Sunday Retold: Who – The Transfiguration

I’m working away at my collection of poems, The Year’s Circle, weaving together the seasons of the year and the seasons of the readings many churches follow. And we’re coming up to the story we call the Transfiguration – when three of his friends see Jesus in an otherworldly, shining – vision? or what was it? – with Moses and Elijah from the Hebrew Scriptures. It’s a pivot point in the gospel accounts, important and central, and also strange.

Some have interpreted this event as a revelation of Jesus’ true identity, and perhaps a foreshadowing of the resurrection appearances, and perhaps a glimpse of the Universal Christ – a theme explored by Richard Rohr in his book of that name.

As usual, there is no explanation, no interpretation in the gospel accounts. And there’s something about the event which encouraged me to explore the way it asks questions of us – what we think is really real, and really lasting. How we see – do we see glory? Do we see cloud? Those explorations reminded me of the medieval work, The Cloud of Unknowing, and how beneficial it is to be open and patient with things that are beyond our understanding. It feels like a story to sit with in contemplation, expanding our way of seeing, inviting us into a deeper and truer experience.

Earl Mott’s painting of the Transfiguration

When I was reading Luke’s account I was struck, as I often am, by his ordering of the events. There seems to be a theme emerging, with questions of who Jesus was, and also, what greatness might mean. And so I wrote a short series picking up those themes and exploring them. There are other events woven through that are not covered by the following sequence of poems – the Feeding of the Five Thousand, for instance – which is developing a sequence all of its own.

If you are looking for something to use in your devotions or public worship for the Feast of the Transfiguration (on 6th August), the parts stand alone, and can be used singly. But I was intrigued by the flow of ideas and wanted some space to ponder them on the page. I began with Herod, troubled and awkward in his guilt, and moved through the stories to the little child, standing in the midst of them.

So, here it is….. four poems following a trail.

Who?
Luke 9, Matthew 16-18

I  Herod

Herod found you a
question he did not
know how to answer.
Perplexed, he heard
whispers that you
were John back from
the dead, a ghost to
stalk his conscience,
shock his dreams,
or the great Elijah,
or another prophet.

He sought you out, he tried
to see you. Perhaps to
ask you who you were.
What might have been,
what could have been,
if he had met you then?

II  Peter’s confession

You asked those who knew you best,
Who do they say I am?
and
Who do you say I am?

To the first, they gave the
answers that blew in the air
like smoke, whispers that
swirled dark around
Herod’s palace, and
through courts and crowds.
John the Baptist, back from the dead.
Elijah. One of the prophets.

And to the second – a moment’s
pause, an intake of breath,
a strangeness rising – to be
asked to name, to more than name,
one they knew daily, and loved,
and still, barely understood.
How to give answer
to such a question?

But Peter did. The vast
words formed in his mouth.
He called you Messiah,
the Christ, the anointed one.


How good it is to be seen,
to be known, to be understood.
How warmed you were by those words.
Enough to give him a new name –
Rock – and a new identity – foundation stone.
For all his impulsiveness, changeability,
you knew him as deeper, and truer.

And yet a sadness enters here.
The anointed one does not
walk in greatness.
The road you will take is
hard and stony. A way of weeping.
And a warning enters too –
those who consider themselves
God’s guardians will subject
you to death, yet death
will not hold you.

Such words cannot
be borne. Such an
upending, a
contradiction,
such pain. 
They fall to the earth
like so many
hard-shelled seeds,
trodden into the dirt
and snatched up by
dark, shining beaks.

III Transfiguration

Sometimes our seeing falls away
and we catch a glimpse of
deeper truth.  We say we see the light

Away from everyday thinking,
on the mountain, in prayer,
weighted with sleep.
Perhaps we see a beloved face
lucent in sudden light.

But here, on this mountaintop,
three friends lifted up their eyes
and saw – what shall we say?
to whom shall we compare him?

Shining like the sun, as white
as light, as bright as lightning –
the one they walked with,
ate with, laughed with.

Was it like the lifting of a veil, or                                                                                                
perhaps a dragonfly splitting his
dark skin to emerge a jewel?
Was it a peering through
the door of heaven, or
coming to see the glory
of things here, and now?
I do not know.
I do know it feels
a moment of endless truth.

And in that moment, Jesus,
Elijah and Moses do
not speak of the glory
that blazes around them,
they talk of the pain that
is to come – as ones
who can understand.
I hope there was some
comfort in it.

Something like comfort
too in the sightless
seeing cloud,
shekinah,
that reveals how we
do not and cannot see –
God is beyond us

And yet is with us,
as close as mist
filling our lungs,
beading on our skin,
as close as one we love.


And then they hear that true voice
speaking tenderly, calling him
beloved, and saying to listen,
to listen to their dazzling friend.

Words they will carry in their hearts,
words which in turn will carry them
on that long wide-eyed walk
down the mountain,
and through all that is to come.

As above, also reference to Isaiah 40

IIII Greatness

It is not what we think.
Greatness is not the pomp,
the power, the show,
the mountaintop.

It is the welcoming of a
little child. It is the being
like a little child.
In doing so, we draw
closer to the one
who calls Jesus
beloved,
the Son I love.

Greatness, a costume
cloak of purple and foil.
Let it slip from your
shoulders. Let it
fall.

