Light

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It’s nearly the equinox.

It is noticeable now, how quickly the light is drawing back from the edges of the days.  Outside jobs cannot be left. A torch is sometimes useful.  I do mourn the loss of light, but know that the darkness has its compensations – lamplight, wood fires, stars.

Below is a poem I wrote on Sizewell beach.  The photos above are from Walberswick, a little along the coast, where the North Sea has the same dark beauty.  I sat on the beach as the light faded, both watching and experiencing the loss of it, and the spread of the deeper blue of early night.  I saw my field of vision narrowing, and had a sensation of being, therefore, somehow at the centre, at the focus of what light there was.  An illusion, of course, based on the wonderful way the eye works – but a powerful and helpful one.  It enabled me to get off the beach when I finally turned my back on the sea.  It is like having a lamp for your feet.

While it lasted, that sense of being at the centre – one of many centres – was a place of prayer, a sacred place. I was aware of God, the source of light – and also of the light, the sea and the sky that were around me.  It was one of those times outside time, when we simply are, and are aware of that which is greater than us – aware of our own smallness, and our own participation in something vast, and beautiful.

Light, and its absence, have been on my mind as I have been writing about Jesus’ I AM sayings, particularly “I am the Light of the World”.  Perhaps that’s why this villanelle surfaced in my memory.

It is a loose interpretation of the verse form, with its three line stanzas and repeated lines, circling around, but it was the one that seemed to fit what the poem was trying to be.

 

LIGHT

Here, quiet on this stony shore, light
drains from the edges first. Blue deepens to blue,
leaving one pool of brightness against the night,

as the starlight, faint at first, shines bright
on the black waves that rise and fold,
here, quiet on this stony shore. Light

flecks the foam that trembles and shines white,
as the circle of darkness turns closer,
leaving one pool of brightness against the night.

Now, in the blackness, bright birds stop their flight
and shut their starfilled eyes against the dark.
Here, quiet on this stony shore, light

shines on white pebbles, shimmering and starbright
as shadows seep and spread like tar rising,
leaving one pool of brightness against the night.

The stars, the foam, and the pebbles shine with light
that washes and wells and rises
here, quiet on this stony shore. Light
leaving one pool of brightness against the night.

 

 

Honesty

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Image from higgledeygarden.com

Where do ideas come from?

You may have decided you would like to write, or paint, or undertake any creative practice, but  white space stares back at you from the paper, or the canvas, or the screen, and your mind feels as blank as the page.

What helps me is to begin.  That means deciding to fill up a page – not trying to accomplish anything grand, or anything specific – showing up at the page and filling it.  Often I do this outside, and often I end up writing about the things I see around me.  Sometimes, as I do sisomething catches my attention.

This time, it was the seed-heads of the honesty.

 

Honesty

The seedheads are drying.
They were purple green, fleshy,
lit up dancing by the summer sun,
and now they are thin, and dark,
like the cratered moon seen
through thick smoke,
or burnt paper with
smudged, forgotten words.

And now, as they dry,
the seedheads rattle and split,
shucked by the north wind,
shedding one half of themselves,
the darker half, those thin circles
rolling over the green lawn.

What is left is shining like
an open shell, glowing
in low light like
so many clear moons
caught in a white net.
Now, they are showing
their heart-colours,
pale and lovely at last.

Day of Prayer for Creation – a Parable

 

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Photos of a walk taken near Wandlebury Ring and the old Roman Road, Cambridgeshire

September 1st is a day when we make Creation the focus of our prayers, knowing that others around the word are doing so. It is the first day of the Season of Creation, which ends on October 4th.  As I was praying for our hurting world, the story below came into my mind. I hope it may help you, as it has helped me, focus my prayers with urgency, and consider how I can live in a way which respects the beauty and glory of Creation, and the love of God for it all.  I have found, over recent years, my eyes and my heart have been opened to both the pain and beauty of the world around me, and the many ways the natural world is honoured in Scriptures, particularly in the prophets.

Jesus invited us to consider the flowers of the field, and the birds of the air, and learn from them the heart and mind of God.

If it helps you, please feel free to use and share it, saying that you found it here.

 

 

The parable of the good craftsman

Once there was a craftsman who had two children. As you might expect, he had built a beautiful house out of seasoned wood, with wide windows that looked out over his lush green fields, his flocks and herds.  He had made fine, carved furniture for his house, and he had smiled when he made it, and said, “That’s good!”  He had made beautiful plates and cups and jugs out the red clay near his house, he had smiled when he made those, too, and said, “That’s good!”  He had made a sheepfold to keep his flocks safe, and smiled, then, too.  In fact, all that was around him was good and flourishing and abundant, and as he looked at it all, he laughed out loud and said, “That is all so good!”

