Garden

Poem: It’s not hope, exactly. For the Season of Creation

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My garden has been a desolation for months – drying under the blistering heat. This past week, there have been a few signs of life returning. There is a faint blush of green. I can step outside without feeling grief.

Today is the start of Autumn, and September 1st marks the beginning of the Season of Creation for some churches and groups. There is much here on the blog that you might like to follow if you’re interested, under the tags Green, Creation, Everybody Now. You might like to start with Gaia.

Over the past week, I’ve been thinking about hope. I’ve been thinking about how, now this summer has brought the reality of climate change home to so many of us, there is a feeling of despair – people saying it’s too late, there’s no hope. While there is much that has been lost, there is so much truth in the old adage, where there’s life, there’s hope.

There is deep wisdom in the natural world, and I’ve been wondering what biomimicry can teach us about hope. And so I have been paying attention. I see, everywhere, life seizing every sliver of opportunity to live, to grown, to flourish. Even while Dunwich Heath still holds massive heat in its soils, those who work there are noticing signs of life returning, and birds beginning to fly. Life does not hope, it lives, often recklessly and in what we think of as inappropriate places. So I’m thinking I might try to Be More Weed, to rest when I need to and to keep flowering whenever the rain falls.

I’ve tried to express some of this plant hope – learning the hope of plants, in this poem. I think it’s appropriate for the day. I think it may also chime with other times when we feel that hope has dried up. If so, I hope it offers a drop of rain on dry ground.

It’s not hope, exactly

Last night, rain fell.
The sky was luminous,
flashing with white lightning,
and the thunder rolled into my dreams

With the smell of earth softening.
Life knows what to do with a gift

morning sees green begin
to swirl through the lawn,
rejoicing the hawkbit
bowing under the weight
of glorious pantaloon bees.

This is not hope, exactly –
a tiny wildflower
pushing through the cracks,
the way ferns now rise again
as a small brook sings
over dead twigs,
how pigeons rebuild their nest

Not what we so often mean by hope –
it does not ask, is it worth it,
what if we fail,
what if the heat comes back?
Life does not hope
Life does not choose life

It uncoils greenly today
grows today, lives,
for today the rain falls.
If all this softness knows only to
begin again and again and again,
then why not you, why not me, why not us?
Is not this good green earth worth living for?

The lawn in greener days. The yellow flowers are from the hawkbit family, mentioned in the poem. Pantaloon bees love them, and only appear in the garden when the flowers are open.

Female pantaloon bee, showing her yellow, pollen-coated legs. From Freepic.com

Poem: Wych elm

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At the end of my last post, the poem Heat, I mentioned that I was working on some pieces that grew out of our recent walking holiday in Northumberland – on the way to Lindisfarne. I’m still working on the poems – one of the later ones by the logic of the walk has come first, and I’m wondering how best to order them….. However, a month or so back I wrote this piece – a quick garden poem – which I thought I’d share with you while I’m working on that sequence.

British readers may have heard about, or remember, the terrible loss of elm trees in our landscape in the 1970’s. Here and there, some elms are returning as low growing hedge-trees, or elm variants such as the wych elm. When I saw this little beauty growing in a wild spot in my garden, I thought at first it was a hazel – but it’s an elm, I believe a wych elm. I’m so delighted that this quite rare tree has found refuge with me. Nature has a deep capacity to find a way, and that continues at least for now. Life wants to live. Sometimes, it needs our help, as with the red kite, and at others, it needs space to seed itself – although I don’t know what love and care may have gone into tending this tree’s ancestors. We keep working, keep making space, keep seeking to give life room. For some, it is too late, but each part of the web of life we cherish matters more than we can imagine.

wych elm


Wych Elm

I remember the great trees dying,
as a child, I remember watching the
leaves wither and crisp.
I remember the whine of the chainsaws,
watching them felled and falling

Limb by limb. Felled and fallen
and carried away to be burned
in great smoking bonfires.
I remember the consternation,
the grief that prickled across the land –
my own, too.  I did love those trees,
the feel of the bark under my
soft climbing hands and feet.

And now, leaving – as I do –
things to grow much as they will,
I have found a wych elm
flourishing low in my garden –
surrounded by other, more
exotic and fragrant shrubs.
There, it has remained hidden.
It is wondrous.  It is a miracle.