As ever, I’m sharing with you work in progress. There may be some tweeks and amendments before things land in the book – Wild Goose, Iona Publishing, next year.
Also, as ever, please feel free to use any of my material that helps, referencing this blog as your source. I love to hear about where my poems fly to, and where they land.

Here is a link to some more I’ve written on the Transfiguration. It includes extracts from my retelling, and some thoughts on how we might come to see more truly. I hope you find it nourishing.

Armando Alemdar Ara, from Liturgy Tools

Poems: Seven Sentences from the cross

Elizabeth Frink, at St Edmundsbury Cathedral

Edit: April 2025 I’m sharing this with you again this year, as I’ve noticed that a number of you are turning to these poems as we approach Easter. Thank you. I’m also delighted to let you know that they will be part of my first collection of poetry, The Year’s Circle, which will be out next year. It will be published by Wild Goose. Exciting news!

I do hope these poems are helpful to you as you begin to meditate on Good Friday, and prepare for sharing that time with others – families, groups and congregations. Please do feel free to use and share them, saying where you found them. I love to hear about that.

Below the poems, you’ll find some links to other posts on this blog that you might find helpful too.

Father forgive them, for they know not what they do

We don’t know what we do,
from the careless word that
starts a fire of anger,
to the careless killing
of a butterfly  –
who knows what
wide effects,
what winds and rains,
begin and end with just one death?

We walk in darkness, so often,
and so often, we close our eyes,
we do not wish to know.
And Jesus, seeing this,
that his life would end
with angry shouts,
with fearful washing of hands,
with indifferent playing of dice,
Knowing all this, even so, he bore
our lawful unthinking violence,
our blundering disregard for consequences.
Another would pay for our actions.

Yet as the ripple of our acts flows out,
through the world, who knows where,
so too, now, flows forgiveness,
following on, spreading and transforming,
watering dry ground, lifting burdens
and carrying them away.

2

Truly I say to you today you will be with me in paradise

Even as he hung upon the cross,
even with blood from that false crown
running down, not wiped away,
he saw the two men at his side,

One joined in mocking with the
priests and soldiers,
speaking from his pain,
and one did not, this second kept
his eyes on something else – a hope.

A hope the one he looked on was a king,
and of a kingdom where such things
as crosses are not lifted up,
a hope, even, of an end to death and pain –
this pain, this death.

And, ah, his king begins to speak,
of paradise.
What a world to gift him dying there.
A word of such sweetness, freedom, peace.
See  – clear water flowing, and flowers,
hear the sound of birds, the lazy
buzz of insects, the flutter of their wings.

What a word, at your end, to hold to,
to capture our beginning, once again.
But even more than this,
to be with him, beside the king,
seen and known,
held in the loving gaze of one who
hung up on the cross.
Might this, even this, be paradise?

3

Woman, behold your son. Son, behold your mother

And still he sees, looks down
towards the one who bore him, bearing this,
the pain – not her own pain – worse,
the pain of watching one you love
twisting on those wooden beams,
the nails piercing her own flesh too.

The time has come when all the
treasure of her heart is broken open,
scattered, lying in the dirt.
What use to hold in mind
the words of angels,
the wealthy gifts brought by the wise,
what preparation Simeon’s warning,
when now she sees his agony with her eyes.
But she is not alone, his friend sees too.
John, who writes it down,
bears witness, even here, even so.
They turn their gaze upon each other
and see each other with new eyes –
a mother, and a son.
Gifting them each other –
his one last act of love,
this giving, from an empty cup.
This task of care can be ours too,
to behold each other in our pain,
and in our sorrow, walk each other home

4

My God, My God, why have you forsaken me?

You felt your generous heart forsaken,
you felt the absence of the one who helps,
who was beside you, in the beginning,
who knew you from before first light.

We know too well the sparseness
of your isolation, without light,
and companionless,
in the darkness of our own long night.
And yet, within our dark, we find you there,
Find you have waited for us long days, and years,
while our poor eyes have
grown accustomed to the dark,
have learned at last to see you through our tears.
So as you know our pain and feel it,
you break our separation with your own.
Help us see the forsaken all around us,
invisible and in darkness, but seen by you.
May we seek each other in the dark,
May we have courage to cry out,
like you, and so be found.

5

I thirst

The well is deep, and you have nothing to draw with.
Where now that living water?
Where is that spring within you, gushing up
to fullness of life?
Do you remember, now,
the woman by the well?
Your deepening talk of thirst and water,
as now, again, you humbly ask another for a drink –
this time,
a sponge of sour wine?

Do you remember too, as the taste dries on your lips,
that wedding feast, where water changed to finest wine?
The richness and fullness of that beginning
soured to this cold bitterness.

You are our source, the spring of all our rivers
and still you thirst like us, need help to drink.
And so give us this grace,
that as we do for the least of these,
we may know we do for you.

May we see you
in each thirsty face.

6

It is finished.

All things come to an end.
Even pain like this,
Even the anger and the cruelty of a crowd,
of us all,
even the certainty of those so certain
of God they hang a man upon a tree.
Even the punishment and scapegoating
even violence,
even death.
The work is done.
It has all been borne.
You have poured out your love, your life.
You have carried our sorrows, suffered
under our iniquities.

