Poem: Red Leaves – Lockdown Poems 3

I’ve been spending time with my notebook, while we’ve been in lockdown.  Usually, the words come from what’s going on around me, grounding myself in my ground.  I am aware how fortunate I am to have sight of new leaves, as here, but I hope these small verses give you a place where your imagination can connect with the spring, wherever you are.

They are just moments as they come.

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The subject of this poem springs from the story of Moses and the Burning Bush, which you can read about here.

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A moment in the garden, shared with you.

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Red leaves   lockdown 3
Oh, the sun through those red leaves,
shiny and shining,
And here, too, the smokebush,
just kindling to red flame,
before the leaf-smoke thickens,
as the sun’s light strengthens.
You can almost feel them growing,
as you bask in their cold fire.

It’s all holy.
All this good earth.
As my knees feel the
softness of grass,
and the air smells so of green,
and of the damp warming soil,
and grass, and primroses.

Yes.  This place.
Yes.  This time, even this.

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Poem: Today, sound. Lockdown Poems1

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As I mentioned in yesterday’s post, I am writing during this lockdown – as a way of expressing something, as a way of grounding myself in the physical experience of where I am, of keeping some kind of a record of what this time feels like, which is very different from what watching the news feels like, at least for me.  What emerges from this practice is simple, free, unpolished.

My notebook comes with me into the garden, and so it’s to the garden that I invite you now, especially if you are in a place where you have no view of green growing things, and hear no birdsong. I am aware how fortunate I am to have such a place, and how much harder it is to navigate this time without sight of spring.  So I hope that, as I share these poems with you, you can come outside in your imagination, and sit on the bench, and rest awile in the sun.

 

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Today – sound.  
Lockdown poems 1

Today, it is quiet.
Cars, if they pass at all,
come one by one, strung out,
separate,
dark beads running along
a dark thread.
The old sound comes, and goes,
comes, and goes.

Here, today, in this green space,
we hear, instead, the buzz of
long-tongued bees, feasting
and drunk among the primroses.
Primroses, spilling yellow,
everywhere, in the lawn
on which a faint dark
line threads – the path
of a soft deer
who comes by night.
And above, now,
buzzards and hawks
have the high sky to themselves,
flying in their wide circles.

I hear now, as if for the first time,
full birdsong, triumphant, liberated.
Suddenly an audience has turned
from its spent tables
towards this wide green stage,
and listened, amazed,
as loud song rises louder,
louder, knowing it will be heard.

 

 

 

 

Poem: Easter 2020 Lockdown poems 9

I have been writing this lockdown, and am sharing this poem with you first, although it is not the first I have written.  I am sharing it while we are still in the season of Easter – a strange, isolated Easter it’s been.

I wonder, though, if it is more like the first Easter than our usual celebrations, in many ways.  I wonder how it will seem, when we look back at it.

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Easter 2020  Lockdown 9

It wasn’t loud, or triumphant,
that first Easter.
The worship places were not full
of people shouting, together,
Alleluia.

I wonder if it was,
strangely, more like this.
Strange.  Shut away
for fear, for love,
behind closed doors,

quiet, while the world
fell apart, while dreams
lay cast aside, a coat
for a long-gone season.

And you came like a gardener,
maybe smelling of soil, with
sap-stains on your un-white,
un-shining clothes.  You brought
earth and growth with you

to Mary, who could not touch you,
to others, behind those doors
closed against the world. You
met them in their shut away places.

Maybe you will meet us too,
in our scattered homes, afraid,
untouched,  and working in shops,
and bending in fields, that we may
all eat in this wilderness,

maybe exhausted by
the work of healing,
and still holding the hands of those
who are passing into the darkness
of the tomb,
speaking softly in their ear.
Maybe these are the places you
are to be found, this year,
every year.

Holy Week at home – Some readings, poems, and Good Friday resources here on my blog.

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As we approach Easter, many people take time to focus on the journey Jesus makes towards the cross.  Our usual practices at this time are those of meeting together, and remembering together.  We can’t do that this year.  Instead, as we stay inside, for love of each other, we will have to do things differently.

Perhaps we can focus on an inner journey, something quieter, more contemplative.  As we do so, we may find, as many have before, that we get to a place of deeper connection, more grounded truth, fuller love.  We may find new meaning in Jesus’ teaching and example, of letting things fall away, of finding himself alone, of allowing.

