Thank you, good people, for the interest you’re taking in my Christmas picture book. I’ve been keeping an eye on availability, where I can, and it does seem to be selling well. It goes out of stock every now and again on Amazon, and they rustle up a few more copies.
Local bookshops have it in stock or to order. For local friends, Woodbridge Books have copies, and St Mary’s House too the last time I asked.
So, I’m rather bashfully encouraging you to order a copy if you were thinking of doing so, as they may well be in short supply for last minute shopping.
It’s available in two formats – a hardback and a slightly abridged board book for the very young. Both are illustrated by Lorna Hussey, and her artwork is enchanting and much loved by small people.
You can find out more about the book by searching on this blog, but this link will give you a good way in.
You can order it from your usual online places, such as….
I’m sharing this post again, September 2025 as part of the Season of Creation some Christian traditions are marking at this time. Meanwhile, I’m continuing to work on a collection of poems for Wild Goose, The Year’s Circle – and this poem is part of that work. I’ll be sharing more on that as we go along.
I hope you find this post a helpful starting point for contemplation.
Additional note, 24th September2023. I am delighted that this post has appeared at The Cottage, Diana Butler Bass’ rich and thought-provoking Substack, this morning. I’ve admired her work for many years, and it’s such an honour, and very exciting for me, to find myself in her company today, under Inspiration. It’s a profound exploration of envy and gratitude, and a reflection on the deep drivers of our climate and ecological crisis. It’s well worth reading and allowing it to do its inner work on us. You can do so here.
Original post, published 12th July 2021, emerging from lockdowns:
As we are beginning to venture out a little more, we thought we would pay a visit to Ely, and the vast indoor space of its ancient cathedral. They often have contemporary art there, which helps the old stones continue to sing, giving a new perspective on ancient truths. We knew that Gaia, an installation by Luke Jerram, was going to be there in July, and so we went and saw this beautiful, astonishing sight. The comparative emptiness of the cathedral space made it all the more powerful as it floated above us.
And as the space is vast, and it takes time to walk up to, around and beyond the piece, you do have time and space in which to allow the work to speak to you, to stir up responses, and to pray. I am sure that one of the intentions is to give us all an opportunity to experience something like “earthrise”, when the astronauts first saw the whole of the Earth from space, and how that shifted their perspective, and began to change the way all of us are able to see our home. The staggering, indescribable beauty of the whole called out my sense of awe, which sat uncomfortably alongside my awareness of the damage we are doing to our precious, unique home.
In the setting of the cathedral, as Gaia hangs in the nave under the painted ceiling which tells the long stretch of the Bible’s story, I found the language of repentance surprisingly, and helpfully, came to mind. Repentance both in our more familiar understanding of sorrow for wrongdoing, and desire to amend, and in the possibly more ancient meanings carried in the old texts, of returning home, and of undergoing a profound change of mind – a paradigm shift in the way you see.
Much of my writing celebrates the beauty of the natural world, how lovely, precious, and vulnerable it is. But sometimes, that love spills over into grief. So the old stones, and the old story, seemed illuminated by our current crisis, and, in turn, those ancient words seemed to express something necessary, and powerful, and, in the end, with the potential for hope.
You can listen to the poem here.
Gaia at Ely Cathedral
She seems to float, lit up with her own light, slowly turning, blue and blooming with clouds as we walk up, look up, small before her.
While above our steps, the familiar painted roof rolls on, telling its painted story, from the tree, and the garden, on towards this
fathomless shining beauty, the ‘all’ that was so very good in that beginning. Now as she turns we see how she hangs below the story’s last scenes – the gift of a beloved child held on his mother’s lap, held forward towards us, loved and given and giving, and the wounded golden king, who gives still.
And below, below hangs the whole shining Earth, dazzling, vast with sea, turning and flowering with clouds from the southern ice-shine, melting although we do not see her weep,
And the land, those small green swathes and swags, are dressed in white too, a veil of vapour, while the deserts spread brown and red above our eyes.
The lands are small, countries seem tales we tell. What is certain is this one great flow – ocean and ice and cloud – and the unseen winds that bear them through our blue, breathing air.
And the people stand beneath her, lit by ice, and hold up their hands as if to carry her, or hold her, or save her from falling.