Your head bowed now, you sink
into the final pain of nails,
your body bears no more,
having borne all.
The work is done.

7

Father, into thy hands I commit my spirit

There is darkness now, deep darkness,
over the face of the deep,
and no hovering like a brooding bird,
instead, the temple curtain torn in two,
from top to bottom,
and the Holy of Holies empty.

God is not found there,
but here, with this dying man
on a tree,
He calls out father, and talks of hands,
and we remember what his own hands have done,
how many were healed by their touch,
raised up and restored from cruelty and death,
and now, he too will be held in loving hands,
a reconciliation beyond our grasp,
a trust even at this moment of last breath.

Dying, he taught us to die,
dying he brought us life.
May we be reconciled, may we know
at our end, the comfort of those hands.

img_0630

The church at Selworthy Green

Bless you


Good Friday Meditation

Other Holy Week readings, prayers and poems

Sunday Retold: Christ the King

Jesus Washing the Feet of his Disciples, by Albert Gustaf Aristides Edelfelt, (1854-1905)

This week, I thought I’d share with you my retelling of the reading many churches will be following this Sunday, in the spirit of Sunday Retold.

It explores themes of power, and so follows on from last week’s poem, Stones.
This week’s reading is that electrifying encounter between Jesus and Pontius Pilate – a trial of sorts. For the flow of the storytelling, I’ve taken a longer sweep than the set reading.

So here’s the story from The Bible Story Retold

At the same time, as dawn was breaking, the council gathered – elders, chief priests, teachers of the Law – and faced Jesus.
“If you are the Christ, the promised one, then tell us!” one said, rolling the words around his mouth as if they were bitter to his taste.
“If I told you, you would not believe me,” Jesus replied, holding him in his steady gaze.
“Are you the Son of God?” they asked.
“You are right to say so.”
At this they rose to their feet with an angry roar, and carried Jesus off to the palace of Pilate, the Roman governor, who had power to sentence people to death.
“This man is a threat to the peace – he claims to be Christ, a king, and opposes Roman taxes,” the accusers called out as Pilate circled around Jesus.
“Are you the King of the Jews?” he asked. Jesus felt the cold edges of the mosaic under his bare feet.
“Yes,” he replied. “But my kingdom is not like the kingdoms of this world.”
“So, you are a king!” Pilate responded.
“Yes! That is why I came, to speak the truth. Everyone who is on the side of truth will listen to me.”
“But what is truth?” Pilate asked. Then he went out to see the leaders and the people together. “I see no reason to charge him,” Pilate said. “This man has done nothing to deserve death. I will set him free.”
“No, set Barabbas free instead!” they cired. Now, Barabbas was a rebel who had killed a man.
They shouted louder, drowning out Pilate’s words: “He’s done nothing wrong! I will release him!”
But, with rising rage, the mob shouted, “Crucify crucify!” In the end, Pilate gave in: he set Barabbas free and handed Jesus over to the guards.
The guards tormented Jesus, the one called king. They draped a fine, purple robe around him, and twisted him a crown of sharp thorns to wear. They called out, “Hail, King of the Jews!” and fell on their kneeds before him, laughing. They spat on him, and struck his head with a staff. They, they took back the robe, and led him out to be crucified in his own simple clothes

Francisco De Zurbaran

We see how those who held religious power allied themselves with the Imperial power of Rome. I expect they were sure they were being faithful, upholding the law and their traditions, defending their faith as they saw it. Being certain you are right can lead you very astray. And we see too how Pilate saw Jesus very differently, one who had done nothing wrong, and yet seemed to have little power in the face of an angry crowd.

The biggest difference of all, to my mind, is in the understanding of what power is, what a kingdom is, who a king is. Those who are embedded in the power structures of this world, and, to be honest, the rest of us too, find it hard to imagine a different kind of power. One that follows a path downwards, even to death. One that washes the feet of the followers, that does not insist on its own place, but instead works through love, in humility, in radical engagement with the world as it is. We will soon be in Advent, preparing for the coming of Jesus. At that time we think of his unity and solidarity with frail humanity, born in such a humble way, amongst the extraordinary, ordinary, beloved people of Bethlehem.

Lord Jesus,
May our lives bear the mark of love.
As we are kind, as we share, as we are gentle,
may your love be seen in us.
Help us, for this is hard for us.

Dear God,
May I welcome you as my king:
King of peace,
King of love,
King in death,
King of life.

From my book of prayers to accompany The Bible Story Retold, Prayers and Verses


Poem: Poured out and overturned – Sunday Retold: Turning the tables

Christ chasing the money changers from the temple Raymond Balze

Hello again.
Here’s another post combining a look at the reading many churches will be following on Sunday, and a poem which emerged as I read it and read it again. So it draws on my occasional series Sunday Retold, and my practice of dwelling imaginatively with the story, meditating on it, and seeing what arises.

Firstly, the Gospel reading from my retelling The Bible Story Retold in Twelve Chapters.