The day came when he needed to go on a journey, as the people in these stories often do.  He thought, “My children are old enough to be left in charge now.  They have watched what I did, some of the time, and I have told them how good it is.”  And so he left, and the children looked around, and they, too, saw that it was good.  So good, in fact, that they started to think how much it was all worth.  So they sold the furniture, and the plates and cups and jugs, for a fortune.  They were made by a master craftsman, after all.  The plastic ones they bought to replace them were good enough. They looked at the lush green fields and thought, “We could rear more animals in pens.”  So they did: twice as many, three and four times even, the poor creatures.  They sold the pasture they no longer needed, and a factory and a car park grew there, large and grey and ugly.  The water from the well their father had dug became bitter, but they bought water in bottles with all the money that they had made.

Then, the time came for the father to return.  As he drew near the house, he noticed the trees along the road were withered and dying, and his smile left him.  He came across a bird trapped in plastic that blew across the fields, and he set it free.  Then, near the house, he found a thin child sitting by the side of the road.
“What is the matter?” he asked.
“I drank water from the stream that flows from over there, by that factory.  It tasted bad. Now I’m sick.”  The father gave the child water from his own flask, and picked up the child to take home. He had herbs for medicine there.

But when he got even nearer, he could see that the factory was on his own land, and that where his own fields should be was all noise and smoke.  He could see the plastic rubbish spilling over from his own front garden, from where the flowers and the vegetables and the herbs had been.  He saw his own children, with grey, indoor faces, and said, “what have you done?”
“Father, we are so pleased to see you!  Come inside, we will bring you the accounts and you will see what we have made!”
“That is not the kind of making I intended you for!” replied the father. “And see, see this child, poisoned! How will you enter that in these books of yours?  What have you done with all that I have made – do you not know that I love it all?”

 

 

 

Some prayers from the first chapter of Prayers and Verses

 

Lord, purge our eyes to see
Within the seed a tree,
Within the glowing egg a bird,
Within the shroud a butterfly.
Till, taught by such we see
Beyond all creatures, thee
And harken to thy tender word
And hear its “Fear not; it is I”.
Christina Rosetti 1830-94

 

O God, enlarge within us the sense of fellowship with all living things, our brothers the animals to whom thou gavest the earth as their home in common with us.
Basil the Great c330-379

 

He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.
Samuel Taylor Coleridge 1772–1834

 

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Coleridge’s Ancient Mariner – at Watchet, the place that inspired him.

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Rain

 

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So, today, it rains.  I am loving listening to the sound of it fall o the dry ground, the coolness, freshness, even the greyness of the sky and the newly soft light.

While waiting for the rain, my mind turned back to this poem.  I wrote it a couple of years ago, and so the raspberries in the pictures, this year’s crop, are healthier than the ones described below.  Water has been on my mind as I’ve been working on my  new book   on John’s gospel – water poured out as an offering, water to wash the eyes of the one born blind, water the bubbles up within you, so you are never thirsty again.  That gets closer to the other kinds of thirst here, in this poem.  There are many things we can be thirsty for.

Rain

The breeze stirs the raspberry patch,
the leaves with crisp yellow edges
rustle under their net,
and under them
are deep red fruits, dusted grey,
The colour of blood spilled
not today, or yesterday,
but months ago.

They are strong,
an intense sharpness.
They have lost their sweetness.
Yet, even so, the blackbird balances
on the net,  reaching down
with a hard yellow beak.

The ground beneath is grey, too, and
fissured like the fruit.
The heat rises, stillness falls on the ground
like thin shadows.
This thirst, this longing for rain,
grows stronger.
Desperate.
Joy, and gentleness,
love and lovingkindness.
Presence and peace.
These I long for.
I need them like flowing water.
Come like the rain.
Come to us like rain.

Flags

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Seeds – such extraordinary, tiny, dots of potential, each one full of flowers.  I tend to let the plants I love run to seed, and then I have handfuls of treasure to bury in the ground, for the seed must fall to the ground to grow.  In this case, the ground is the small and unpromising strip of land beyond my boundary, by the road.  It does no harm, that I can see, to sow here, and it carries the possibility of  something beautiful happening where there was little beauty before.