In case it helps, I’ve gathered together some of the blog posts here that you might find help.  I will add to it as more things occur to me, and as I write and update more.

Please feel free to use any of the resources you find helpful, and to share them, saying where they are from.
A little explanation about  Easter Retold

The Retold thread of my blog gives you sections from my book, “The Bible Story Retold in Twelve Chapters”, and “Prayers and Verses” that sits alongside it.  You can get hold of these through the internet, and maybe your local bookshop if they take orders for delivery.  It’s good for all ages, and is used in family services and care homes.

The House at Bethany, the Raising of Lazarus

Many spend time with this Gospel story in Holy Week.  It’s a story that means a great deal to me.  You can find some links below.

Sunday Retold – Lazarus raised from the dead

Here you will find the readings, and some things to ponder, as well as one of my Mary at your feet poem.  If you would like to focus on the poetry, you could go here:

The ‘Mary, at your feet’ poems – Two

The ‘Mary, at your feet’ poems – Three
This last also contains a contemplative prayer/writing exercise.

There are readings, things to do, things to reflect on, in the I Am series which draws on another of my books.

Jesus said, I Am – for Lent. Chapter 5, the Resurrection and the Life

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Artist – Frank Wesley

 

Other Holy Week stories – You can find these in Chapter 11 of my retelling – both editions:  The Bible Story Retold, and The Lion Classic Bible, which share the same text.  The second of these has lovely illustrations by Sophie Williamson.

Prayers and Verses also has a section in Chapter 11 called The Road to Good Friday, which you might find useful.

Maundy Thursday – The Last Supper, Jesus washes their feet.

Retold –
Retold: Maundy Thursday

Poem- Poem: Jesus washes Judas’ feet.

We also find two of the great I Am sayings in this narrative:
Jesus said, I Am – for Lent. Chapter 6 – I am the way, the truth and the life.

Jesus said, I Am – For Lent. Chapter 7, Vine

Later in the evening, when Jesus is arrested, there is a further I Am moment:

Lent: Jesus said I Am …… Holy Week, I am he – Jesus betrayed

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Jesus Washing the Feet of his Disciples, 1898 (oil and grisaille on paper) by Edelfelt, Albert Gustaf Aristides (1854-1905) chalk and grisaille on paper 58×47 © Nationalmuseum, Stockholm, Sweden Finnish, out of copyright

Good Friday

Retold: Good Friday Retold

Now, we come to the new poems I’ve written for Good Friday – based on the seven sentences Jesus spoke from the cross. I’ve put them together with some readings, music, and art, to give you a Good Friday Meditation.  I’ve recorded the readings and poems, and they should appear on YouTube, on Good Friday, under my name.  I’ll post the links here when that happens

The poems themselves: Poems – Seven Sentences from the Cross

The meditations: A Good Friday Meditation – including 7 new poems

And I’ll add the YouTube material here.

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Angus Dei  Francisco de Zurbaran

 

Easter Sunday

A simple retelling: Retold: Easter Day!

If you are following in my books of Bible retellings and prayers, Chapter 12 moves us into New Life.

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Thank you for joining me.  I hope you find these things help.
Keep safe and well.
Bless you.

Jesus said, I Am – For Lent. Chapter 7, Vine

This post – for Holy Week – is the next in the series based on my book, Jesus said, I am – finding life in the everyday.

It’s also Palm Sunday, when we think of the crowds laying down palm leaves. This year, such crowds seem very far away from our experience, as we are isolating at home.  It’s a time when churches often fill with people, or process with branches.  This year, we can’t do that.  Instead, some are making palm crosses, or gathering greenery, to decorate their doors as a sign in participation in this time.  It’s part of how we are all adapting to our situation, and finding ways of connecting, and marking times corporately.  These things help.

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My Palm Sunday leaves.

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Back to another growing thing, to the Vine.

I do not have a vine in my garden, but I have so many other plants that are just opening up to new life.

I have been planting seeds.  My veggie beds, rebuilt a few years ago by my son and a friend, have not been productive in the past, but this year, there are signs of hope.  There are a few little shoots coming up, and raspberry canes beginning to grow.  I hope that we’ll have fresh salad leaves before too long.