Once more, I have felt an elm leaf’s
sandpaper roughness
in my hand,
have marvelled at its points,
like a precious diadem,
a green man’s crown,
priceless.

I imagine future vastness, looking up
into its great sheltering boughs.
But I will keep it low, away from
the beetle that flies by night.
And there, it will grow,
and I will offer it shelter,
this place a refuge for us both.

Poem: Heat, for Dunwich Heath and Minsmere

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Firefighters are working in unimaginably harsh conditions, and have been for nearly a week now. Thank you for saving so much.
Image from Suffolk News

Last Wednesday, I heard fire engines going full pelt down our road, and, despite the heat, I felt a chill, kept my eye on the local news. We learned that our beloved coastal heath was on fire – is still on fire. I am heartbroken, and I am dismayed, and, I found as I began to write, I am angry.

So what follows is a departure from my usual style. I am in the rage of loss, and I’m weeping too as I type. I feel a little anxious about sharing it with you good readers, but I know that some of you, too, are experiencing climate grief, and have seen the places you love burn, and so in the spirit of giving voice to something that is not mine alone, here is my response. The setting for the poem is my garden, and watching the heat engulf it, flowing up from the south. I grieve its dry grass, the plants wilting and kept barely alive with kitchen water, but the imaginative destination is this monstrous fire.

Thanks to the East Anglian Daily Times for the image.

Heat

For Dunwich Heath, for Minsmere

I feel heat rise off the earth

the curling leaves of plantain
prickling in the grass,
the dead bumble on the brick path,
the thick slowness of blood
and sting of sweat in the eyes

Why is the lavender the only one that blooms

with its white butterflies tumbling together,
opening and closing their bleached wings,
uncoiling their long tongues to drink deep
with the hummingbird hawk-moth
and the white and the buff tailed bee?

The trees whisper dryly –
Look, look, they say, and I look.
There to the south, rising
like a cloud, like a fire,
like a shadow of flame
casting heat and envy down on
this small patch of once-green –

they sing with their cracked voices –
See this day the one who burns us

A great molech, mammon, wendigo,
a firebeast of heat and hunger devouring all.

He is vast, powerful
cares only for his own appetites,
he would grow and grow until the very sky burns
with clouds of dust
devouring the lives that were not offerings,
ash pouring over his cunning head

Wherever he walks, he leaves scorched
footprints on the soft skin of earth.
Whatever he touches turns to dust.

I see you, firebeast, small as I am.
I rise up and look into your red eye, as long
as I can, with my life-rage,
with my cool green fury.

Your servants chatter and spark,
and I see them too

And I will stand and I will speak
and I will sing to call out your shame
You who have grown mighty
by devouring.

Tell me, great firebeast, what is it you
have made, after all?
You make nothing, you can only take.

And who are you
to say that I am powerless before you?
For I sing with the trees in their
dry leaves, and with the softness of the
bumblebees, and we will shake the
earth with the shimmering scales
that fall from butterflies’ bleached wings,
and life will rage and rise and love and live.
And we will grow and make and mend
and work and sing,
and you will be small once more.

https://www.facebook.com/share/r/196axhAkgg/

I hope you will be able to find some drone footage from Ryan Lovejoy above. You will see the nuclear power station, with its vast construction site, in the background.

And here is a photo of the woods I love at Dunwich. I hope they have survived.

Photo from the National Trust. Fundraiser for restoration here.

This poem comes out of a summer practice with my friend Tracy W-B, where we are taking prompts from Mary Oliver and seeing where we go. This one started with The Summer Day, but quickly took on a life of its own. Tracy’s poem is a skilfully structured rendering, with real depth, and I commend it. You can find it here.

The figure of the firebeast comes from many sources, but the fire came to represent for me all the systems and forces in this world which seem to be aligning themselves against the very life of the planet and all of us. I have been reading the opening chapters of Jeremy Lent’s book, Ecocivilisation, which sets out how we ended up in this place with stark clarity. I have been feeling much in the reading of it, as you can see. Wendigo (mentioned in the poem) is an embodiment of the forces of greed and destruction I first came across in his writing. Those of you who are familiar with the Scriptures may recognise Molech and Mammon, similarly. I do not capitalise them in the poem. They are not worthy.