Jesus went into the Temple courts, and found them choked up with stalls and salesmen, ringing with the shouts of hawkers and hagglers. People were not gathering for worship: they were changing their money into special Temple coins, and buying birds for Temple offerings. Jesus grabbed the traders’ tables and threw them over. The money changers and the dove sellers shouted angrily while the coins clattered and rolled across the stone floor. “You’ve taken ‘the house of prayer’ and turnind it into a ‘den of thieves’!” Jesus said, and all fell silent at his words.
Then, the blind and the lame came to him and were healed. And children came, too, running and shounting, “Hosanna to the Son of David!” The Temple was filled with joy, and the priests and teachers of the Law drew back, muttering angrily.

From The Bible Story Retold, based on Matthew 21

One of the things I found while working on this retelling was that there was always so much more I wanted to explore – so much depth and meaning hinted at, or concealed by years and culture and translations. My practice in writing the book was to read widely, and then to meditate on the passages in the style of Lectio Divina – imagine myself into the story, and allow it to unfurl in my mind – a mind with questions, open to prompting I hope. So with this one, there was so much here about Jesus’ rage at the commodification of the things of God, making what was freely given into a commercial venture. We are so used to everything falling into the realm of money it can be hard to imagine how things could be any different, or how the realm of God might offer a radically different Way. Jesus spoke more about money than about prayer, and yet it’s a difficult subject to explore for us. So many of the ills and injustices and exploitation of the natural world we are currently experiencing suggest to me that something has gone wrong with the way we view and use money. Can we begin to dip into the realm of gift, generosity, and finding ways to do what is necessary and right? I hope so.

The Little Free Pantry at St Andrew’s Church, Melton. An example of gift, of sharing. Apologies for the soft focus!

And so, to the poem which came out of my reflections. The meaning of gift and the exchange that arose in my imagination on reading the passage was many layered, and I hope the poem can be read a number of ways depending on what chimes with you the reader. It draws from the Mattew 21 passage, as above, but also the passage early in John’s gospel (John 2).

Poured out and Overturned

Some things cannot be bought
and yet, they are. See
those neat piles of coins,
counted carefully, those inkmarks
methodically made, those
animals sold for sacrifice,
coins given for prayers, for favour,
for the words and work of God.

His carpenter’s hands gripped
the smooth grained tables and
upended them.  Poured out the
shimmering piles of coins
rolling and chiming
over the stone floor.

Some things, perhaps, once, all
are freely given – life, air, water,
growing things for food, breath,
beauty, favour, love.  So many
things we lay out in rows,
so many tables, so many
neat marks of ink or light.

Bound, we see no alternative,
cannot imagine another way,
and yet, here is a man throwing
coins to the floor, with a whip
to drive out money changers
while wooden tables lie
groaning on their sides.

Set free, then, what happens in
this space, this chaos,
with all our reckoning upended?
The blind and the lame come,
and are healed.
And the children run and shout
Hosanna.
And what is, and what will be
is all gift.
So it is, and may it be so.

John 2:13-22, Matthew 21:12-17

Elisabeth Frink, Chapel of the Transfiguration, St Edmundsbury Cathedral.

I notice that some of you good people are looking up resources for Easter on this blog. Thank you for considering my work. If it helps, here’s a link to a summary……
Please feel free to use my writing in any way that helps, mentioning my name and this blog. And do feel free to let me know, I do love to hear where it gets to!

Edit: Sunday 3rd March.

I’m absolutely delighted to find my poem below at Diana Butler Bass’ The Cottage.  She shares an informative piece on this passage which I’ve found has helped me understand what can be a puzzling story. Do read it if you haven’t already. I hope this link will take you there…..

https://open.substack.com/pub/dianabutlerbass/p/sunday-musings-b9b?utm_source=share&utm_medium=android&r=46vq

Further edit… I seem to be having difficulty clicking through on this link. She has included one of my Mary of Bethany poems in another recent post if I’ve whetted your appetite and you can’t find Overturned…. try this.

If you search for her name on this blog, you will find other poems and other links.

Poem: Empty/Water into Wine, Sunday Retold

Mike Lacey – Glass

Hello, welcome back. This week, I am combining two things I sometimes do: Sunday Retold, and a poem drawn from the reading. For those who follow set Bible readings through the weeks, we’re still in the season of Epiphany, when we look at moments of understanding and revelation. And this Sunday, we’re meditating on the first sign recorded in John’s gospel, which took place at a wedding. As I was reading it, the image of those stone water jars filled my mind, and I’ve attempted to turn my meditation into a poem, below. I thought I would share it with you even though it’s so new, in case it helps you or prompts you in your own reflection. 

So, first the reading, then the poem:
John 2:1-11

On the third day after Jesus called his disciples, Jesus went with them to a wedding in Cana, near Lake Galilee. The whole community was there, eating and drinking, dancing and laughing, blessing the young man and woman who were starting their life together. But Jesus’ mother, Mary, noticed that the wine had run out and said to her son, “They have no more wine!”
“Dear mother, why are you telling me this? Now is not my time.”
But later, Jesus spoke to the servants. “Fill those jars with water!” he said. For there were six large stone water jars nearby – the sort that were used to store the pure, fresh water the Jewish people used to cleanse and purify themselves before worship. The servants filled the jars with water and, puzzled, dipped their serving jugs into the newly filled jars. They poured some out for the host, as Jesus had told them.
Then the host called the bridegroom over, a broad smile on his face. “By now people are usually serving the rough wine – but this wine is really good – wonderful! You’ve kept the best till last.” He gulped another warm mouthful of the wine that had been water as the servants served the wedding guests.
Jesus had taken the water from the stone jars and turned it into fine wine. When his disciples saw what had happened, and saw the servants pouring out new wine for all the guests at the wedding, they gasped in wonder. They had caught a glimpse of Jesus’ glory, and the glory of God’s kingdom. The disciples put their faith in the one who turned water into wine.