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I’ve also been thinking of the wisteria, and the corkscrew hazel, in the light of this reading which tells of vines and gardeners.

This year, the wisteria is covered in long purple buds, and will soon be heady with scented flowers.  Last year, my gardener worked hard to cut back the unproductive growth, to focus the plant’s attention on the buds of  this year’s flowering.

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The corkscrew hazel requires less skilled intervention – I can manage to tell which stems are coming up straight, and need removing so the wild disarray of the corkscrew can grow freely.

These moments of intervention  are part of what happens here – I also love the wild flowers – or weeds, I love to watch what happens, what grows of its own accord. It is a hospitable place.  I love the rhythm of managed and wild.  I love the crowds of birds, the insects, the butterflies and bees that seem to thrive here.

This year, many are noticing and valuing the gradual creep of spring, the morning birdsong, the clearing skies, in a way they haven’t before.  These small joys are opening up to us, and we find they are deeply satisfying.  If we have a windowbox, or a garden, or a view, the subtle changes we see bring us joy.

Our Father is a gardener, we read.

John 15:1-17

Once again, we will just touch on some of the themes this image opens up for us.  There is always more.  Here are a few things, offered for your reflection – and some suggestions of how we might live inside this  song of the vineyard.

There is a way of seeing the overarching narrative of the Bible that looks like this: three gardens – the garden of Eden in Genesis, the garden tomb of the resurrection and the garden city of Revelation.  If we hold this narrative in our minds, we see a story of flourishing, of hope, of new growth despite the winters we encounter.  Gardens and their gardeners are a theme that runs through the whole Bible text.  Gardens are both beautiful and necessary, a sign of a settled life, a sign of peace and security, a promise of plenty.  And within the garden, the vine winds and trails its way through scripture, a sign of the people of God in both testaments, their frailty and fruitfulness, their need of a gardener to bring out their best flourishing, their provision of fruit and, more especially, wine to gladden the heart, wine soon to be poured out.

We are invited to be part of this fruitfulness and flourishing.  We are invited to be part of something bigger than ourselves, joined to others as well as to Jesus. We are invited to participate, and to contribute, to give and to receive.

As Jesus and his friend walked in the dark past vineyards, the image of the vine was real, fragrant, touchable.  This song was no distant allegory.  It was before them.  What would they have glimpsed, in the thin light?

A winter vineyard looks as dead as dead can be.  The bark flakes and pulls away.  But, here, in the spring, buds would have been bursting out.  What appeared dead was returning to life, throwing out tendrils, leaves, maybe blossoms.  They knew the importance of the vine, and the care and wisdom needed to tend it and make it fruitful. Passover required the drinking of four cups of wine…. Their blood was warmed with wine as they walked through the chill of night.

…..

And in the spring, sap runs through its veins like blood – it pours through, swelling the hidden buds.  This is a kingdom vine.  The way life flows through it is like the way the Spirit will sustain Jesus’ followers after he has gone.  The vine is loved and cared for by the Father.  God alone is the gardener of this vine.

 

Remain

To a group of people who will soon be scattered in the darkness, who will abandon him, Jesus talks of remaining, abiding.  He talks to them, assuring them they are already connected to the vine, already clean.  What will happen does not change that for them  He says this first, at the beginning of the song.  All else that follows is held within the certainty that they are part of the vine.

Here is the melody of the song, and this is what we need to treasure – that we are also part of this vine, the sap flows through us.

The heart of it all is remaining in Jesus, as Jesus remains in the Father; remaining because of love, so that joy may be complete.  We may not understand, but we an hold open the possibility of this love and grace and belonging.

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Fruit

We have talked about abiding, remaining, but the purpose of the vine is the fruit and the purpose of the pruning is to increase the vine’s capacity to bear fruit.  As Jesus continues his song of the vineyard, we see this fruit linked to a circular pattern of love – it begins with the Father for the Son, flows from the Son to humanity, who are then, for the second time, commanded to love in their (our) turn. The outcome of all this is joy – Jesus’ joy will be in us and our joy will be complete.

Love, joy… from there, we are naturally drawn to another mention of fruit in the New Testament – the fruit of the Spirit.