How beautiful it is. How strange and wondrous that we should be creatures who live within so much living perfection.
And as she turns slowly under the child and the king, I wonder, what do those familiar words mean now, ‘the sins of the world’, as the stain of our reckless harm seeps through the blue and green, through all this living glory,
And is there any hope in our waking up to beauty with grief and loss, even as dust and ashes float across the sky, across us all, late as we are in our repenting?
And is there hope, hope that we might be granted this grace – time for amendment of life, to tend the garden with its leaves and fruit, shining and greening, to take part in the work of loving and healing, of restoration, of making all things new.
Looking at Gaia from behind the communion table brought to mind the words of repentance from that service, and I was aware of my sense of what “the sins of the world” might mean was creaking open a little wider.
Just in case some of you are very organised people who like to plan ahead for Christmas, you might like to know that a new hardback edition of this beautifully illustrated book is coming out on August 22nd.
It was my first book and I love it, and I’m thrilled it’s coming out again for a new audience. And if you have little ones in your life who are of an age for a board book, it’s coming out as one of those too – publication date for that is 26th September. That edition is slightly abridged, but with all the delightful pictures of woodland animals by the very talented Lorna https://www.instagram.com/lornahusseyillustrator/.
To those who follow this blog from the USA, the publishers were keen to say that the book will be available over the Atlantic, too.
Both can be pre-ordered now. Pre-orders do help with publicity and planning, so if you feel inclined, it would be a great encouragement. Meanwhile, the paperback version is still available.
If you are lucky enough to have a local bookshop, they can get them for you. Here’s a link to the publisher’s website for online orders. Of course, it’s also available in all the ususal places for ordering books.
Here’s how it begins…
And you can read more about it elsewhere on my blog, for example…
Thank you all for your support and encouragement. My mind has been full of the poems I’m weaving together for my poetry collection lately, and I’m aware I haven’t been posting on here quite as often as sometimes – I’ll try to keep remembering to do that! And next year, there’ll be lots to share!
I’m so delighted to be able to share with you that I’ve just popped a contract in the post for my first published collection of poetry. Some of you will know the publisher, Wild Goose of Iona, and they’ve been so kind and efficient in coming to an agreement about what we’d like to do together. It should be out next year.
We plan to call it The Year’s Circle, and I intend it as a collection to accompany you through the year. It will weave together poems drawn from Bible stories marking the seasons, such as upcoming Easter, with poems drawn from nature – so the two main strands of work you will find on this blog. I hope it will be good for your own reading and also sharing together with others in groups, churches and festivals. I know many of you already use the poems you find here in those ways.
The Celtic tradition has an idea of God’s two books – the Bible and Creation – and I’m intrigued by that idea and am looking forward to exploring what it might mean.
The collection will include some of the poems you’ll find here as well as new work. I intend to share progress with you as I go along – giving you tasters of the new poems, as well as some insight into the process.
I want to thank you all for being here, for your support and encouragement. It’s played a huge part in making this new venture possible, and I really look forward to including you in the process.
I’m blown away by this opportunity, it’s so good, and I’m really looking forward to getting going with drawing together something beautiful and nourishing in these difficult times. I really hope it helps.
This poem has arrived on the blog a little late. It became marooned in my notebook for a while, until I flicked through the pages and found it again. And although crowds of bees are no longer buzzing among the ivy, there are still a few, here and there.
I hope, though, that although this poem arose out of a particular time, it has something to say in other times, too. About stillness. About the restorative power of simply being, and paying attention. About finding our breath again. We all need that. We all need to feel that connection to the rest of the natural world (oh, how I wish we had better language for these things – bear with, it will emerge) which grounds us, and from which we can rise. For those reading this blog who need a little peace right now, I hope it helps. I’m thinking particularly of dear readers in America, where the election atmosphere seems turbulent. I wish you well over the next days and weeks.
The old hedgeline in front of our house has, in places, been overcome by ivy, which has formed its own structures and patterns of flowering and fruiting. Cutting some of it back to make space for other plants to grow, I was careful to leave the ivy flowers for the bees – which will become fruit for the birds in time. Accidentally, I created a little bower, where I put a chair and sat for a while. As I sat I gradually heard the road less and less, as my attention was taken up with the many bees who were enjoying the feast. And so, this poem emerged.
thebiologist.rsb.org
September. Bees. Ivy.