I have been working on writing up some more typical pieces for me. Our coast path walking has taken us from the Scottish border to Holy Island this year, and it has been glorious. Heat has sent me on a different track, but I will return with some deep beauty, I hope, before too long.

It is right to feel what has been lost. It is right to be moved to protect the good green earth.

Poem: Blossom

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The earliest blossom in our garden – mirabelle, or wild cherry plum

After I sent in the manuscript for my first book of poetry – The Year’s Circle – a couple of months ago, I felt I needed a little creative winter – of rest and quiet and recovering energy. Lately, I’ve been finding things catch my attention again, and my pen and notebook have been coming out into the garden with me.

What follows is the closest to a finished poem that has emerged so far, and I thought I’d share it with you.

Last year, in the long hot, dry summer, we had an abundance of fruit. I thought this year the trees would be exhausted, and take a bit of a sabbatical too – it’s a healthy pattern….. but this spring, hot and dry as it has been, has been awash with blossom, and now, in the few days of rain we’ve had, the fruit is beginning to swell. It’s looking promising!

Blossom

The blossom opens –
first mirabelle, then pear,
apple, cherry, Iranian quince,

A white tide frothing and foaming
over the garden, dazzling,
loud with birdsong, petals opening
like hungry beaks in nests,

All opening in turn, and all,
in turn, shaken by the sudden
shifts of wind – how hot it gusts now.
So the petals fall, they tumble
over faded daffodils, spent tulips.

And so it seems that all is lost,
all that blossom, all that promise,
all that beauty scattered on the wind.
How the spring days scutter away.
 
And yet, I have come to know that
all is not lost, even as the petals fall. 
They had their purpose.
And that purpose – invisible at first,
then the tiniest roundness
of stem, of not yet – a held breath
of green before summer’s ripening. 
And it will come, it will come, in its time.

img_20260603_1504267444875134932787339

I’m particularly pleased with these two small trees. They’re both a few years old now, and this is the first time they’ve started developing tiny fruit. The top picture is a pear, the bottom the Iranian quince – fragrant and delicious. When I see these small, new fruits, I’m reminded of that rich and ancient civilisation that has suffered and is suffering so much.

May the people there know peace once more.

img_20260603_1457065962190784352319144

Poem: Mary in the Garden. Easter Retold

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I’m sharing another poem from my collection-in-preparation with you, as promised. I started gathering and writing poems last March, and so this Easter poem – and the one to follow – were amongst the first new ones I wrote. So, quite simply, here it is….

Mary Magdalene at the Sepulchre by Harold Copping

Mary in the garden

It was in the garden
that Mary stood weeping.
First light, first flush of green
spreading over the warming stones.
A quiet place, now.

Alone, shocked, bewildered,
she did not see the flowers
opening at her feet, or hear
the song of the turtledoves.

For she is one who stands
by a tomb lost, deserted, 
heavy-burdened with grief –
the weight of a million tears –
as if this grief might carry
the pain of us all.

And seeing you, she did not see,
thought you were like a
second Adam, tending the garden
in this strange new dawn.

Then, you spoke out a name
 – her own name. Mary. 
She knew you then.
What must have risen up in that
broken heart, touched as she was
by your tenderness.
Yet as your eyes met,
her hand stopped
in the warming air between you,
singing with birdsong, shining with light.

John 20:11-18, 1 Corinthians 15:21-22

If you would like to read the story, you can find more in the link below….

Easter Retold

James Tissot

Please feel free to use my poem, crediting me and this blog.

Poem: Mary in the Garden. Easter Retold

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I’m sharing another poem from my collection-in-preparation with you, as promised. I started gathering and writing poems last March, and so this Easter poem – and the one to follow – were amongst the first new ones I wrote. So, quite simply, here it is….

Mary Magdalene at the Sepulchre by Harold Copping

Mary in the garden

It was in the garden
that Mary stood weeping.
First light, first flush of green
spreading over the warming stones.
A quiet place, now.

Alone, shocked, bewildered,
she did not see the flowers
opening at her feet, or hear
the song of the turtledoves.