By contrast, the fruit of the Spirit is love, joy, peace, patience, kindness, generosity, faithfulness, gentleness and self-control.  There is no law against such things.
Galatians 5:22-23

The branches attached to the vine have the life of the Spirit flowing through them.  There is beauty in a fruitful vine, with its leaves, blossom and, in time, the ripening fruit.  Our lives, filled ith the flow of the Spirit, can have such beauty.  The life of Jesus, flowing through us, is transformative.  Maybe Jesus is telling us here how the Spirit works, how our lives can be part of something greater.  Connection to the soure of all life and love leads to flourishing.  We are not isolated, purposeless, lonely individuals.  We are part of the something greater, and we can live out our lives fruitfully.

Reflection and Response

Further Study

Read the account of the wedding at Cana (John 2:1-12). Reflect on the symbolic meaning of the empty jars used for religious cleansing, here filled with fine wine at a wedding.
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Colossians 1:15-20.  How does this image of Christ connect with your thoughts on the vine? How do all things hold together in Christ?

Prayer and Meditation
Lectio divina
meditation – rooted and grounded in love
Read Ephesians 3:14-16, asking God to speak to you by drawing your attention to a word or phrase.  Read the passage out loud, slowly, twice, leaving silence between and around the readings.  See where your attention snags, what strikes you, and ponder that.  If you are with others, hold a time of silence, then share your words or phrases.

Read again.  On the last reading, be alert to anything that applies to you or your situation directly, any place where the Holy Spirit may be moving or guiding you.  Thank God for what you have learned.

As the Father has loved me, so have I loved you.  Now remain in my love.  John 15:9

 

When you dwell on the idea of all being connected, and held together in Christ, does that help as you navigate this world in which we are more physically separate than we would wish?

Have you ever experienced anything that felt like pruning?  What happened? What was that like?  Offer any loss, any gain, through that process to God in prayer.  Be alert to signs of new life that may emerge.
Our lives are seriously curtailed at present.  Might there be, even in this real difficulty, some space where something new and better might emerge?

 

How can we connect in a time of disconnection? How can we show solidarity, and offer help, when the normal means of being together are not available for us?

Life and service

Connection and community
Take some time to connect with people in your community.  Be on the lookout today, this week, for ways you can build connection with those around you.  It can be as simple as taking a few minutes to speak to a neighbour, smiling at a passer by or something more.

ways you might be part of making a stronger community.  Ideas could include:

  • using local shops
  • walking or cycling where you can.
  • with others, notice the needs in your community, and finding ways to bless and reach out – the elderly or housebound may require help, or young families, etc.
  • litter picking the streets around you, or clearing snow or leaves as appropriate

……..

Care for a garden, or a piece of land near where you are.  Collaborate with others to enrich and bless growing and living things nearby.

Further reading – I recommend Richard Rohr’s book, The Divine Dance – the Trinity and your Transformation

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The Rublev icon

 

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Poems – Seven Sentences from the Cross

This year, I had the privilege to be invited to lead a Good Friday meditation for a local group of churches, and began to work on a series of poems to share.

Of course, we can’t now gather together, we can’t share in the way we hoped. As the situation globally has become more serious, more confined, darker, those sentences that Jesus spoke from the cross began to take on more meaning for me.  I felt I could get a little closer to a contemplation of Jesus’ love and suffering, and see it in a new light, or even a new darkness.  These poems, emerging from that contemplation, helped me as I wrote them.  I hope they will help you in reading them, too.   Here then is the fruit of days working in the house.  I thought it might be good to have them all together, quite simply, like this.

In another post, I’ll share with you those poems as part of a structure including music and art, which you might like to use for your own meditations on Good Friday, or to share with others.  I reckon it might take about an hour to work through them, with all the readings.  I will post the link here.

I will try to learn how to make a short YouTube recording of them for Good Friday.  That will follow a simple pattern of Gospel reading, poem, response from a psalm. It will take 20 minutes.  I hope, all being well, it will be released on YouTube on Good Friday.  I’ll post a link here when it does.
And this is the link.
If you would like to share these poems, or use them in some other way, you are welcome to do so.  Please say where people can find them.

 

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Elizabeth Frink, Chapel of the Transfiguration, St Edmundsbury Cathedral

 

1

Father forgive them, for they know not what they do

We don’t know what we do,
from the careless word that
starts a fire of anger,
to the careless killing
of a butterfly  –
who knows what
wide effects,
what winds and rains,
begin and end with just one death?