The difficulty with planting wild seeds in wild places is that they are unlikely to grow.  As such, they can seem more like signs of disillusion and futility than of hope.  I was wondering whether we can engage in acts of hope, of planting, of goodness and joy, for their own sake, and then, simply be delighted when something beautiful comes of it.  I sow and I forget that I sow, but, nonetheless,  I now have a few small flowers of campion, scabious and harebell growing where none grew before.

The sun and the rain are beyond my power, but the sowing is entirely within it..

 

Flags

The seeds are ripening now –
bluebells and red campion,
scabious and harebells –
in this space, this enclosed
garden space

So I offer them to friends,
and I cut the ripe stalks down
and gather them in my hands,
carrying them like so many
ceremonial flags –
my colours.

I take them to the thin strip
of ground beyond my flint wall,
making cars slow for me
as I scatter in this hot,
unpromising soil.
Yet, nonetheless,
I am filling it up with seeds,
slowly, year on year,
colours blazing in my mind.

Most will not take,
but the seeds are there,
and the ground is there,
and so what is there to do
but to sow, freely,
not expecting return,
amazed and laughing
when they grow.

 

 

 

Nest

Pigeon update: and today, just a few moments ago, they fledged!

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andreaskevington's avatarAndrea Skevington

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Poems can tell stories – I hope this one does – stories which seem to have a meaning beyond the events.  This is a story from the past week or so in my garden –  one of the many that unfold daily.  The story of a pigeons’ nest I uncovered.

As I began writing, I thought of the dilemma we all face as humans sharing their home with other creatures – how to live lightly, how to nurture and care for all who share our little bit of land.  As a large and powerful creature in this world, I have responsibility. I wrote about feeling like a giant in my own garden in Pulling up trees. In this instance, I had not seen the parent birds going in and out of this shrub. I thought I knew where all the nests were. I thought I had left it late enough…

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Nest

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Poems can tell stories – I hope this one does – stories which seem to have a meaning beyond the events.  This is a story from the past week or so in my garden –  one of the many that unfold daily.  The story of a pigeons’ nest I uncovered.

As I began writing, I thought of the dilemma we all face as humans sharing their home with other creatures – how to live lightly, how to nurture and care for all who share our little bit of land.  As a large and powerful creature in this world, I have responsibility. I wrote about feeling like a giant in my own garden in Pulling up trees. In this instance, I had not seen the parent birds going in and out of this shrub. I thought I knew where all the nests were. I thought I had left it late enough. I was mistaken..

As the days passed, I cheered the two youngsters on as they adapted to their new situation – a nest with a view.  Their mother just carried on caring for them, a little nervously at first, protecting them from rain, feeding them, sheltering them from the midday sun, even though they were now exposed to the crows, and the buzzard, that fly overhead.  Without that care, they would not have survived.  With it, they are thriving still, despite my unintentional assault on their home. No one in this family is giving up.

When I speak positively of their new, open situation, of course that is not about the birds, but about me.  The birds are better off hidden.  I was beginning to think of how we, when faced with hard change, can raise our eyes, and find courage and hope in even an unaccustomed view.
The world is full of parables.

 

Nest

I leave things wild.
I plant flowers the bees
and butterflies
love.
Ground cover
covers the ground,
and frogs and newts
rest in the shade.

So, this is not what should happen
when my window is crowded with leaves
and I wait till high summer
till the birds are quiet
to cut
hard and deep.
Satisfyingly
the ratcheted loppers
slice through wood.

I stop

As I see those two strange
black creatures,
yellow feathered,
shaking in their nest.
I step back, as quietly as I can,
shaking too,
a destroyer of their world.

Inside, I close the curtain,
peep around to see
the mother bird nestles them,
tends and feeds them.

They thrive and grow
in this newly open nest,
small strange dinosaurs,
now fledglings
stretching their wings,
seeing all that space
all that light
in which to rise,
and fly.

 

 

 

Heron

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photographer unknown

The River Deben near my home – a place where I walk as many days as I can – ebbs and flows through my thoughts and my writing.  It is tidal here, edged with mud and reeds, and it is rich with life.  There is always something to see, if you look.

In this case, I did not see the heron my walking by the quiet creek disturbed, not until it took off, anyway.  I thought of how attentive I need to be, and sometimes am, as a writer.  How I need to be open to what is going on around me, to notice and to receive.  In the poem I talk of hunting for words, as the heron for fish – but it is not just the bright silver words, it is also being alert for meaning, for truth, for connection.  The words do not feel like mine, always, they do feel like something caught, overheard, given – even when they are wrestled with later, honed and rearranged until they better match what it is that I experienced.  Then, I set them free.

