondering if there might be some kind of memorial, or stone with verse, or a card, but I couldn’t see one.  It was almost as if the long-ago family tension was still exerting an influence.

Outside, in the graveyard, is an elaborate family vault, with a simple granite slab next door for Edward.  There is a rose planted at the head. The rose is a descendant of that on the tomb of Omar Khayyam, whose great poem EFG translated.  There is another rose at the foot.  It seems that it was his request not to be buried in the family tomb.  As he had lived at the gatehouse on the edge of the grounds of the hall, reading and writing and having his friends for simple meals, so he was buried outside the vault.

He loved simplicity, friendship of the mind,  and left behind an astonishing piece of work, in his translation of the Rubaiyat of Omar Khayyam.  Maybe some in the family disapproved of this work, from a Persian mathematician and astronomer.  It only came to be generally respected after his death.

As we sat on the bench in the churchyard, eating our snack, I wished I had brought the book with me.  My copy is hardbacked, and quite heavy, but a quick look on my phone brought up the following lines.  They seemed appropriate for reading under the tree where we were.  They celebrated something very profound, a kind of communion.
A simple meal of bread and wine, and companionship, these are riches indeed.

Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse—and Thou
Beside me singing in the Wilderness—
And Wilderness is Paradise enow.
I thought these words were in keeping with the spot.

We carried on walking, taking in some more places where EFG had lived. The pattern of roads and lanes and paths has been the same for so many generations.  So many other people, remarkable in their way and in their time, have walked here.  It felt good to remember and honour them, the ones who thought of themselves as ordinary, the ones who have been forgotten, and know that our steps succeed theirs, and in turn will be succeeded by those who come after us.

churchyard windy day near melton.jpg

Churchyard – a windy day near Melton

Norfolk coast path – a poem about the bus.

WP_20180503_15_07_04_Pro

This year is a year of walking.

WP_20180504_13_18_15_Pro

WP_20180507_12_31_38_Pro

Peter, my husband, is doing the Country Walking 1000 miles  challenge. He’s well ahead of schedule, and it’s a brilliant project, doing him much good. I don’t tend to sign up for things that have quite such a big commitment to exertion, but I seem to be covering a great many miles, even so!  I just reserve the right not to, for instance now, when evening walking leaves me too hot to sleep….

We thought we might give the Norfolk Coast Path a go – Hunstanton to Cromer, as it’s not too far away, and flat, and beautiful, and dotted with lovely B and Bs and tea shops and pubs for rest stops….

And we did!  Before the weather got to be quite as hot as it is now, we walked the distance, with breezes and the cool brown North Sea to keep us going.  Taking on such a, for me, long walk was made all the sweeter by the memory of illness recovered from, health restored.  How good to feel the strength of your body, to rejoice in its ability to just keep on going.  How good to let your feet take you over sand, and marsh, and boardwalk, and lane. It felt good to rejoice in being upright, and in seeing such beauty.

WP_20180507_11_17_46_Pro.jpg

I’m hoping to write up some more of what filled my notebooks as we went, but, for now, I’m just dipping my toes back in with a poem about a key part of the walk, the coast bus, which made it possible.  You can walk one way and get the bus back, or to wherever you need to be that night.  It’s a bus well used by the locals, who are happy to tell you about good shops, and places to see marsh harriers, and other useful things.  It’s cheerful and kindly as community services often are.

One day, we were done as the schools closed, and it was so good to share a few miles with kids who were clearly happy to be on their way home again.  It prompted another small poem, which I share with you now.

 

Norfolk coast bus

Sitting on the coast bus after
the wild open walking,
the huge sky,
the oyster-catchers,
The saltmarsh, and the reeds,
my legs stick to plastic seats,
the sun strikes hot through glass,

But as I breathe and cool, I hear the
young voices all around me,
laughing, wrestling with
musical instruments,
sports kit,
bags of files,
the weight of
home-from-school.

And when anyone reaches their stop,
one boy, near the front,
says goodbye to them,
each in turn,
and the partings ripple
back down the bus –
he, young as he is,
sets the tone.

You see the web
woven between them,
hot in nylon blazers,
and feel the life of them,
the kindness of them,
despite their loads.