It is taking a while, this sitting in a carved out cave in the ivy. Just sitting, stilling, breathing. A bower of green leaves above, and above that blue sky, white clouds.
In time, the hum of bees, and their intricate woven patterns of flight, come to replace thoughts, become another form of thought. So too the birds – that wren shaking the leaves, and the pipping robin.
And this grey and green lacework of wild is all that separates me from the roar of the road – those black lines we make, always going somewhere….
And yet, here is a marvel. More bees than I have seen all year. A hum that soothes the soul. The darkness of butterflies.
These strands of green woven through the world – not enough, by no means enough –
But they shelter the bees, and me. A space for the soft and alive, breathing, green in spirit. We can be here, the bees and me. We can be, in this hollowed out hedge, in a cloud of lightfilled wings.
After some cold damp days, and flooding in some parts of the country, it’s warm and mild – about 6oC above recent average for this time of year. I find myself to be both delighted and unsettled by this lovely soft warmth. I’ve been able to get on with a bit of clearing and composting in patches, it feels like time this year, and making space to ensure the ivy doesn’t take over completely.
I’ve been able to sit in the sun and watch the rising and falling of insects. After the desolate summer of so little life on the wing, this has been such a joy. It is also an encouragement to keep a wild diversity of flowers in the garden, native and from further south, as the insects appear unexpectedly, at strange times. This autumn it feels time, having left it for a few years, to introduce some disturbance and give a chance for a variety of plants to grow. But apart from enjoying the welcome rays, I have also been aware of the wind and rains this extra warmth carries in its wake. So this poem is an exploration of this turbulence of feeling.
Mid October heat
The sun shines long and low, as warm as sudden laugher, a broadening smile blown in from the south and damp with oceans, I can almost smell the tropics on its strange soft breath.
What do you do with so much disquieting beauty – with a day like this, shining, wild and hot, damp with fever?
The low sun holds too much warmth. The green around me hums and sings with growth, rejoicing, even as the leaves of the trees fade a little, and tumble across the grass on this wild hot wind.
I am afraid. I look up at the strange flows of air and water above me, shifting and changing, heavy and thick, as the dragonflies rise still, hunting among gnats, and the bees hum in this late flowering – at last, the bees, and here a hummingbird moth, and red admirals, all drunk with sweetness in these late days. These late days.
Firstly, an apology if you don’t like wasps. I promise this is the only photo you’ll see here. If you can bear to persevere and read the poem, you’ll see how I’ve shiften a little in my view of them, and I hope that might help.
Picture – Gedling conservation trust – Common wasp
Thank you for bearing with me as I took a bit of a break from writing here over the summer. I do hope to share more with you as the days shorten and outside is a little less enticing.
There are notes in my notebook, ready for some further sharpening of my pencil. One of the things that’s really struck me this year has been the absence of insects here in the UK. Wet and cold earlier in the year, while not newsworthy compared to other weather events, seems to have stricken many of our insects and affected those birds and bats who feed off them. I am pleased to see the garden lighting up with wings, late as it is, and that has lifted my spirits. It’s been a strange, unsettling time, though, looking at the flowers that normally draw bees and butterflies, and finding them empty. I’ve wondered when to cut the meadows down, and left it late, so the last flowers might provide something for these missing friends.
Earlier in the year. A feast spread, but where are the guests?
The Butterfly Conservation trust have just published the results of their Citizen Science Survey, and found that the numbers are very low this year. You can read more about that here.
It’s also been strange to enjoy picnics without being troubled by wasps. I have been suprised to find I miss them, and worry about how they’re doing.
And so this morning, I saw a wasp. One of so few this year. And I wrote this.
Wasp
This morning, eating breakfast, slow, I heard a buzz and a tap against the light-streaming windows.
Buzz and tap, buzz and tap. I turned, saw a wasp on the window, and felt joy rising, and knew how strange it was to feel that joy at the sight of her – joy, and compassion, too, as she bumped and bumped against our shining window.
Oh, hello, I whispered, Don’t be afraid, you’ll be out in no time!