 

Heron  

The heron takes off –
ragged, heavy, a smudged
mud-grey, a shadow-grey
I had not seen it there

Its feathers, pointed reed-leaves,
its legs, thin in the wind reed-stems
its downbeats long and laboured,
straining, slow, like my August walking.

This is how it would have been, though,
before: still and silent in the reeds,
hidden, waiting for the moment
to spear one bright silver fish,
a swift stab of that powerful beak,
then back to silence, stillness.

As my path shimmers in the heat,
the soles of my feet hot through my shoes,
I think that is where I too would be,
hidden in cool reed-shadows,
in stillness, quietness, watching for
bright silver words to dart by,
catching them with my mouth.

But then I look up, and see those
long black flight-feathers finally bite
the air, and the heron, neck doubled back,
soars high, at last, over reedbed,
over river, its down-arched wings
wide over the earth.

 

And, a short extract from the first chapter of Prayers and Verses

 

Lord, purge our eyes to see
Within the seed a tree,
Within the glowing egg a bird,
Within the shroud a butterfly.
Till, taught by such we see
Beyond all creatures, thee
And harken to thy tender word
And hear its “Fear not; it is I”.
Christina Rosetti 1830-94

 

O God, enlarge within us the sense of fellowship with all living things, our brothers the animals to whom thou gavest the earth as their home in common with us.
Basil the Great c330-379

 

He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.
Samuel Taylor Coleridge 1772–1834

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Days

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Hurry.  I am ill suited to it – especially as the days grow hot.  I wrote this poem as a kind of rebellion against the feeling that my time was constrained, not my own, running away from me while I seemed to have none of it for the important things.

So I snatched time, and wrote.  As I wrote, as I paid attention to what was around me, I felt the time slow.  I felt myself breathe again. I felt the hard shells of the seconds soften, crack, and open like the seeds in the ground – become things of infinite possibility again.  I realised that, although my home is not the manor described in the poem, there are ways in which it is.  I can inhabit my days as if they were timeless, spacious, connected.  By slowing, by paying attention, by breathing, I found what I needed.  Most of all, though, for me, it is by writing.  Writing freely, writing the moment before me, is a kind of contemplation. It can become a kind of prayer.
I am reminded of Mary Oliver’s great advice –

Pay attention   Be astonished   Tell about it.

This poem was highly commended for the Crabbe Memorial Prize.
You can listen to it here

 

Days

There is little time –
flowers run to seed so fast under
this strong sun, this dry blue sky,
their leaves curling crisply, blanching.
Their hurry towards death unsettles me
as their stems rattle brown, poppyseeds
pouring through my fingers, tiny and dark,
pouring away like hard-shelled seconds.

I want to inhabit each day slowly, quietly,
as if it were an ancient manor among gentle lands,
with warm red brick thick with years,
that smells of fires, and of rosepetals
as they overflow cracked china bowls,
where time hangs in the spaces between
each tick of the clock, and open doors
let in the endless songs of trees.

There, I could think – uncurl fresh leaves,
as time shimmers like the deep pool, full of lilies,
where the bright dragonfly waits, and waits.

Bees

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Hot and thundery, the English summer arrives – it’s too much all at once, at least for me.
Here is a small poem written watching the bees through my window, on the powerful, vivid, lavender.
It is also a poem touching on transformation, something that is beginning to emerge as a theme, although I am not quite sure where it is taking me……. which is perhaps, the point.

Bees

I watch them on the lavender,
each purple flowerstem a pendulum of bees,
keeping time with its humming weight,
White and red tailed, bumble and carder.

A few honeybees come, too,
so few, and already yellow
with sweetness.
And butterflies – cabbage whites,
bright as paper – unfolding
in the scent of flowers.

When the summer storms come,
when storm-rain falls in drops
as big as bumblebees, and
hail clatters against the glass,
they rise, as one, and fly
between the drops, too fast
for me to know where they shelter.

They return to rainwashed flowers
one by one as I gather a few new stems
bright, fragrant, and roll them
slowly in a jar of sugar,
ready, in the time to come,
for delicate sweet biscuits,
icing for dainty cakes.

I do not have the alchemy of bees,
but I have my own, under this roof.