The Bible Story Retold

The Marriage at Cana, Gerard David

It’s a beloved story, often shared at weddings, its many layers rich with meaning. I tend to find that something strikes me in particular, draws me in, and this time it was those empty stone jars. So, here is a poem that grew out of turning the image of those empy jars over in my mind. There is much else that could be said, but today, it’s simply this…..

Empty/Water into Wine

Those empty stone jars,
I see them – pale grey,
with a film of dust, leaning
against the wall, overlooked,
unregarded as the wedding
rolls on, music and dancing
and laughter sending tiny
tremors through their hollowness.

Six of them, as empty as
days can be, an emptiness
we know by taste, our dry mouths
rimed with fine powdered stone.

And this is where you began
your work, with these empty jars. 
Had them filled
with cool water –
so far, so expected.
For purification, cleansing,
the couple’s, the town’s,
love and life,
as the wise look on, nodding,
sure that they have your meaning.

Oh, how you delight in upending
expectations, traditions.
What was drawn from these jars
was not water for making pure,
but the red bubbling joy
of good wine, poured and shared,
for the delight of all gathered,
for the blessing of love, and union,
uproariously, and without fanfare.

After three days, this is the glory
revealed, this is what it means
to be full of grace and truth,

To have our days, our beings,
filled with water, only for it
to poured out as fine vintage,
only for it to be transfigured,
transformed, as wondrous
as the grapes on the vine,
as wondrous as a day,
a life, so open to joy.

If you would like to use the poem or reading, please feel free to do so. I’d appreciate it if you mention this blog and my name is doing so.

Poem: A solitary shining drop

Sedum, after the rain had cleared.

The practice of wandering – often around the garden – contines to be a a helpful one for me, quieting and contemplative. The practice of standing still and looking, too. Quite a lot of apparent “nothing” seems to be fertile ground, after all. Something catches my attention, as if it is saying: ‘look, here is something, a marvel, a meaning, a glimpse of beauty’. I am coming to think they are happening all the time, and what makes the difference is my openness to seeing, hearing and knowing them.

And so, when the sun broke through after the rain, I went outside, and sat on my coat, and looked. Some distance across the lawn, I saw a bright red light, flashing, and, curious, saw a drop of rain acting as a prism. I watched it for as long as the angle of light made it shine with colour. It called to mind two ancient stories – the burning bush, and the flood – from the Hebrew Scriptures. How the world is full of epiphanies. And again, I was in awe of the way the natural world – of earth and fire, water and air – invites us to listen, to pay attention, to wonder.

A solitary shining drop

Just now, I saw the sun
catching a raindrop as it
rolled so slowly down a
sedum stem, fleshy
and green.

It shone through red, rich,
neon and ruby, flashing as the
stem swayed in the breeze, taking
the drop through that one
ray of light, back and forth.

Then it suddenly changed
to the dazzling blue of cobalt
and lapis lazuli – oh, heavenly blue.
Heavenly blue.

Just now, for a moment, this
treasure made of light and rain,
this solitary shining drop
becomes a tiny shard of promise,
a slim fragment of the arc
that holds the sun and the rain.

It all speaks.  All speaks. In the
mind’s quiet, and in a flash of
brilliance that turns your head.
A gentle whisper and a
burning bush, both. 
A drop and a rainbow.
The world shines with
meaning, murmuring,
as the green earth is
drenched by sun and rain.

Poem: The grace of seeds

As we come to the end of the Season of Creation, I offer a harvest of seeds.

I love the way seeds spread in the garden, finding new nooks and crannies to settle, new places where plants will grow and in their turn offer flowers to the insects, seeds to the wind and the birds.

As I was watching fluffy seedheads catch the breeze a few weeks ago, I felt my attention catch on the seeds. I felt that insistent “look!” which comes sometimes, and alerts me to some depth, some beauty, some meaning. It’s always worth attending to. And this time I saw the reckless generosity, the persistence of seeds, unfolding to me a truth about creation’s blythe insistence on hope. Each offering of seeds represents so many second chances, fresh starts, try agains. And the word forgiveness came to mind – as if the seeds were offering a chance of Spring despite, in the face of, the ways we continue to undermine and deplete the natural world. The seeds a sign of forgiveness, a chance to try again, an ever repeating offer of new life.

Some of you who have been good enough to follow this blog for a while may remember that I return often to the themes of the parables – the stories Jesus told – especially the ones that speak of the natural world. I love the way Jesus quotes the psalms to explain this mysterious teaching method – “I will open my mouth in parables; I will utter things hidden from the foundation of the world.” (Matthew 13:35) The Hebrew Scriptures tell of a vibrant world saturated with the glory of God, of living things being animated, and full of wisdom, if we will but pay attention. I hope to write more about that another time, but for now, I’ll return to seeds. If you’d like to read more about the parables and the seeds on this blog, you can look here and here to begin with.