For these few miles
I feel I am in community,
connected,
as I take off my straw hat,
and loosen the damp hair
from my head,
as the sound of voices
surrounds me
as the bonds of friendship
surround me,
I am restored.

WP_20180507_20_33_10_Pro.jpg

Day of Prayer for Creation – a Parable

 

IMG_0171.JPG

 

IMG_0174.JPG

 

IMG_0178.JPG

IMG_0167.JPG

Photos of a walk taken near Wandlebury Ring and the old Roman Road, Cambridgeshire

September 1st is a day when we make Creation the focus of our prayers, knowing that others around the word are doing so. It is the first day of the Season of Creation, which ends on October 4th.  As I was praying for our hurting world, the story below came into my mind. I hope it may help you, as it has helped me, focus my prayers with urgency, and consider how I can live in a way which respects the beauty and glory of Creation, and the love of God for it all.  I have found, over recent years, my eyes and my heart have been opened to both the pain and beauty of the world around me, and the many ways the natural world is honoured in Scriptures, particularly in the prophets.

Jesus invited us to consider the flowers of the field, and the birds of the air, and learn from them the heart and mind of God.

If it helps you, please feel free to use and share it, saying that you found it here.

 

 

The parable of the good craftsman

Once there was a craftsman who had two children. As you might expect, he had built a beautiful house out of seasoned wood, with wide windows that looked out over his lush green fields, his flocks and herds.  He had made fine, carved furniture for his house, and he had smiled when he made it, and said, “That’s good!”  He had made beautiful plates and cups and jugs out the red clay near his house, he had smiled when he made those, too, and said, “That’s good!”  He had made a sheepfold to keep his flocks safe, and smiled, then, too.  In fact, all that was around him was good and flourishing and abundant, and as he looked at it all, he laughed out loud and said, “That is all so good!”

The day came when he needed to go on a journey, as the people in these stories often do.  He thought, “My children are old enough to be left in charge now.  They have watched what I did, some of the time, and I have told them how good it is.”  And so he left, and the children looked around, and they, too, saw that it was good.  So good, in fact, that they started to think how much it was all worth.  So they sold the furniture, and the plates and cups and jugs, for a fortune.  They were made by a master craftsman, after all.  The plastic ones they bought to replace them were good enough. They looked at the lush green fields and thought, “We could rear more animals in pens.”  So they did: twice as many, three and four times even, the poor creatures.  They sold the pasture they no longer needed, and a factory and a car park grew there, large and grey and ugly.  The water from the well their father had dug became bitter, but they bought water in bottles with all the money that they had made.

Then, the time came for the father to return.  As he drew near the house, he noticed the trees along the road were withered and dying, and his smile left him.  He came across a bird trapped in plastic that blew across the fields, and he set it free.  Then, near the house, he found a thin child sitting by the side of the road.
“What is the matter?” he asked.
“I drank water from the stream that flows from over there, by that factory.  It tasted bad. Now I’m sick.”  The father gave the child water from his own flask, and picked up the child to take home. He had herbs for medicine there.

But when he got even nearer, he could see that the factory was on his own land, and that where his own fields should be was all noise and smoke.  He could see the plastic rubbish spilling over from his own front garden, from where the flowers and the vegetables and the herbs had been.  He saw his own children, with grey, indoor faces, and said, “what have you done?”
“Father, we are so pleased to see you!  Come inside, we will bring you the accounts and you will see what we have made!”
“That is not the kind of making I intended you for!” replied the father. “And see, see this child, poisoned! How will you enter that in these books of yours?  What have you done with all that I have made – do you not know that I love it all?”

 

 

 

Some prayers from the first chapter of Prayers and Verses

 

Lord, purge our eyes to see
Within the seed a tree,
Within the glowing egg a bird,
Within the shroud a butterfly.
Till, taught by such we see
Beyond all creatures, thee
And harken to thy tender word
And hear its “Fear not; it is I”.
Christina Rosetti 1830-94

 

O God, enlarge within us the sense of fellowship with all living things, our brothers the animals to whom thou gavest the earth as their home in common with us.
Basil the Great c330-379

 

He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.
Samuel Taylor Coleridge 1772–1834

 

IMG_0713.JPG

Coleridge’s Ancient Mariner – at Watchet, the place that inspired him.

prayers and verses cover