We walk in darkness, so often,
and so often, we close our eyes,
we do not wish to know.
And Jesus, seeing this,
that his life would end
with angry shouts,
with fearful washing of hands,
with indifferent playing of dice,
Knowing all this, even so, he bore
our lawful unthinking violence,
our blundering disregard for consequences.
Another would pay for our actions.

Yet as the ripple of our acts flows out,
through the world, who knows where,
so too, now, flows forgiveness,
following on, spreading and transforming,
watering dry ground, lifting burdens
and carrying them away.

 

2

Truly I say to you today you will be with me in paradise

Even as he hung upon the cross,
even with blood from that false crown
running down, not wiped away,
he saw the two men at his side,

One joined in mocking with the
priests and soldiers,
speaking from his pain,
and one did not, this second kept
his eyes on something else – a hope.

A hope the one he looked on was a king,
and of a kingdom where such things
as crosses are not lifted up,
a hope, even, of an end to death and pain –
this pain, this death.

And, ah, his king begins to speak,
of paradise.
What a world to gift him dying there.
A word of such sweetness, freedom, peace.
See  – clear water flowing, and flowers,
hear the sound of birds, the lazy
buzz of insects, the flutter of their wings.

What a word, at your end, to hold to,
to capture our beginning, once again.
But even more than this,
to be with him, beside the king,
seen and known,
held in the loving gaze of one who
hung up on the cross.
Might this, even this, be paradise?

 

3

Woman, behold your son. Son, behold your mother

And still he sees, looks down
towards the one who bore him, bearing this,
the pain – not her own pain – worse,
the pain of watching one you love
twisting on those wooden beams,
the nails piercing her own flesh too.

The time has come when all the
treasure of her heart is broken open,
scattered, lying in the dirt.
What use to hold in mind
the words of angels,
the wealthy gifts brought by the wise,
what preparation Simeon’s warning,
when now she sees his agony with her eyes.
But she is not alone, his friend sees too.
John, who writes it down,
bears witness, even here, even so.
They turn their gaze upon each other
and see each other with new eyes –
a mother, and a son.
Gifting them each other –
his one last act of love,
this giving, from an empty cup.
This task of care can be ours too,
to behold each other in our pain,
and in our sorrow, walk each other home

 

4

My God, My God, why have you forsaken me?

You felt your generous heart forsaken,
you felt the absence of the one who helps,
who was beside you, in the beginning,
who knew you from before first light.

We know too well the sparseness
of your isolation, without light,
and companionless,
in the darkness of our own long night.
And yet, within our dark, we find you there,
Find you have waited for us long days, and years,
while our poor eyes have
grown accustomed to the dark,
have learned at last to see you through our tears.
So as you know our pain and feel it,
you break our separation with your own.
Help us see the forsaken all around us,
invisible and in darkness, but seen by you.
May we seek each other in the dark,
May we have courage to cry out,
like you, and so be found.

 

5

I thirst

The well is deep, and you have nothing to draw with.
Where now that living water?
Where is that spring within you, gushing up
to fullness of life?
Do you remember, now,
the woman by the well?
Your deepening talk of thirst and water,
as now, again, you humbly ask another for a drink –
this time,
a sponge of sour wine?

Do you remember too, as the taste dries on your lips,
that wedding feast, where water changed to finest wine?
The richness and fullness of that beginning
soured to this cold bitterness.

You are our source, the spring of all our rivers
and still you thirst like us, need help to drink.
And so give us this grace,
that as we do for the least of these,
we may know we do for you.

May we see you
in each thirsty face.

6

It is finished.

All things come to an end.
Even pain like this,
Even the anger and the cruelty of a crowd,
of us all,
even the certainty of those so certain
of God they hang a man upon a tree.
Even the punishment and scapegoating
even violence,
even death.
The work is done.
It has all been borne.
You have poured out your love, your life.
You have carried our sorrows, suffered
under our iniquities.

Your head bowed now, you sink
into the final pain of nails,
your body bears no more,
having borne all.
The work is done.

 

7

Father, into thy hands I commit my spirit

There is darkness now, deep darkness,
over the face of the deep,
and no hovering like a brooding bird,
instead, the temple curtain torn in two,
from top to bottom,
and the Holy of Holies empty.