The poem I’m sharing with you today is full of touches from the Gospels, and another day, if I can, I might unpack them for any of you who are interested. I felt the call to “look” was an invitation into all sorts of deep truths……But I hope the piece stands on its own, open to all who look with wonder.

But for now, below, the poem. It’s been one of those pieces that has revealed its meaning to me in the process of writing, that has felt like a discovery or an uncovering. I wanted to share it with you today, this last day of the Season of Creation. I hope I haven’t hurried it along too much – it’s been taking its time. I hope it is ready. We’ll see!

The grace of seeds.

Seeds are blowing in the breeze,
gentle, white and light.
Fairies, I used to call them as a child,
back when the world was full of seeds,
and butterflies, and glimmers of enchantment.

I breathe slowly and long
into all this ripening.
All this, all, glows with a deeper life –
light and colour under the skin,
shining with a song
of greening and ripening.

Each seedhead releasing a kind of
forgiveness that falls with the seed,
falls to the earth bearing
new beginnings, seventy times seven.
Life wills to live, despite all we have done.
Life uncoils again, and again.
I am humble before it.
Before the caterpillars on the toadflax,
the frog stirring beneath the strawberries.

The world is indeed full of grace.
We do not deserve these chances, again,
and again, and again. And yet,
deserving is not the point. Seeds fall,
it is the very nature of things,
and blow on the breeze. Each one
offering multitudes. It is the way of seeds.

Might this grace, one day, even today,
catch us in its loving web as the trumpets of
bindweed blaze out a song of liberation,
and the blackbirds tumble fearlessly,
hungrily, in the hedge’s ripeness?

For the seeds float still, and
the air is still full of enchantment.
Life whispers, it calls us, it sings to us.
Does it know we will turn towards it,
at last, wooed and wonderstruck,
and learn we belong, have belonged
all along?
We might, we may, we can.
Those dry seeds show us how.

All the pictures are from the garden – and the narrow strip outside the wall by the road, where I’ve been sprinkling seeds for years.

Poem: What the space holds

Gradually, we’ve been reducing the size of the unmown places in the grass. It’s been growing so fast this year, and the flowers have had a second and a third go. The sun and the rain have kept everything flourishing. There are small frogs and grasshoppers, and many bees still. It’s worth going very slowly, giving everyone a chance to hop out of the way, and leaving places of refuge. Little by little….

I wish I’d taken a picture of this patch above in the week before it was cut, when a round shape appeared flattening the stems. We were pretty sure it was the muntjac who is a regular visit to the garden – earlier this year, there was a youngster too. You can read more about the deer in the garden here and here. She is a joy.
I do worry about her crossing the road between the woods and the garden, about the speeding cars – but the only time I have ever seen her trotting along the road, everyone stopped and waited for her to be safe. Kind drivers!

As I sat by her space I imagined her presence. I felt the hum of the cars through the ground. And I thought of all the places where the creatures who used to make a home no longer do – all the absences. I felt the loss, even as I felt the beauty and abundance of this late flowering meadow. And so this poem emerged, in fits and starts. It’s taken its time, has a basenote of loss, and I hope it carries the gentle tenderness of the deer, and the many creatures I feel kin to even in this one garden.

What the space holds

There is a space in the long grass,
a flattened disc of green stems,
while all around late flowers
nod. A curved bowl, waiting,
rimmed with golden light.

Low down, face close to grass,
I hear the hiss of breeze through
stems, the buzz of bees, crickets,
even, perhaps, butterfly wings.
But there is no trace of whoever comes
here, night after night, and circles, and
settles to sleep. Too sweet a hay-smell
for fox or badger, too big for cat.

I open my mind’s eye to the night,
quiet, and across my heart
a dark shape with long,
delicate legs steps gently,
picks her way through the black
shimmer of stems and fills
this space with a shadow –
a shadow whose heart beats and
ears twitch. I see a dream-deer,
breathing, her brown sides rising
and falling as the space fills
with living warmth, with the
softness of deer, with the gentleness
of one who comes by night.

And as I dream, as I treasure
the absent deer, I think of all
the empty spaces
and places, holding now
only memory, fading,
or worse, nothing.
I think of the absences
that there have been
and that are yet to come.


Patterns cut out of sky where flocks of birds,
tumbles of bees and butterflies are not,
but once were. The rivers where
there were fish, who are not.
Places where the beavers and the big cats
and the red squirrels are not, and their spaces
cradle nothing, empty and mourning,
Earth’s arms aching.

This soft round space that has
become a bowl of dreams
does not know if the sweet deer will
return tonight, as car sound
rumbles through the earth.

This bowl in the grass
ringing with her absence, with
the absence of all creatures who
are not here, but who once were,
as I run my finger around the rim,
and feel the tremor of loss upon me,
and through me. May she be safe.
May she and all creatures be safe.

The final lines of blessing draw on the Buddhist practice of metta, or lovingkindness, meditation, which I have found deeply helpful and incorporate into my prayer and contemplation regularly.