For she is one who stands
by a tomb lost, deserted, 
heavy-burdened with grief –
the weight of a million tears –
as if this grief might carry
the pain of us all.

And seeing you, she did not see,
thought you were like a
second Adam, tending the garden
in this strange new dawn.

Then, you spoke out a name
 – her own name. Mary. 
She knew you then.
What must have risen up in that
broken heart, touched as she was
by your tenderness.
Yet as your eyes met,
her hand stopped
in the warming air between you,
singing with birdsong, shining with light.

John 20:11-18, 1 Corinthians 15:21-22

If you would like to read the story, you can find more in the link below….

Easter Retold

James Tissot

Please feel free to use my poem, crediting me and this blog.

Mary and the Angel, Sunday Retold

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by Harald Slott-Moller

The Proclamation of the Virgin Mary by Harald Slott-Moller

Hello blog readers! It’s been a while since posted. I’ve been working on my collection of Poetry for Wild Goose, Iona Publishing, and have now submitted it. It’s been a huge project, taking me just under a year, and I’ve loved immersing myself in weaving together a pattern of words and images. I’ll let you know when I have news of a publication date, but I know it’ll be a little while before they get to it. As a quick reminder, it’s called The Year’s Circle, and it follows the seasons of the year – celebrating the unfolding natural world and the seasons some churches follow in their prayers and readings.

As many celebrate the Annunciation on 25th March, I thought I’d share with you the poem I’ve written for the new book. A meditation on the angel’s visit to Mary. In the book, I’ve placed it in Advent, at the time when we often celebrate Mary. It certainly suits spring too, with the stirrings of new life we see all around. I hope it also reminds us that new beginnings are often hidden, small, and in unexpected places. It reminds us to look beyond the surface of Empire and power, and see what is happening elsewhere. Those things may be more important than we think.

Anunciation 

I see her standing at the doorway
of her home as the earth
quickens at her feet, awakening.

A sudden shaft of light falls on her
and she raises her face to feel it
warm on her winter skin

For one joins her there, on the threshold,
with great wings folded. An indication,
if one were needed, that he comes from
another place, is made of other matter.

And so this strange meeting begins
at the threshold of Earth and Spirit,
Word and Flesh, Eternity and youth.
The shining one greets her
with a song of God’s favour,
of one-to-be-born of her –
as she draws back a breath
into her accustomed room, afraid,

Tests the future with a question.
For this high favour will take
her down a dark path, and a
dangerous one, with sanction
and scorn and incomprehension –
her own too.

Yet, even so, she takes that tentative step
forward, towards the light,
gives her Yes to all this, to being
a God-bearer, carrying the Anointed One
in the closed blood-dark room of her womb.

And so begins this strange folding of
the infinite, the Alpha and Omega,
into a single cell within a slight girl,
the most vulnerable of forms,
this Mary, full of grace.
What strange and troubling
gifts are these to stir the
brightening air.

Luke 1: 26-38

The Annunciation by Domenico Veneziano – Fitzwilliam Museum collection

Many paintings of this scene are strong on architecture. Artists, like Domenico Veneziano, were experimenting with their newly developed techniques of managing perspective. This one has a tiny pinprick in the centre, the vanishing point on which all lines converge. They ususally place Mary inside, or in some kind of indeterminate space like this one – a sheltered, nearly outdoor space. As I was meditating on the passage, I was struck by the image of thresholds, of liminal space, tentative and uncertain but open to possibility. In these early paintings, you often find the angel and Mary facing each other, like this, across the space, and then your eye is drawn to another line directly from the viewer to the background of the image. A window with a glimpse of a view, a door – in this case the door is closed. The closed door is a symbol of virginity, but here, I can’t help thinking of another collection of symbols – the closed off way back to the Garden of Eden, a way out of the confines of law and punishment, a door out into the freedom of a rich and green landscape. This line, front to back, out of the picture, forms a cross with the direction of gaze between the two figures, and that intrigues me. It does seem like an invitation to walk that path out towards the spring, towards new and abundant life.