God is not found there,
but here, with this dying man
on a tree,
He calls out father, and talks of hands,
and we remember what his own hands have done,
how many were healed by their touch,
raised up and restored from cruelty and death,
and now, he too will be held in loving hands,
a reconciliation beyond our grasp,
a trust even at this moment of last breath.

Dying, he taught us to die,
dying he brought us life.
May we be reconciled, may we know
at our end, the comfort of those hands.

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The church at Selworthy Green, looking toward Exmoor

 

These poems owe an enormous debt to many sources.  If you are familiar with the Bible, you may find many resonances, and in some cases quotes.  I haven’t referenced these, in order to keep the flow.
However,  there is one reference I would like to acknowledge here:  in “My God, my God, why have you forsaken me?” I directly quote from R S Thomas’ beautiful poem The Other. 

It is a poem about prayer, and seems very apt to read here.

A Poem for a time of isolation – Rooted

Update: 3rd April 2020.
While out for our household proscribed exercise this evening, we saw a pair of water voles playing in the stream where I saw the one in the poem.  We stayed still for quite a while, and watched them in and out of holes in the bank, and back and forth across the stream.  It was such a joyous thing to see!  That, and the loud birdsong, and clear air, made a simple walk deeply satisfying.

I wrote this poem some time ago, after the joy of seeing a water vole in meadows near our home.  It’s an experience I think about a lot.  I thought about it today…. I will get back to the poem later, I promise, but I can’t go there yet.  I can’t get to that place of stillness right away, I have to look at the things immediately before us as far as I can. Here is today, this morning, a very small beginning of a change in how we live…..

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It’s so sad, this keeping away from ones you love.  I, like many of you, have cried at the thought of keeping away from family and friends, and also cried when I have heard of doctors cancelling their weddings, and keeping separate from their own families, and working in such difficult conditions, to try to treat those suffering from the effects of coronavirus.

I thought about this on a small trip to the corner shop – not sure whether even this is a good idea, with the slightest of sore throats.  I put on some old leather gloves, thin, so you can still open a purse, and pick things up,  an old fashioned form of contactless.

There were hardly any cars, which was pleasant, and made it easier for us pedestrians to step into the road to avoid each other.  I am grateful to those who counterbalanced this distance with a smile, and a hello. Two items only, for everything, in the shop, and even so, there was little. I knelt on the floor to retrieve the second last loaf of bread from the back of the lowest shelf, and thought that tomorrow, I would start baking my own as I felt so bad taking it. There was someone I knew in the shop, and our distant conversation, and distant air kissing, seemed to start a ripple of laughter, as others avoiding contact found they could still smile and wave to counterbalance the dance of solitariness, of avoiding each other, we were all keeping up, without music.

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As an antidote, back home, I planted three rows of veggies – borlotti beans, butter lettuce, red chard – these gentle things help.  What also helped was doing something that might help someone else….Yesterday, I tended the Little Free Pantry .  It’s a perfect way for people still out, but who want to avoid crowded shops, to pick up or donate some food. I also added my name to the list of local volunteers happy to put things on the doorstep of others isolated inside.  A little of this can help with anxiety.  It can help us be reconciled to the distance we have to keep from loved ones.

If we have to slow down, if we have to disengage, then maybe, having felt the anxiety, we can see if we can find some gifts within it.

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Mary Oliver

Maybe, even as we acknowledge the weightiness and pain of the current crisis, we can begin to imagine how the world might emerge, how we might emerge, differently, from it.

Have you heard that dolphins have returned to Venice, and that those living in Wuhan report that the sky is blue, and full of birdsong now?   Maybe, if we live more quietly, we will live more rootedly, more connected to our place and its people.  Maybe, given time, a less frenetic, more sustaining way of being might be made.  Maybe, we have an opportunity now, for some kind of a beginning, if not anew, then perhaps differently.

What would you like it to be? What kind of world, what kind of way of living, do we want?

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HOW TO BE ROOTED

First, you must suspend
all effort, all purpose.

Simply crouch in the damp,
thick grass, and feel your
sense of self seep through
your skin, your feet, into the
air – the earth – the water.

And as the muscles
around your eyes slacken,
and you let in light,
you become aware
of a nuzzling in the
grass, an earth-dark
water vole sliding
into green water.