When I was writing about the spaces where creatures are not, I remembered a wonderful Matisse exhibition we went to of his cutouts, done in his final months and filling his rooms with birds and flowers. I imagined the pieces of paper uncuring from his scissors and falling to the ground. I wondered if what we would be left with would be these negative spaces, with the birds and flowers no more, or if we would find our hearts opened to care for those we share this beautiful green world with.

Poems: Seven Sentences from the cross

Elizabeth Frink, at St Edmundsbury Cathedral

I’ve noticed that a number of you are turning to these poems as we approach Easter. Thank you for reading them, and I do hope they are helpful to you as you begin to meditate on Good Friday, and prepare for sharing that time with others – families, groups and congregations. Please do feel free to use and share them, saying where you found them. I love to hear about that.

Below the poems, you’ll find some links to other posts on this blog that you might find helpful too.

Father forgive them, for they know not what they do

We don’t know what we do,
from the careless word that
starts a fire of anger,
to the careless killing
of a butterfly  –
who knows what
wide effects,
what winds and rains,
begin and end with just one death?

We walk in darkness, so often,
and so often, we close our eyes,
we do not wish to know.
And Jesus, seeing this,
that his life would end
with angry shouts,
with fearful washing of hands,
with indifferent playing of dice,
Knowing all this, even so, he bore
our lawful unthinking violence,
our blundering disregard for consequences.
Another would pay for our actions.

Yet as the ripple of our acts flows out,
through the world, who knows where,
so too, now, flows forgiveness,
following on, spreading and transforming,
watering dry ground, lifting burdens
and carrying them away.

2

Truly I say to you today you will be with me in paradise

Even as he hung upon the cross,
even with blood from that false crown
running down, not wiped away,
he saw the two men at his side,

One joined in mocking with the
priests and soldiers,
speaking from his pain,
and one did not, this second kept
his eyes on something else – a hope.

A hope the one he looked on was a king,
and of a kingdom where such things
as crosses are not lifted up,
a hope, even, of an end to death and pain –
this pain, this death.

And, ah, his king begins to speak,
of paradise.
What a world to gift him dying there.
A word of such sweetness, freedom, peace.
See  – clear water flowing, and flowers,
hear the sound of birds, the lazy
buzz of insects, the flutter of their wings.

What a word, at your end, to hold to,
to capture our beginning, once again.
But even more than this,
to be with him, beside the king,
seen and known,
held in the loving gaze of one who
hung up on the cross.
Might this, even this, be paradise?

3

Woman, behold your son. Son, behold your mother

And still he sees, looks down
towards the one who bore him, bearing this,
the pain – not her own pain – worse,
the pain of watching one you love
twisting on those wooden beams,
the nails piercing her own flesh too.

The time has come when all the
treasure of her heart is broken open,
scattered, lying in the dirt.
What use to hold in mind
the words of angels,
the wealthy gifts brought by the wise,
what preparation Simeon’s warning,
when now she sees his agony with her eyes.
But she is not alone, his friend sees too.
John, who writes it down,
bears witness, even here, even so.
They turn their gaze upon each other
and see each other with new eyes –
a mother, and a son.
Gifting them each other –
his one last act of love,
this giving, from an empty cup.
This task of care can be ours too,
to behold each other in our pain,
and in our sorrow, walk each other home

4

My God, My God, why have you forsaken me?

You felt your generous heart forsaken,
you felt the absence of the one who helps,
who was beside you, in the beginning,
who knew you from before first light.

We know too well the sparseness
of your isolation, without light,
and companionless,
in the darkness of our own long night.
And yet, within our dark, we find you there,
Find you have waited for us long days, and years,
while our poor eyes have
grown accustomed to the dark,
have learned at last to see you through our tears.
So as you know our pain and feel it,
you break our separation with your own.
Help us see the forsaken all around us,
invisible and in darkness, but seen by you.
May we seek each other in the dark,
May we have courage to cry out,
like you, and so be found.

5

I thirst

The well is deep, and you have nothing to draw with.
Where now that living water?
Where is that spring within you, gushing up
to fullness of life?
Do you remember, now,
the woman by the well?
Your deepening talk of thirst and water,
as now, again, you humbly ask another for a drink –
this time,
a sponge of sour wine?

Do you remember too, as the taste dries on your lips,
that wedding feast, where water changed to finest wine?
The richness and fullness of that beginning
soured to this cold bitterness.

You are our source, the spring of all our rivers
and still you thirst like us, need help to drink.
And so give us this grace,
that as we do for the least of these,
we may know we do for you.

May we see you
in each thirsty face.

6

It is finished.

All things come to an end.
Even pain like this,
Even the anger and the cruelty of a crowd,
of us all,
even the certainty of those so certain
of God they hang a man upon a tree.
Even the punishment and scapegoating
even violence,
even death.
The work is done.
It has all been borne.
You have poured out your love, your life.
You have carried our sorrows, suffered
under our iniquities.

Your head bowed now, you sink
into the final pain of nails,
your body bears no more,
having borne all.
The work is done.

7

Father, into thy hands I commit my spirit

There is darkness now, deep darkness,
over the face of the deep,
and no hovering like a brooding bird,
instead, the temple curtain torn in two,
from top to bottom,
and the Holy of Holies empty.