I notice that many of you good readers are looking at my blog for poems on the themes of Holy Week, so here is a link that will help. I have a couple of new pieces for Easter Sunday, I’ll try to get those up here in the next week. Please do feel free to use my work, crediting me and this blog. It’s so good to know my work is being read in different parts of the world. Thank you for your support.

Holy Week at home – Some readings, poems, and Good Friday resources here on my blog.

Poems: Seven Sentences from the cross



Poem: September. Bees. Ivy.

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This poem has arrived on the blog a little late. It became marooned in my notebook for a while, until I flicked through the pages and found it again. And although crowds of bees are no longer buzzing among the ivy, there are still a few, here and there.

I hope, though, that although this poem arose out of a particular time, it has something to say in other times, too. About stillness. About the restorative power of simply being, and paying attention. About finding our breath again. We all need that. We all need to feel that connection to the rest of the natural world (oh, how I wish we had better language for these things – bear with, it will emerge) which grounds us, and from which we can rise. For those reading this blog who need a little peace right now, I hope it helps. I’m thinking particularly of dear readers in America, where the election atmosphere seems turbulent. I wish you well over the next days and weeks.

The old hedgeline in front of our house has, in places, been overcome by ivy, which has formed its own structures and patterns of flowering and fruiting. Cutting some of it back to make space for other plants to grow, I was careful to leave the ivy flowers for the bees – which will become fruit for the birds in time. Accidentally, I created a little bower, where I put a chair and sat for a while. As I sat I gradually heard the road less and less, as my attention was taken up with the many bees who were enjoying the feast. And so, this poem emerged.

thebiologist.rsb.org

September. Bees. Ivy.

It is taking a while,
this sitting
in a carved out cave
in the ivy.
Just sitting,
stilling, breathing.
A bower of green leaves
above, and above that
blue sky, white clouds.

In time, the hum of bees,
and their intricate woven
patterns of flight,
come to replace thoughts,
become another form
of thought.
So too the birds –
that wren shaking
the leaves, and
the pipping robin.

And this grey and green lacework
of wild is all that separates
me from the roar of the road –
those black lines we make,
always going
somewhere….

And yet, here is a marvel.
More bees than I have
seen all year.  A hum that soothes
the soul. The darkness of butterflies.

These strands of green woven
through the world – not enough,
by no means enough –

But they shelter the bees,
and me. A space for
the soft and alive,
breathing, green in spirit.
We can be here, the bees and me.
We can be, in this hollowed out
hedge, in a cloud of lightfilled wings.

Poem: Mid October Heat

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After some cold damp days, and flooding in some parts of the country, it’s warm and mild – about 6oC above recent average for this time of year. I find myself to be both delighted and unsettled by this lovely soft warmth. I’ve been able to get on with a bit of clearing and composting in patches, it feels like time this year, and making space to ensure the ivy doesn’t take over completely.

I’ve been able to sit in the sun and watch the rising and falling of insects. After the desolate summer of so little life on the wing, this has been such a joy. It is also an encouragement to keep a wild diversity of flowers in the garden, native and from further south, as the insects appear unexpectedly, at strange times. This autumn it feels time, having left it for a few years, to introduce some disturbance and give a chance for a variety of plants to grow. But apart from enjoying the welcome rays, I have also been aware of the wind and rains this extra warmth carries in its wake.
So this poem is an exploration of this turbulence of feeling.

Mid October heat

The sun shines long and low,
as warm as sudden laugher,
a broadening smile
blown in from the south
and damp with oceans,
I can almost smell the tropics
on its strange soft breath.

What do you do with so much
disquieting beauty – with a day
like this, shining, wild and hot,
damp with fever?

The low sun holds too much warmth.
The green around me hums
and sings with growth, rejoicing,
even as the leaves of the trees fade
a little, and tumble across the grass
on this wild hot wind.

I am afraid.
I look up at the strange flows
of air and water above me,
shifting and changing,
heavy and thick,
as the dragonflies rise still,
hunting among gnats,
and the bees hum in this late flowering –
at last, the bees, and here a
hummingbird moth, and
red admirals, all
drunk with sweetness
in these late days.  These late days.