As your heart slows
a pheasant walks by,
bright among the grasses,
and three ducks fly low
under the oaks, the
beat of  wings
all about you.

Stay still, and you will
sense the scrape
of the crickets through
the back of your hand,
and the tiny spiders,
yellow with newness,
weaving through your hair.
So that, when the
strong green tendrils
of the earth begin to
creep about your feet,
you will know in wonder
that rare thing –
how the world is,

unseen.

 

May you be blessed, and well.  May you breathe deeply, and freely, may you know you are loved and connected to all, may you feel peace.

 

Poem – The Cave and the Quarry #EverybodyNow

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Gibsons Cave and Summerhill Force by David Allen

Here is a poem, part of a series of posts that mark the Extinction Rebellion protests which are drawing our attention to the damage we are doing to the world around us.

It’s about a walk in Teesdale, in the North East of England, which I did with my husband.  We followed rivers upstream, past waterfalls.  This one, with its legends of runaways hiding behind the water, caught my imagination.  In the North East, you don’t go far without stumbling across remnants of past industries, and here it was a quarry.  These places can be desolate, they can remind us of the costs of changing the way we live for those whose livelihoods, whose families, depend on the way things are.  They remind us of the importance of imagining new ways of living, that promote dignity and independence, as well as creativity and sustainability.

What struck me here, though, and elsewhere, was the power of nature to return and to thrive even in places that seem wrecked and spoiled.  Whatever political and social difficulties we may face in times of transition, living things will come back to desolate places, given half a chance.

“For there is hope for a tree,
if it is cut down, that it will sprout again,
and that its shoots will not cease.
Though its root grows old in the earth,
and its stump dies in the ground,
yet at the scent of water it will bud
and put forth branches like a young plant”
Job 14:7-9

May it be so.  May the trees that we have cut down sprout again, may the scars we have cut into the earth be healed, may the land sustain us, and all living things.

And so, this poem is one of hope, of the return of life, of seeing things anew.

 

The Cave and the Quarry

We followed the valley down –
Down from Gibson’s cave,
where the river poured over
a high lip of rock,
undercutting a dark, hidden place.

It stayed in my mind, that place –
What would it be like to stand there,
behind the falls,
to look at the world
through that fast, cold, brown, water?
Would it wash your eyes to
see things you hadn’t seen?
Was it an enchanted place?

It seemed so, for, walking back,
we saw an old quarry
we had not seen before,
dark, and hidden –
and now we walked by
strange hillocks –
spoil-heaps sprouting trees
like ancient burial mounds,
where crowds of small birds
bounced through the air,
landing on ledges of rock
that once were sharp, fractured.
Now, moss dripped off everything,
and there was a sign
that promised flowers,
for it asked us not to pick them,
and we wondered – what flowers would come?

And I thought as we walked down the
path that carts carrying stone had made –
how long did this take?
How long before the green
and the birds and the
trees crept back into their place?

How strong, how eager, life is.
Water, and greenness,
flowers, and small birds,
moss and grass,
they soothe our scars,
they make the dead come back to life,
we need only step back,
step back and say “yes”.

Everybody Now – a parable to mark the beginning of Extinction Rebellion’s week of action

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All around the world, people are taking to the streets to draw our attention to the terrible destruction spreading over our home, the Earth.

It grieves me to learn of so many living things, plants and animals, that are on the brink of being lost from creation for ever.  It grieves me to read of the native European trees, like the ash, and the chestnut, that are now getting closer to dying, of British native mammals whose numbers are diminishing rapidly.

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But ask the animals, and they will teach you;
    the birds of the air, and they will tell you;
 ask the plants of the earth, and they will teach you;
    and the fish of the sea will declare to you.

Job 12: 7,8
It is time to listen.  What will we learn?

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Peaceful, imaginative and creative protest can help us wake up.  It can be a revelation, a prophetic voice showing the impact of human greed, and the poverty of our love for our neighbours.  We are not free from the consequences of our actions.

Much of my work draws on a depth of love for the natural world, and so this week I hope to post, and re-post, some pieces which speak into our current crisis, in my own small act of protest.  And so, I begin by reposting this parable.