And, glass and paper in hand, I released her. She lingered a moment on the rim, gently waving her stinger up and down, then spread wings, flew into the clear September light, bright with late flowers.
And I laughed. Years ago, I would have flapped her away, swatted her even, afraid. And here I was, whispering to a wasp. Years ago, there would have been hundreds.
Not this one solitary marvel, striped, miniature perfection, buzzing and beautiful, in search now of the sweetness of a fallen apple, the ivy thick with bees.
Precious, so precious. Late as it is, I am learning how precious life is.
Edit: 11th November 2025
I was sent this film of the poem by Joseph Davidson. Do watch it, it’s very good.
Monday is Earth Day, when many of us especially remember the gifts of the Earth, its fragility, and our responsibilities towards it. Today (Saturday) in my town we’re having a bit of a celebration down by our river, focusing on good local food and organisations which are seeking to care for our patch of Earth. There’s music and friendship and crafts and storytelling, and local businesses who are doing things differently – beautiful local bread and saffron and wild venison and plants and flour ground by our tide-mill among other things. It’s a good way to mark the occasion.
This spring, I’ve been enjoying Simon Armitage’s beautifully illustrated new collection, Blossomise, in collaboration with the National Trust. I highly recommend it. It’s a celebration of the blossom season, transient and determined, which for us starts in February with this lovely cherry plum, or mirabelle, and is carrying on from one tree to another in our growing collection of fruit trees. We have one apple who is always alarmingly late, but the buds are beginning to swell. Maybe by mid May, if its mild, it may offer the season’s swansong. I also highly recommend the beautiful Orchard by Benedict McDonald and Nicolas Gates – I sent a copy to my MP as a gift when she was Secretary of State for the Environment.
I have been thinking of the Japanese love of blossom, and how it’s fleeting ephemeral nature makes it so precious to them, and to the rest of us. In some ways, it’s a modest theme for such an expansive day – when we consider the whole of this green Earth, but I kept being drawn back to it, so here we go. I think what draws me to it is twofold: there’s something about the dazzling beauty of blossom which is so transient, so easily lost which reminds me of the beauty of all the trees, and oceans, and rivers, the great all of the good Earth which we love and are harming and are called to tend and care for. And secondly, there is the draw of the particular. When I look at the big picture, I am often overwhelmed and frequently despairing, and so I choose to focus on the small, the local, the actions I can take for the trees in my area, the bats who will soon be flying over my garden, the sorry state of my – of our – local river. So this poem I’m sharing with you for this day is, like blossom, small and light.
The most beautiful thing
Outside, the blossom is in full glory now, white star-flowers, delicate as tissue, on black, angled branches – like a print by Hiroshige.
I gathered a blown branch from the ground, and brought it in to shimmer on my mantelpiece in a tall green bottle. It is the loveliest thing in the room, the loveliest thing I might call mine – mine, perhaps, not as possession, but in relation – as in sister of mine, the dancing blossom tree.
For dance she does as the cold wind blows, gusting and wild, in a snowstorm of petals that dress the air about her.
And sister she is too, although the resemblance is slight. We share kinship in chilly breezes and soft rain, nourished alike by this deep dark soil, and made of it, depending on the same gifts of Earth for our brief time of flourishing. This felt kinship, truly the most beautiful thing,
As like her, I dance in the gusting wind, and like her, I look for tomorrow and the promise of sun, and birdsong, and I too hope for the gentle buzz of bees and the fruit that is to come.
Hiroshige blossom
If you are looking for readings for Earth Day, you might find something on this blog to suit. Please feel free to use my work, saying where you found it.
Here are a few suggestions, but if you search by Nature, Creation, Green, there will be many others
I thought I might mention here a few podcasts I like to listen to – I’ll just name them as there are so many different podcast providers. A thing I am noticing amongst those who are working with the land and especially the rewilders is the most deep sense of joy, purpose and accomplishment. There is a rising change in our relation to the rest of the natural world, and perhaps a thing we can all do is cultivate a love and practical care of our place, and find others to work with. So, here are some listening suggestions….