Poem: The most beautiful thing, for Earth Day

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Monday is Earth Day, when many of us especially remember the gifts of the Earth, its fragility, and our responsibilities towards it. Today (Saturday) in my town we’re having a bit of a celebration down by our river, focusing on good local food and organisations which are seeking to care for our patch of Earth. There’s music and friendship and crafts and storytelling, and local businesses who are doing things differently – beautiful local bread and saffron and wild venison and plants and flour ground by our tide-mill among other things. It’s a good way to mark the occasion.

This spring, I’ve been enjoying Simon Armitage’s beautifully illustrated new collection, Blossomise, in collaboration with the National Trust. I highly recommend it. It’s a celebration of the blossom season, transient and determined, which for us starts in February with this lovely cherry plum, or mirabelle, and is carrying on from one tree to another in our growing collection of fruit trees. We have one apple who is always alarmingly late, but the buds are beginning to swell. Maybe by mid May, if its mild, it may offer the season’s swansong. I also highly recommend the beautiful Orchard by Benedict McDonald and Nicolas Gates – I sent a copy to my MP as a gift when she was Secretary of State for the Environment.

I have been thinking of the Japanese love of blossom, and how it’s fleeting ephemeral nature makes it so precious to them, and to the rest of us. In some ways, it’s a modest theme for such an expansive day – when we consider the whole of this green Earth, but I kept being drawn back to it, so here we go. I think what draws me to it is twofold: there’s something about the dazzling beauty of blossom which is so transient, so easily lost which reminds me of the beauty of all the trees, and oceans, and rivers, the great all of the good Earth which we love and are harming and are called to tend and care for. And secondly, there is the draw of the particular. When I look at the big picture, I am often overwhelmed and frequently despairing, and so I choose to focus on the small, the local, the actions I can take for the trees in my area, the bats who will soon be flying over my garden, the sorry state of my – of our – local river. So this poem I’m sharing with you for this day is, like blossom, small and light.

The most beautiful thing

Outside, the blossom is in full glory now,
white star-flowers, delicate as tissue,
on black, angled branches –
like a print by Hiroshige.

I gathered a blown branch
from the ground, and brought it
in to shimmer on my mantelpiece
in a tall green bottle.
It is the loveliest thing in the room,
the loveliest thing I might call mine –
mine, perhaps, not as possession,
but in relation – as in sister
of mine, the dancing blossom tree.

For dance she does as the
cold wind blows,
gusting and wild,
in a snowstorm of petals
that dress the air about her.

And sister she is too, although
the resemblance is slight.
We share kinship in
chilly breezes and soft rain,
nourished alike by this deep
dark soil, and made of it,
depending on the same
gifts of Earth for our
brief time of flourishing.
This felt kinship, truly the
most beautiful thing,

As like her, I dance in the
gusting wind, and like her,
I look for tomorrow
and the promise of sun,
and birdsong,
and I too hope for
the gentle buzz of bees
and the fruit that is to come.

Hiroshige blossom

If you are looking for readings for Earth Day, you might find something on this blog to suit. Please feel free to use my work, saying where you found it.

Here are a few suggestions, but if you search by Nature, Creation, Green, there will be many others

Gaia at Ely Cathedral
Enough
What might it mean, to live well on a dying earth
Rooted
I hear the song of the earth
A parable
The grace of seeds

I thought I might mention here a few podcasts I like to listen to – I’ll just name them as there are so many different podcast providers. A thing I am noticing amongst those who are working with the land and especially the rewilders is the most deep sense of joy, purpose and accomplishment. There is a rising change in our relation to the rest of the natural world, and perhaps a thing we can all do is cultivate a love and practical care of our place, and find others to work with. So, here are some listening suggestions….

The Jane Goodall Hopecast
The Knepp Wildlands Podcast
Rewilding the World with Ben Goldsmith
The Rewild Podcast with James Shooter
Learning How to See with Brian McLaren – latest season is Seeing Nature
Wild Podcast by Grange Project
How to Save a Planet (for a more North American emphasis)

A little tree rehoming scheme……Some of the saplings dug up from my garden and very kindly donated by others. I’ve passed on about 270 now to local people who are planting woods, orchards and hedgerows. Strangely, it seems to be a notion that has found its moment!

Happy Earth Day.
May the place where you live flourish. May the places your food grows be bountiful. May your air and water be clean and life-giving.