 

The parable of the good craftsman

Once there was a craftsman who had two children. As you might expect, he had built a beautiful house out of seasoned wood, with wide windows that looked out over his lush green fields, his flocks and herds.  He had made fine, carved furniture for his house, and he had smiled when he made it, and said, “That’s good!”  He had made beautiful plates and cups and jugs out the red clay near his house, he had smiled when he made those, too, and said, “That’s good!”  He had made a sheepfold to keep his flocks safe, and smiled, then, too.  In fact, all that was around him was good and flourishing and abundant, and as he looked at it all, he laughed out loud and said, “That is all so good!”

The day came when he needed to go on a journey, as the people in these stories often do.  He thought, “My children are old enough to be left in charge now.  They have watched what I did, some of the time, and I have told them how good it is.”  And so he left, and the children looked around, and they, too, saw that it was good.  So good, in fact, that they started to think how much it was all worth.  So they sold the furniture, and the plates and cups and jugs, for a fortune.  They were made by a master craftsman, after all.  The plastic ones they bought to replace them were good enough. They looked at the lush green fields and thought, “We could rear more animals in pens.”  So they did: twice as many, three and four times even, the poor creatures.  They sold the pasture they no longer needed, and a factory and a car park grew there, large and grey and ugly.  The water from the well their father had dug became bitter, but they bought water in bottles with all the money that they had made.

Then, the time came for the father to return.  As he drew near the house, he noticed the trees along the road were withered and dying, and his smile left him.  He came across a bird trapped in plastic that blew across the fields, and he set it free.  Then, near the house, he found a thin child sitting by the side of the road.
“What is the matter?” he asked.
“I drank water from the stream that flows from over there, by that factory.  It tasted bad. Now I’m sick.”  The father gave the child water from his own flask, and picked up the child to take home. He had herbs for medicine there.

But when he got even nearer, he could see that the factory was on his own land, and that where his own fields should be was all noise and smoke.  He could see the plastic rubbish spilling over from his own front garden, from where the flowers and the vegetables and the herbs had been.  He saw his own children, with grey, indoor faces, and said, “what have you done?”
“Father, we are so pleased to see you!  Come inside, we will bring you the accounts and you will see what we have made!”
“That is not the kind of making I intended you for!” replied the father. “And see, see this child, poisoned! How will you enter that in these books of yours?  What have you done with all that I have made – do you not know that I love it all?”

Some prayers from the first chapter of Prayers and Verses

Lord, purge our eyes to see
Within the seed a tree,
Within the glowing egg a bird,
Within the shroud a butterfly.
Till, taught by such we see
Beyond all creatures, thee
And harken to thy tender word
And hear its “Fear not; it is I”.
Christina Rosetti 1830-94

O God, enlarge within us the sense of fellowship with all living things, our brothers the animals to whom thou gavest the earth as their home in common with us.
Basil the Great c330-379

He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.
Samuel Taylor Coleridge 1772–1834

 

#EverybodyNow

Poem: Weaving – Unweaving

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This is another poem from the  “They toil not” workshop -poems of spinning and weaving.  The first, you can read here.

At the end of the afternoon, Beth Soule gave us some ideas for doing and making, including this little loom and baskets of threads.

For several days, I’d had some words of Coleridge’s going round in my mind – I’m trying to find them.  I read them in Adam Nicolson’s wonderful “The Making of Poetry”, and they refer to Nature, like Penelope in the Odyssey, making and unmaking, weaving and unweaving.  So, there was an image in my mind of Nature, and Penelope, at her loom, weaving the shroud which she would then unweave at night, as nature makes and unmakes and makes again.

It’s a big theme for a small, playful piece, and maybe I shall return to it, especially if I can find the source.

For now, the woven poem is above, in the picture, hard to read, so here it is set out on a page.

 

 

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Attic red-figure skyphos: Side A, Penelope seated before her loom, and Telemachus standing (both named). Attributed to the Penelope Painter, ca. 450–400 BCE. Chiusi, Museo Archeologico Nazionale, 63.564. Drawing by Valerie Woelfel.

Woven unwoven

The mother gathers her threads,
green, and blue,
blue, and green,
earth, and sky,
field, and stream,
and weaves all day as the sun shines.

Then, at night, with darkness,
and with silver,
she unravels the threads
and drops them
into the deep.

 

 

 

I went to the workshop with my friend, Tracy Watson-Brown.  You can read her poems
Spinning Song

and

Bugs and blossom

on her blog.