Poem: What the space holds

Gradually, we’ve been reducing the size of the unmown places in the grass. It’s been growing so fast this year, and the flowers have had a second and a third go. The sun and the rain have kept everything flourishing. There are small frogs and grasshoppers, and many bees still. It’s worth going very slowly, giving everyone a chance to hop out of the way, and leaving places of refuge. Little by little….

I wish I’d taken a picture of this patch above in the week before it was cut, when a round shape appeared flattening the stems. We were pretty sure it was the muntjac who is a regular visit to the garden – earlier this year, there was a youngster too. You can read more about the deer in the garden here and here. She is a joy.
I do worry about her crossing the road between the woods and the garden, about the speeding cars – but the only time I have ever seen her trotting along the road, everyone stopped and waited for her to be safe. Kind drivers!

As I sat by her space I imagined her presence. I felt the hum of the cars through the ground. And I thought of all the places where the creatures who used to make a home no longer do – all the absences. I felt the loss, even as I felt the beauty and abundance of this late flowering meadow. And so this poem emerged, in fits and starts. It’s taken its time, has a basenote of loss, and I hope it carries the gentle tenderness of the deer, and the many creatures I feel kin to even in this one garden.

What the space holds

There is a space in the long grass,
a flattened disc of green stems,
while all around late flowers
nod. A curved bowl, waiting,
rimmed with golden light.

Low down, face close to grass,
I hear the hiss of breeze through
stems, the buzz of bees, crickets,
even, perhaps, butterfly wings.
But there is no trace of whoever comes
here, night after night, and circles, and
settles to sleep. Too sweet a hay-smell
for fox or badger, too big for cat.

I open my mind’s eye to the night,
quiet, and across my heart
a dark shape with long,
delicate legs steps gently,
picks her way through the black
shimmer of stems and fills
this space with a shadow –
a shadow whose heart beats and
ears twitch. I see a dream-deer,
breathing, her brown sides rising
and falling as the space fills
with living warmth, with the
softness of deer, with the gentleness
of one who comes by night.

And as I dream, as I treasure
the absent deer, I think of all
the empty spaces
and places, holding now
only memory, fading,
or worse, nothing.
I think of the absences
that there have been
and that are yet to come.


Patterns cut out of sky where flocks of birds,
tumbles of bees and butterflies are not,
but once were. The rivers where
there were fish, who are not.
Places where the beavers and the big cats
and the red squirrels are not, and their spaces
cradle nothing, empty and mourning,
Earth’s arms aching.

This soft round space that has
become a bowl of dreams
does not know if the sweet deer will
return tonight, as car sound
rumbles through the earth.

This bowl in the grass
ringing with her absence, with
the absence of all creatures who
are not here, but who once were,
as I run my finger around the rim,
and feel the tremor of loss upon me,
and through me. May she be safe.
May she and all creatures be safe.

The final lines of blessing draw on the Buddhist practice of metta, or lovingkindness, meditation, which I have found deeply helpful and incorporate into my prayer and contemplation regularly.

When I was writing about the spaces where creatures are not, I remembered a wonderful Matisse exhibition we went to of his cutouts, done in his final months and filling his rooms with birds and flowers. I imagined the pieces of paper uncuring from his scissors and falling to the ground. I wondered if what we would be left with would be these negative spaces, with the birds and flowers no more, or if we would find our hearts opened to care for those we share this beautiful green world with.

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