The Jane Goodall Hopecast The Knepp Wildlands Podcast Rewilding the World with Ben Goldsmith The Rewild Podcast with James Shooter Learning How to See with Brian McLaren – latest season is Seeing Nature Wild Podcast by Grange Project How to Save a Planet (for a more North American emphasis)
A little tree rehoming scheme……Some of the saplings dug up from my garden and very kindly donated by others. I’ve passed on about 270 now to local people who are planting woods, orchards and hedgerows. Strangely, it seems to be a notion that has found its moment!
Happy Earth Day. May the place where you live flourish. May the places your food grows be bountiful. May your air and water be clean and life-giving.
I must admit to feeling disheartened in the run up to another COP, where the oil and gas companies seem to be seeing the talks as an opportunity to do business, rather than prioritise moving to cheaper and cleaner and more local alternatives. The powers that be sometimes seem especially powerful.
So here’s a tiny, smaller-than-David-vs-Goliath idea which is currently happening in my drive. Just in case any of you good readers feel similarly, and are looking for small but meaningful actions. There’s a lot of us who care, who want to leave the world in as good a state as we can. So, rather than despairing over what isn’t happening, here’s something that is. Mighty oaks from little acorns and all that…..
It all started a couple of weeks ago, when my husband came across one of our old neighbours digging tiny tree seedlings out of a council flowerbed. Unsuprisingly, he asked her what she was doing. She replied that a friend of hers had two acres she was trying to replant as woodland, and was looking for trees. Now, I express unease on a regular basis about the number of tree seed- and saplings I pull out of our garden. The squirrels are very keen on planting nuts, which germinate remarkably well for instance….. So, he mentioned it to me, and I got in touch with the lady with the two acres. I dug out all the readily available saplings, and began to collect them from other people. The first load of about 100 trees went to her, and to someone else who has twelve acres they’re rewilding.
I wondered if other people might have spare trees in their garden, so emailed my friends at Transition Woodbridge, who passed the message on. Trees are arriving most days, and another person has expressed a need for small native trees, especially ones suitable for growing in a hedge. Another friend also has a number of oaks springing up in her allotment. So we have more sources of trees, and more places where they can go. It’s always good when actions become collective, when people gather together and all do the little bit they can.
Now, who knows where this will go, but for now, I reckon we’ve easily been able to provide a new home for getting on for 200 infant trees. That’s not nothing. That is something. It’s food for insects and birds, it’s shelter, it’s improved soil fertility and water management, it’s less carbon and more oxygen. It’s one in the eye for despair, too.
So, here’s to taking the small actions we can. You never know where they might lead. In 100 years from now, those nine tiny oaks might be home to many creatures, having a profoundly positive impact on soil, air and water …. And carbon. Nearly all life on the planet is carbon based, after all.
The practice of wandering – often around the garden – contines to be a a helpful one for me, quieting and contemplative. The practice of standing still and looking, too. Quite a lot of apparent “nothing” seems to be fertile ground, after all. Something catches my attention, as if it is saying: ‘look, here is something, a marvel, a meaning, a glimpse of beauty’. I am coming to think they are happening all the time, and what makes the difference is my openness to seeing, hearing and knowing them.
And so, when the sun broke through after the rain, I went outside, and sat on my coat, and looked. Some distance across the lawn, I saw a bright red light, flashing, and, curious, saw a drop of rain acting as a prism. I watched it for as long as the angle of light made it shine with colour. It called to mind two ancient stories – the burning bush, and the flood – from the Hebrew Scriptures. How the world is full of epiphanies. And again, I was in awe of the way the natural world – of earth and fire, water and air – invites us to listen, to pay attention, to wonder.
A solitary shining drop
Just now, I saw the sun catching a raindrop as it rolled so slowly down a sedum stem, fleshy and green.
It shone through red, rich, neon and ruby, flashing as the stem swayed in the breeze, taking the drop through that one ray of light, back and forth.
Then it suddenly changed to the dazzling blue of cobalt and lapis lazuli – oh, heavenly blue. Heavenly blue.
Just now, for a moment, this treasure made of light and rain, this solitary shining drop becomes a tiny shard of promise, a slim fragment of the arc that holds the sun and the rain.
It all speaks. All speaks. In the mind’s quiet, and in a flash of brilliance that turns your head. A gentle whisper and a burning bush, both. A drop and a rainbow. The world shines with meaning, murmuring, as the green earth is drenched by sun and rain.
Andrea Skevington 