God is not found there,
but here, with this dying man
on a tree,
He calls out father, and talks of hands,
and we remember what his own hands have done,
how many were healed by their touch,
raised up and restored from cruelty and death,
and now, he too will be held in loving hands,
a reconciliation beyond our grasp,
a trust even at this moment of last breath.

Dying, he taught us to die,
dying he brought us life.
May we be reconciled, may we know
at our end, the comfort of those hands.

img_0630

The church at Selworthy Green

Bless you


Good Friday Meditation

Other Holy Week readings, prayers and poems

Poem: The Wash, high tide, knots rising

RSPB Snettisham

Last month we took a few days to visit Norfolk, staying by the Wash. UK viewers of Winter Watch and others may have seen some awe-inspiring film of one of the UK’s greatest wildlife events – sometimes called the Snettisham Spectacular. Maybe you’ve been lucky enough to see it for yourself. We decided we’d go and try and catch this sight, when a very high tide drives the birds off the mix of saltmarsh and water, into the air in huge flocks, and down into lagoons cared for by the RSPB. Their website (linked above) will help you get a taste of what its like, as well as some information about when these high tides happen.

Of course, there are never any guarantees with nature, but we got up very early and went to Snettisham in the dark, on a cold February morning, full of anticipation. I’d decided on flasks of coffee – which turned out to be an excellent idea! It was the most moving experience, deeply awe-inspiring, to see a landscape so full of life, and the wildness behaving freely as it should. I am sure that there have been times when there were more birds, and more wild, here, but it was nonetheless a glimpse of a more beautiful world, the world closer to how it should and can be.

You may also be aware that this precious landscape is vulnerable, and a new development could have a huge impact. If you want to find out more about that, you could begin here.

I wanted to try and capture the beauty of what we saw, and also the depth of experience that aroused in us and the others perhaps who were gathered there, and so this poem recounts the journey through the dark, and into the dawn-light of this beautiful sight.

C and A Wild Images Knots

High tide, the Wash, knots rising.

Out in the Wash-marsh,
the dark-before-dawn,
we walked
uncertainly, deeper in,
listening warily for water
sounds, mud sounds,
as we heard, out on our right,
the loudness of bird and tide.
Restless, growing, imminent.

The path seemed so long
in the dark, unknowing and
unseeing as we were.
On and on until at last we came out of
hedge-shadows and reed rustles,
out on the open bank of shingle,
with a chill wind blowing,
with the dark softening into the grey of
mist and ice-fret, as out of the
greyness emerged
a gathering crowd, moving, looking,
watching that density of black birds
emerging too, out there on the
mudbanks and sandbanks,
crowding as the water was rising,
All prickling with anticipation,
all readying for flight.

Through a lens you could see the
black backs of oystercatchers,
tens of thousands, all facing one way,
bright beaks aligned like many compasses.

And further out, paler knots,
rippling over the shrinking land,
their voices sounding together
as water lapped and lapped ever deeper,
full of fish washed in on this rapid tide,
followed by the hungry seals,
heads up, and hunting.

The bird noise grows, and the waders
begin their great lift,
A few at first, tip toed,
up and down like dancers
performing the perfect jete. Then,
as waves pour over their islands
and there is no room for all these birds,

They lift and stay lifted, from the edges,
like a great cloth, swirling now
above fast running water
rilled with small waves.

And then the oystercatchers
begin to pour like dark smoke,
like sentient smoke, as one,
all to the right, pour down
into the lagoons behind us.

While the knots, catching
the rising light, rise too,
turning pale now, loud with cries
and loud too with wings,
like a great crowd running joyously,
like a shining cloud swirling in the wind
but with mind, with being, with will,
a great pale creature rustling
and winding through the air over us,
close and low, and then down
in a whispering snake’s head behind.

And again, and again, rise up more
swirls of birds, faster and wider by
the tens of thousands, of wings
all together, birds turning together,
a miracle of unity,

As wings beat like hurried feet
as more people rush to look up,
and the waves take more and more
ground from under us all.

And I cannot tell you
what joy, what exultation –
And I write from longing to tell
you what joy, what exultation,
we humans, standing, feel
in this wide and wild abundance,
this wild and wide abandon.
This deep unity, this wide-wild-eyed
seeing into the communion of things.

As a sudden sound is added even to
all this loud crescendo,
like thunder, like jets,

The rise and beating of great wings –
pink footed geese
beyond number, beyond measure,

filling the sky with clouds of
moving birds, spinning fast now into
great skeins that wind over the deep
distance, loud and louder
bright on the dawn,

Bright with the wonder of wings lifting,
Bright in this new, steady,
giddying light.
A light that washes through us all
A light that holds us all
As dawn breaks us wide open.

If you search online, you’ll find some films of the birds, like this one.

I hope this gives you a glimpse of how beautiful a sight it was, and how transformative.

Yesterday evening I had the great privilege of reading this poem to open a series of talks organised by the Woodbridge Climate Action Centre. Local friends, tickets are free, and are going fast. The series is called Regenerating Living Landscapes, Working with Nature.

It is possible that a recording of last night’s event may become available. If it does, I’ll make sure there’s a link to it here.

19th May Note:
As you can see from the list above, tonight is the last talk in the series. Once again I’m delighted to have been asked to read something, and the poem I’m going to read is A Good Place, which is also on this blog. As usual, click through to read it.